First Look: Fujifilm MK Series Cinema Lenses
Fujifilm today launched two exciting new cinema zoom lenses: the FUJINON MK18-55mm T2.9 and MK50-135mm T2.9. The two lenses are t...

VariCam Firmware Updates
This week Panasonic released firmware Version 7.0 for the VariCam 35 and HS, and Version 5.0 for the VariCam LT. These updates fe...

At the Bench: Recording RAW to Odyssey 7Q From Varicam LT
The Panasonic VariCam LT offers a legendary look in a compact digital cinema camera. Combining the VariCam LT with the Convergent...

Anton Bauer Broadcast and Cine Battery Comparison Chart
Anton Bauer quickly became a staple for both video and broadcast cinematographers with their robust and reliable batteries. With t...

A Closer Look: ARRI/ZEISS Master Primes and Ultra Primes
Choosing the make of the lenses you use on a project is one of many ways to create a look. The quality and characteristics of a l...

At the Bench: Introducing the Phantom VEO
The Phantom VEO from Vision Research brings many of the features and tools from their Flex cameras into a compact and rugged form...

At the Bench: A Closer Look at the OConnor 2560 Fluid Head
The OConnor 2560 can be thought of as the little brother to the 2575. However, with a payload weight of up to 83 lbs it is hardly...

Top Blogs of 2016
As the year officially draws to a close, it’s time for our annual round-up of the most popular CineTechnica blog posts over...

At the Bench: ARRI SkyPanel S60-C
The ARRI SkyPanel is an LED soft light that is packed with features. The SkyPanel comes in two different configurations and three...

At the Bench: Sachtler FSB 10
The Sachtler FSB 10 is the latest addition to their FSB line. This fluid head features a 100mm ball mount, allowing the head to b...