Arri has announced the new ALEXA Mini, a versatile additional tool in the
ARRI ALEXA camera range, combining a compact form factor with the same
ALEV III sensor and unrivaled image quality as all other ALEXA models.
Designed for specialized shot-making, the ALEXA Mini features a
super-lightweight carbon body and titanium PL mount, frame rates of
0.75-200 fps, in-camera recording of ARRIRAW and ProRes (including 4K
UHD) and state-of-the-art integrated functions.
Strength and Agility
To maintain ARRI’s famously rugged build quality in a small and
lightweight camera, a number of unique design solutions have been
incorporated. These include highly integrated and sealed electronics, a
lightweight carbon housing and a solid titanium PL mount that connects
directly with the new internal sensor mount – also made of titanium – to
ensure a super-stable flange focal distance, even when using large
lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere
tool, easy to transport in backpacks or as carry-on luggage.
Versatile Mounting and Shooting Options
The ALEXA Mini can be operated in a number of ways: by wireless remote
control, as a normal camera with the ARRI MVF-1 multi viewfinder
attached, or with an on-board monitor and controlled via the user button
interface on the camera body. Light enough to be comfortably held at
arm’s length in a hand rig, its compact size and extremely quiet
operation also make it ideal for tight shooting conditions.
The symmetrical design permits filming in any orientation, including
upside-down and in portrait mode, while multiple accessory points enable
highly creative mounting solutions. In addition, the ALEXA Mini’s
interchangeable lens mount can be replaced with any of those designed
for the ARRI AMIRA, allowing the use of B4 video and EF mount stills
Uncompromised Image Quality for Specialized Shots
The overwhelming advantage of the ALEXA Mini is that it marries such a
compact and lightweight form factor with the same unparalleled image
quality that has made the ARRI ALEXA system a gold standard for the
Combine the Mini with any other ALEXA camera and you
will have perfectly matched images, even on anamorphic productions –
thanks to the 4:3 sensor and automatic de‑squeeze function.
will also be identical, with options to record ProRes or uncompressed
ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed
external Codex recorder.
Save Time on Set
With the ALEXA Mini, no extra time need be spent on set configuring
third-party cameras previously required for specialized shots, or on
wrangling the image files coming out of them. Multi-camera setups such
as 360° plate shots will be made simpler and faster by the external
Codex recorder, which can record image streams from up to four
ALEXA Minis simultaneously. The camera’s maximum frame rate of 200 fps
means it can also be used for stunning slow-motion cinematography,
saving further time and money on set by doing away with the need for a
separate high-speed camera.
Save Time in Post
In the past, productions combining small cameras from other
manufacturers with an ARRI ALEXA shooting kit have encountered
time-consuming difficulties in the grade, trying to match images from
those cameras to ALEXA’s famously natural colorimetry and pleasing skin
tones. With the ALEXA Mini these difficulties are eliminated because all
images come from the same sensor and share the same color space. The
ability to use CDLs and 3D LUTs in-camera for on-set color management
will also reduce time and money spent in post.
Integrated Lens Motor Control and ND Filters, Perfect for Gimbals and Multicopters
The ALEXA Mini’s camera body has been designed with new-generation
brushless gimbals, multicopters and other specialized rigs in mind. It
is compact enough in the lens direction to allow the use of standard
PL mount lenses even on lightweight and space-constrained rigs, such as
gyro-stabilized aerial systems. The camera’s superb low-light
performance makes it perfect for underwater work, and dedicated
underwater housings are currently being developed by leading
Greater Efficiency through Integrated Functions
An integrated lens motor controller allows new active lens motors to be connected directly to the titanium PL mount, so focus, iris and zoom settings can be controlled from ARRI hand units without an additional external box. Further operational settings can be made remotely when working with the ARRI WCU-4 hand unit.
Cost-saving Camera and Lens Metadata
Integrated ARRI Lens Data System (LDS) technology brings the added value of frame‑accurate metadata about focus, iris and zoom settings. With these lens settings and exact depth‑of‑field displayed live on wireless hand units, precise adjustments can be made during a shot. The data also allows lens mapping to pre‑marked focus rings and reduces the time and expense involved in achieving complex visual effects in post.
35 format film-style digital camera with lightweight and compact carbon
body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1
viewfinder, built-in remote control capabilities via ARRI Electronic
Control System and Wi-Fi, support for cforce motors, built-in motorized
ND filters, interchangable lens mounts and ARRI Lens Data System
Width: 125 mm/4.9"
Height: 140 mm/5.5"
(camera body with PL lens mount)
~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)
35mm format ARRI ALEV III CMOS with Bayer pattern color filter array