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Canon C300 Mk II + 17-120mm Cine-Servo Zoom & Zacuto ENG Kit + ATOMOS Shogun Inferno Monitor/Recorder & Accessory Kit Bundle

AbelCine Bundle
Abel Code: AB-C300MK2-17-120-ZA-ENG-SHOG-INF-BUNDLE
This bundle includes the C300 Mk II Camera, 17-120mm T2.95 Cine-Servo Zoom, Zacuto ENG Kit, and ATOMOS Shogun Inferno 7" 4K Monitor/Recorder with Accessory Kit.
Key Highlights
  • Includes Canon C300 Mk II Camera
  • Includes 17-120mm T2.95 Zoom
  • Includes Zacuto ENG Kit

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This bundle includes the following items:

  • Canon EOS C300 Mk II Camera with 17-120mm CINE-SERVO T2.95 Zoom Lens & Zacuto ENG Kit
  • ATOMOS Shogun Inferno 7" 4K Monitor/Recorder
  • Atomos Shogun/Ninja Inferno/Flame Accessory Kit


The improved Canon EOS C300 Mark II Digital Cinema Camera with EF lens mount features a dynamic range of 15 stops, CFast recording technology, 4K/2K/Full HD internal and external recording with 4K RAW output, plus a new 10-bit Canon Log 2 Gamma. Canon also improved the Dual Pixel CMOS Autofocus along with an innovative focus assist engineering. This camera was remodeled with user input to enhance the user experience of studio motion picture applications, broadcast, indie productions, sports, and many more.

The Sensor

The redesigned camera boasts an 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor. It supports up to 4K DCI recording with a maximum resolution of 4096x2160 pixels. Data from the 4K sensor, working with its dual Canon DIGIC DV5 image processors, delivers Over-Sampling HD Processing for reduced-moiré 2K (DCI)/Full 1080-60p HD recording and Dual-Pixel CMOS Autofocus.

The dual DIGIC DV5 image processors also help to reduce visual noise and enable high-sensitivity shooting at a maximum speed of ISO 102,400 (+54dB) for sharp, clear image capture using only ambient lighting. The EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs to enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. For external recording and monitoring, twin 3G-SDI outputs capable of 4K RAW output are included on the rear of the camera body. You can choose among multiple recording modes, resolutions, and frame rates to meet your individual production needs.

Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch to maximize the amount of light which falls on each photo site. This enhances the sensitivity while also minimizing noise. It also supports ISO speeds of up to 102,400 for low-light imaging. This sensor reduces data-readout time to about half of what it was in the original EOS C300 Camera, which results in a significant reduction in rolling-shutter artifacts.


The Autofocus now includes an expanded focusing area and Face Detection when used in combination with Canon EF lenses. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies.

Canon expanded the DAF focusing area to approximately 80% (vertically) x 80% (horizontally). You can move the focus area using the convenient 4-direction key to provide you with a more manual control over Autofocus operation. This only functions when the Guide Area is within the Dual Pixel CMOS AF Range.

Face Detection AF on Canon EF lenses will recognize a face, focus on it, then follow that face when it moves.

One innovative feature of the enhanced AF allows you to confirm if you are focused in front of or behind the subject through visual observation. In this manner, quick and accurate manual focus can be achieved.


The C30 Mark II is compatible with the full range of 100 Canon EF and EF-S photographic lenses, including specialty tilt-shift and fisheye models, plus Canon CN-E Cinema prime and zoom lenses, including the ENG-style Canon CINE-SERVO zooms. New Dual-Pixel CMOS AF capabilities of the EOS C300 Mark II are enabled by the AF motors in Canon EF lenses. The improved EF lens communication capabilities of the EOS C300 Mark II camera allow for the display of CN-E Cinema lens T-values, lens metadata acquisition, and chromatic aberration correction on the camera’s LCD Monitor/EVF/Output display.


The Canon EOS C300 Mark II Digital Cinema Camera facilitates operation and creative freedoms, such as full manual control, an Ultra-High Resolution 1.77 Megapixel color OLED EVF with adjustable 60° tilting angle, a built in internal mono reference microphone, a removable hand grip, an improved camera handle extension with additional attachment points, plus both a removable LCD Monitor and a control panel with XLR inputs. The modular design of the EOS C300 Mark II camera accommodates many third-party accessories.

A new log gamma designated as Canon Log Gamma 2 was designed explicitly for the camera's 10-bit recording capabilities. The files produced using Log format are ideal for color correction and grading in post-production. Canon did this to produce a high level of creative freedom while minimizing degradation of image quality. When using Canon Log 2, the Cinema EOS C300 Mark II can provide a dynamic range up to 1600%.

