For this blog, we go on location in Stockholm, Sweden with U.S. and Europe-based cinematographer Rose Bush to discuss the Canon C500 Mk II full frame digital cinema camera, Sumire Prime lenses, and her most recent project Love Child.

Emerson College, the prestigious institution known for its exceptional programs in communication, the arts, and the liberal arts, recently purchased five ARRI ALEXA 35 packages from AbelCine. In addition to scholarly media studies, the Department of Visual & Media Arts emphasizes practical learning on state-of-the-art technology.

For her upcoming feature, Grassland, cinematographer Veronica Bouza chose the new ARRI ALEXA 35. The production filmed both indoors and outdoors on location, putting the camera through its paces in various configurations, ranging from handheld to tripod to Steadicam.

I recently sat down with cinematographer John Matysiak to discuss his experience shooting the tense and beautiful western Old Henry. In this wide-ranging conversation, we talked about his creative inspirations, as well as his technical approach to the film, which was captured on the ARRI ALEXA Mini.

Recently, we asked Cinematographer Lucas Gath about his work on Rap Sh!t and how the Sony VENICE and the VENICE Extension Unit (informally, known as “Rialto”) helped him create two different looks for the show. The new HBO comedy series from executive producer Issa Rae follows two women trying to make it as a rap group in Miami.

AbelCine teamed up with ARRI and Dylan George to explore the application of ARRI Signature Zooms in the world of high-end fashion production. Two-time Academy Award-nominee Djimon Hounsou lent his commanding presence and undeniable charm to the shoot, which was directed by Kwaku Alston and shot by DP Bartosz Nalazek, PSC, with color grading by Picture Shop.

These days, you can name almost any subject and find a great podcast on that topic. This holds true for filmmaking as well. From podcasts designed for general film lovers to super technical ones from industry insiders, there truly is something for everyone. In this post, we've curated a list of our favorites, based on input from our technical specialists and other members of our team.

For Netflix's My Next Guest Needs No Introduction, TV legend David Letterman teams up with fascinating global figures for in-depth interviews and curiosity-fueled excursions. Season 2, featuring guests such as Kanye West, Ellen Degeneres, and Tiffany Haddish, was recently released. DP Cameron Barnett worked closely with AbelCine's rental teams on both coasts, along with technical production firm TV Tech Managers, to make it happen.

One of the buzziest shows in recent months has been Netflix's Russian Doll, which follows a young woman named Nadia (Natasha Lyonne) as she is stuck reliving the same night in a time loop. Most of the show was shot on location in New York, and DP Chris Teague worked closely with the AbelCine rental team on the planning that went into creating the show's look.