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Intro image for article At the Bench: TVLogic's WonderLookPro
Tutorials & Guides
WonderLookPro is an on-set color grading program from TVLogic that is used in conjunction with their IS-miniX LUT box.
Intro image for article X-OCN Workflows with the Sony VENICE
Tutorials & Guides
The Sony VENICE has been out for a while now and has quickly become a popular camera for feature films, television series, and a wide range of other applications. The VENICE produces great looking images, as it should, and it also offers a very good post workflow. Sony has been improving their workflows for years, and after many iterations, they really nailed it down in the F55. The VENICE builds on this even more and does a great job of keeping things simple.
Intro image for article At the Bench: Capturing Anamorphic Shots in ProRes
Tutorials & Guides
Anamorphic seems to be enjoying a renaissance lately, and we’ve received some questions about how to acquire and deliver this format when shooting with ARRI’s ALEXA Mini.
Intro image for article Top Blogs of 2018
Tech News
Now that 2018 has wrapped, let's take a moment to look back at some of our most popular blog posts. As usual, a wide variety of topics were covered: new gear announcements, camera charts, in-depth technical explorations, Jem Schofield's 4K for 10K series, and of course, the updated version of our ever-popular FOV calculator.
Intro image for article At the Bench: RED GEMINI Dual Recording Workflow
Tutorials & Guides
RED's DSMC2 cameras are able to record .R3D RAW files and ProRes files simultaneously. Both recordings are stored in the same folder, sharing the same metadata. The cameras also allow you to import 3D LUTs with the option of "baking" the LUT into the ProRes files. So, you could say the camera is generating "lite" dailies.
Intro image for article At the Bench: Linking RAW Files to Proxy Files
Tutorials & Guides
It is now common for digital cinema cameras to record a RAW file as well as a proxy. Proxy recordings can be loaded to a laptop and then into NLE programs, which is a quick and easy way for production to check on composition and performance. Additionally, proxies can be used to select takes and string out an edit. This streamlines the post process as only selected takes are color corrected.
Intro image for article At the Bench: Canon C200 Cinema RAW Light Workflow (Part 2)
Tutorials & Guides
Canon's C200 employs a new recording format, Cinema RAW Light, that allows users to record DCI 4K RAW files directly to the camera's internal CFast card slot.
Intro image for article At the Bench: Canon C200 Cinema RAW Light Workflow (Part 1)
Tutorials & Guides
The Canon C200 is a compact camcorder that utilizes the same basic sensor as their flagship Super35 digital cinema camera, the C700. One of the C200's most striking features is the ability to record 4K RAW files in Canon's new Cinema RAW Light format to an internal CFast card. Cinema RAW Light is a lightly compressed RAW video format that maximizes recording time while giving up very little file quality in comparison to "full fat" RAW.
Intro image for article Top Blogs of 2017
Tech News
The year has come and gone in a whirlwind of projects and products. So, let us take a moment to look back and reminisce about some of our most popular blog posts over the last 12 months.