Be sure to check out the images where a chart on Slow and Fast Motion recording has been provided for your reference.


The Canon EOS C300 Mark II employs CFast™ (CompactFast) 2.0 cards for in-camera 4K video recording. The camera features two CFast™ card slots. Each slot is protected by a convenient hinged cover. The camera also includes an SD card slot for HD and Proxy recording. The camera can simultaneously record 4K on two CFast™ (2.0) cards along with 2K proxy images on its SD card for off-line editing.


This camera builds on the efficient ergonomic design of the original, while adding new advantages. Redesigned to maximize shooting comfort and the usability improvements asked for by users, the EOS C300 Mark II Digital Cinema Camera's modular design allows different components to be added or removed as needed to meet both the demands of a particular shooting environment and the comfort of the camera operator. In addition to the core body, the EOS C300 Mark II Digital Cinema Camera comes with a removable hand grip, improved low-angle camera handle extension with additional attachment points, and removable LCD monitor and control panel with XLR audio inputs.

Ultra-High Resolution OLED EVF

The EOS C300 Mark II Digital Cinema Camera features a 0.46 Inch 1.77 Megapixel color OLED EVF (Organic Light Emitting Diode Electronic ViewFinder). OLED technology increases the color reproducibility, contrast and response of the viewfinder, making camera operation and the judging of image characteristics seen in the viewfinder much easier. The EVF also offers 60º of tilt for more comfortable operation in a variety of positions.

Connectivity & Control

The C300 MK II arrives equipped with (2) 3G-SDI, a gunlock input, a timecode input/output, and an HDMI output. It also includes a remote terminal, a standard headphone jack, and both an audio and a video terminal to connect exclusively to a monitor.

The camera supports the Canon RC-V100 remote controller (sold separately) to enable adjustments to camera controls and image quality from a distance. It supports a variety of third-party LANC accessories.

You do not need a remote to achieve remove control though. Use a standard web browser on a WiFi capable device (your smart phone, laptop, tablet, etc.) to take dynamic control of your camera functionality. Canon added focus control functions. You can adjust – by touch – the focus area.

And if you prefer the manual life and wish to toss aside all this WiFi mumbo jumbo you can do that, too. The EOS C300 Mark II camera offers a fully manual yet still digital camera. You have full manual control of functions such as iris, shutter speed, gain, zoom, focus, and audio. You will also have access to Custom Picture Settings, Custom Functions, and Custom Display Options to tailor your camera to your precise needs.


The Canon CN7x17EF 17-120mm CINE-SERVO T2.95 Zoom Lens - EF Mount provides cinematographers with a compact, lightweight design using Canon optical elements. This zoom lens can accommodate many 4K cameras because of its high optical resolution and large image circle coverage for Super35mm format cameras. The lens also features a 7x zoom magnification, focal length range of 17mm to 120mm, and a 180º smooth-rotating focus ring. Its 11-blade aperture diaphragm allows for a beautiful bokeh effect.  

The servo unit allows broadcasters, documentaries and all image-makers the ability to control zoom, focus and iris/aperture in a very convenient and intuitive way. The servo drive unit is compatible with industry-standard protocols for control from a number of lens controllers including Canon’s standard broadcast lens controllers (ZSD-300D/FPD-400D) and multiple industry standard cinema lens controllers (controllers sold separately). The drive unit can be easily removed for cinema-style shoots and can be easily re-attached in the field without any manual re-alignment. 16-bit metadata output enables connection to virtual studio systems.


  • Support for Standard Broadcast Lens Controllers (such as the 25D-3090 and FPC-400D)
  • Outstanding Servo Performance
  • High-speed zoom end iris
  • Wide-ranging drive speeds
  • Immediate system initialization (high-performance encoder so that the lens requires no initialization; system can be started immediately)
  • Support for Virtual Image Data Output
  • 3 x 20-pin connectors and a high-performance encoder which can output 16-bit precision virtual image signals
  • Servo behavior equivalent to broadcast portable lenses for all focus, zoom, and iris controls
  • Focus ring provided with knurled rubber for superior operability, which allows the equivalent manual operation feel as broadcast portable lenses
  • When the drive unit is detached from the lens, the lens can be used as a full manual, cinema style zoom lens
  • Lens can be used with standard accessories in the cinema industry, such as a mattebox, follow focus gear systems, and electronically operated controllers
  • Focus ring is equipped with 0.8mm and 0.5mm gear modules
  • Zoom ring is equipped with a 0.5mm gear module, for standard accessories in the cinema industry (iris ring is equipped with a 0.4mm gear module)
  • Compatible with 15mm and/or 19mm diameter rod systems
  • Lens is equipped with a support holder for cinema lens support rods that can be used with 15mm and 19mm diameter rod systems; extension shaft (included) required for 19mm diameter rod systems
  • Compliant with wide-ranging communication standards and with a Lens-to-Camera Communication Function for added convenience
  • Compatible with Cooke's /i technology, which enables transmission of focus, zoom, and iris position data as well as the lens model name so that the camera and editing equipment can display and store the lens information


