Adobe Premiere Pro CS5.5 :: Post Production Tools :: Equipment Sales

Adobe Premiere Pro CS5.5

Product Overview

Adobe Premiere Pro 5.5 is a software toolset that provides faster, streamlined editing with true native format support

Abel Code AD-65108012AD01A00-M

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Mfr. Code 65108012AD01A00

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Our price $745.00

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	Adobe Premiere Pro CS5.5 provides a smooth workflow via the enhanced 64-bit Adobe Mercury Playback Engine, GPU acceleration, and playback resolution adjustment in your source or program monitor, which allows for editing hi-res footage on lower. spec computers. GPU-accelerated effects speed up your workflow because you don’t have to render them first before viewing. Work in Real Time The Ultra Keyer, also GPU-accelerated, lets you reach those complex keys on difficult footage by keying in real-time (using NVIDIA graphics cards, varies according to system configuration and file types). Issues caused by mismatched media or varying types of alpha channels are easily corrected with effects that compensate for differences in frame rate, field order, and pixel aspect ratio. Premiere Pro CS5.5 also creates superb slow or fast motion, and also lets you play clips backwards as well. Prior to encoding, just use the Interpret Footage command to override automatic frame rate interpretation, pixel aspect ratio, field order, or alpha channel settings of items that you are importing into Adobe Media Encoder. You can also eliminate unwanted artifacts, flickering, and control field order, interlacing, and de-interlacing. The Additive Dissolve featureallows you to transition between clips to add the color information from clip B to clip A, and then subtract the color information of clip A from clip B. Film Dissolve will add a film-like transition. Fast Blur quickly adds blur to large areas of your clips, while Directional Blur creates the illusion of motion. Streamline Production with a Native File-based Workflow Eliminate time-consuming transcoding and rewrapping, while maximizing quality with native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced support for RED R3D, Canon XF, and more. Access RED parameters directly from the enhanced Source Settings dialog box, where you can also work natively with RED footage, with support for RED Rocket, Mysterium X, and the latest Color Science and Firmware for RED ONE cameras. Premiere Pro CS5.5 also includes native support for: RED EPIC - edit up to 5K footage without transcoding or rewrapping Nikon DSLR cameras - easily import and edit video shot with Nikon D90, D300s, and D3000 DSLR cameras Canon XF - enhanced native support lets you preview XF footage in the Media Browser panel Panasonic P2 - natively edit content from Panasonic cameras in DVCPRO, DVCPRO HD, and AVC-Intra formats and across multiple P2 cards Sony XDCAM - edit from the SxS card via the camera or card reader (XDCAM EX only), or transfer to hard disk for best performance Sony HDV - edit content natively from tapeless Sony HDV cameras that record directly to removable media JVC ProHD - edit footage shot on JVC ProHD video cameras and stored as either MOV or MP4 files AVCHD - import and natively edit AVCHD content from Sony, Panasonic, and Canon cameras without transcoding or rewrapping the content AVC-Intra - import, play back, and edit AVC-Intra clips natively with no transcoding or rewrapping