The Zacuto ENG Rig for Canon C300MK II is a balanced, shoulder mounted rig which includes the Zacuto VCT Pro baseplate, VCT Lens Support bracket, Gratical HD EVF, Axis Mini EVF Mount, Cheesebox Counterweight, and C300 Mark II Helmet Kit. This rig is designed for optimal balance and comfort when shoulder mounted or on a tripod.


  • VCT Pro – this baseplate has a sliding top plate for quickly removing the camera from the rig or fast len changes, a built-in, curved shoulder pad, a v-wedge tripod connector (with 1/4”-20 and 3/8"-16 screw option). It has removable and extendable 6.5” iris rods and rows of 1/4”-20 screw holes along the sides for accessories. It has quick release 15mm rod parts in the rear. The recessed rod mount offers maximum accessory capable space under your camera lens. 
  • VCT Lens Support - Provides support and stability for the Canon CN7x17EF 17-120mm Zoom Lens by mounting directly to the VCT Pro rather than front support rods.
  • C300 Mark II Helmet Kit – mounts directly to the top of the C300 Mark II in place of the Canon top handle. Offers multiple 1/4”-20 and 3/8"-16 mounting screw holes to attach a variety of accessories as well as a spot to mount the C300 Mark II microphone. Includes the Recoil Handle top grip, which accepts two coldshoe accessories and has a quick release 15mm rod port. Our handle allows you to quickly take the handle off for travelling.
  • Zacuto Gratical HD Electronic Viewfinder - supports high pixel density with unparalleled resolution, true blacks, gamma and contrast range. The Gratical HD has 5.4 million pixels on a 0.61” diagonal screen no bigger than the size of your thumbnail. Features (2) HDMI and two SDI ports with cross conversion from HDMI to SDI. Weather resistant covers prevent moisture or debris from getting in open ports. The internal field of view delivers a large image, but not such that the eye has to roam to see the entire image at once. It features a built-in -1 to +4 diopter range and Zacuto’s latest anti-fog coating formula. An auto-closing eyecup door is designed to automatically prevent sun damage without any action by the operator. Mount the Gratical HD via a 1/4"-20 rosette on the side, or a 1/4"-20 screw hole in the bottom.
  • Zacuto Axis Mini - EVF Mount attaches to the top of your camera set up, leaving ample room at the lens for focusing, and will work with a wide range of lenses. It can be adjusted with one hand while the camera rig is on your shoulder. The Axis Mini has extensive articulation for use with a variety of cameras, both shoulder mounted or in tripod operating position.
  • Zacuto Cheese Box Counterweight - adjustable counterbalance weight with multiple functions. Specific screw hole patterns for V-mount battery plates and most 3-stud battery plates to support battery power. It has a large number of 1/4"-20 and 3/8"-16 screw holes for mounting various accessories like articulating arms, rods, converter boxes and other camera accessories to your support system. 15mm LWS rod mount.
  • LP-E6 to D-Tap Power Cable - powers Gratical HD
  • D-Tap to 12-pin Hirose Cable - powers Cine-Servo lens
  • 6 x Cable Ties


Canon C300 MK II Firmware Update

Canon has updated their firmware on the Canon C300 MK II Camera. Please be sure to read the step-by-step instructions Canon has conveniently included with their C300 MK II Firmware Update.

Firmware Version incorporates the following enhancements:

1.  Support for LCD monitor LM-V1 1,2 (separately sold) has been added. 

2.  Peripheral illumination/chromatic aberration correction has been added for the following lenses: 

  • EF-S 18-55mm f/4-5.6 IS STM 
  • EF-S 35mm f/2.8 Macro IS STM
  • EF 85mm f/1.4L IS USM 

NOTE 1: Your LA-V1 LCD Attachment Unit cannot be used to attach the LM-V1 to your EOS C300 MK II / EOS C300 Mark II PL cameras. 3rd party mounting options are required to use the monitor on this model camera. 

NOTE 2: When using the LM-V1 with the separately-sold WFT-E6 or WFT-E8 Wireless File Transmitter and GP-E1 GPS Receiver, please be sure to maintain space between the two accessories. 

IMPORTANT NOTE: Remember to read the Important Notes from Canon in their PDF when you download the firmware update. There are things you will want to know so you can perform the update correctly and maintain your working camera.


The ATOMOS Shogun Inferno 7" 4K Monitor/Recorder is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing, and exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope), along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.

ATOMOS invented the all-in-one monitor recorder category and now redefines it with their Shogun Inferno.

Be sure to download the Firmware V9.01 update, which supports ProRes RAW capture and playback on select cameras. This update enables the user to capture RAW footage at up to 12-bit RGB on SSD media. ProRes RAW files can be ingested directly into Final Cut Pro 10.4.1.

AtomHDR image processing lets you shoot with the high brightness range of your camera's Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

The touchscreen display is a full 7" HD calibrated monitor with 1500nit brightness. Snap on a sun hood to block out strong light. It features a magnetic adhesion design which ATOMOS calls snap-fast for easy UI screen access.

Inferno features ATOMOS' patented continuous power system (a hot swappable dual battery system that automatically swaps to the second battery when power is low). To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.

The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.

Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximize your creativity.

The exterior of the ATOMOS Shogun Inferno is what they call a "Battle Ready Build" with built-in Armor and continuous power in a lightweight design. The NP style 4-cell batteries are capable of 1.5 hours of monitoring and recording in 4K.

Firmware Updates:

Download Firmware V9.11 update, which includes:

  • Panasonic EVA1 5.7k RAW frame rates supported: 23.98/24/25/29.97/30
    • Recording is supported for ProRes RAW only
  • Automatic HDR configuration in playback
    • When playing a movie recorded with AtomHDR monitoring enabled, all HDR settings will be automatically restored to match the settings when recording was started
    • Select the "Auto HDR" button to enable this feature
    • Bug Fixes: Missing meta data from some lenses caused recording failures

Firmware V9.01 update includes:

  • ProRes RAW capture
    • Supported cameras:
      • Canon C300 Mark II
      • Canon C500
      • Sony FS700
      • Sony FS5
      • Sony FS7/FS7 II
      • Panasonic Varicam LT
      • Panasonic EVA1
  • ProRes RAW playback
  • Support for your Panasonic EVA1 to capture RAW
  • Enhanced focus peak options
  • Sony RAW loop out support
  • ARRI file naming support
  • HLG support for your Panasonic GH5 Mirrorless Camera
  • Added option to pause your video during slow motion playback

Fixes on this upgrade include:

  • 25% improvement in record <->playback transition time
  • Fixed occasional Record to Play Mode switching issues
  • Loop out during playback of 4kDCIp60 is now configured to 4kDCIp60 rather than 4kDCIp30
  • Fixed an issue some units experience where the screen appeared too dark when there was no video input

Firmware V8.3 update includes:

  • Quad-Link and Dual-Link cameras are now supports with ProRes / DNx
    • Cameras now supporting Quad-Link (Squared & 2SI):
      • AJA CION
      • Canon C700
      • Panasonic Varicam 35
      • RED DSCM1 with REDCast Module - EPIC, SCARLET DRAGON (Mysterium X is not supported)
      • Sony PMW-F55
      • Sony PMW-F5 + CBKZ-55FX 4K expand option
      • Sony F65RS + CA-4000 + SKC-4065 + BPU-4000 (for studio camera configuration)
      • Sony HDC-4800 (4K studio camera and CCU)
      • Sony HDC-4300 (4K studio camera and CCU)
      • Toshiba IK-4K
    • Cameras now supported with Dual-Link:
      • Canon C500 2Kp60
      • Panasonic Varicam LT - 10bit Dual Link RAW
  • Sony FS RAW to ProRes 4Kp100/120 burst speed recording mode added for the Sony FS5 & Sony FS700
  • Secure Erase option for selected media (below) to maximize SSD performance
    • Sandisk Extreme Pro
    • ATOMOS branded Gtech Media
    • ATOMOS branded Angelbird Media
  • All features in the 8.21 release


The Atomos Shogun/Ninja Inferno/Flame Accessory Kit includes the following items:

  • (2) NP-F750 5200mAh Batteries
  • Fast Charger
  • Coiled D-Tap to DC Jack Cable
  • AC Power Adapter
  • (4) Master Caddy II Drive Caddies
  • USB 3.0 Docking Station
  • HDR Sunhood
  • Dual 2.5mm (Male) to 2.5mm (Female) Control Cable
  • HPRC Hard Flight Case

This kit includes various critical accessories to achieve full functionality of your compatible Atomos monitor/recorder.

What's in the Box

  • Soft Travel Case
  • XLR Breakout Cable
  • Power Supply
  • Master Caddy II
  • ATOMOS Shogun Inferno 7" 4K Monitor/Recorder
  • HPRC Hard Flight Case
  • Dual 2.5mm (Male) to 2.5mm (Female) Control Cable
  • HDR Sunhood
  • USB 3.0 Docking Station
  • 4 x Master Caddy II Drive Caddies
  • AC Power Adapter
  • Coiled D-Tap to DC Jack Cable
  • Fast Charger
  • 2 x NP-F750 5200mAh Batteries


Key Highlights

  • Includes Canon C300 Mk II Camera
  • Includes 17-120mm T2.95 Zoom
  • Includes Zacuto ENG Kit
  • Includes Shogun Inferno Monitor/Recorder
  • Includes Shogun Accessory Kit
ATOMOS Shogun Inferno 7" 4K Monitor/Recorder


Hot Swap:
Yes - Continuous power * Patent pending - Primary-secondary battery system. Change batteries without losing power. Loop batteries continuously
Operating Time:
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)


Supports 3D LUTs:
Yes - .cube format
Color Gamut:
REC 709 - HDTV
BT.2020 Gamut
ALEXA Wide Gamut
DCI-P3 - +
Canon Cinema Gamut
V-Gamut - Panasonic
S-Gamut - & S-Gamut3


Output Connector/Port:
1/8" (3.5mm) Mini
Input Connector/Port:
HDMI - (2.0)
3G-SDI - Quad link 4 x 3G SDI* or up to 12G single link SDI * Available in future firmware update
3-pin XLR
2.5mm LANC

Inputs & Outputs

Audio I/O:
Audio Input - SDI - 12ch 48kHz 24-bit
Audio Output - SDI - 12ch 48kHz 24-bit

Media Conversion

Sig Conversion Input/From:
RAW - to Apple ProRes / DNxHR
SDI - to HDMI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
HDMI - to SDI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
Sig Conversion Output/To:
SDI - From HDMI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
HDMI - From SDI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
Avid DNxHR - From Video (with a .MOV wrapper) - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. ^From supported HDMI sources such as gaming consoles and graphics cards.
Apple ProRes HQ, 42k LT - From Video - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. ^From supported HDMI sources such as gaming consoles and graphics cards.
Avid DNxHR HQX, HQ, SQ, LB - From Video - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. ^From supported HDMI sources such as gaming consoles and graphics cards.
Loop Formats:
SDI to SDI - 720p 50/60 1080i 50/60; 1080pSF 24/25/30; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 *Available in future firmware updates
HDMI to HDMI - 720p 50/60, 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 *Available in future firmware updates


Max Audio Gain - +52dB


Bit Depth:
10-bit - HDR - (8+2 FRC)
Monitor Resolution:
Monitor Brightness:
1500Nits - (+/- 10%)
Recorder & Monitor:


Power Input:
1 x DC - 6.2 - 16.8V
Battery Pack - 6.2V to 16.8V


Media Rec Options:
SSD - 2.5" SSD/HDD compatibility depends on recording format, resolution and frame rate.
Phantom Power:
Yes - 48V Phantom Power for Mic
Recorder Channel Count:
2-Channel - balanced XLR analog in/out
Dynamic Range:
> 90 dB


Recording Resolution:
4K 17:9
HD - 1920x1080
Recording Format:
Apple ProRes HQ
RAW - Sony FS5/FS7^^/FS700 CDNG: 4K DCI; 24/25/30p; 4K UHD; 2K 24/25/30/50/60/100/120p; 1080. Optional unit (XDCA-FS7) needed for Raw output.
Apple ProRes 422 LT
Apple ProRes 422
Avid DNxHR HQ, SQ and LB

Software / Apps / Plugins

XML Support:
Include - FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools


14 in
6.9 in
15.9 in
12.55 lb
Canon EOS C300 Mk II Camera with 17-120mm CINE-SERVO T2.95 Zoom Lens and Zacuto ENG Kit

Zacuto ENG Rig for Canon C300 MK II Digital Cinema Camera

Baseplates/Bridgeplates & Adapters:
Canon C300 - Mark II
Baseplate, Quick Release
1/4-20 & 3/8-16 screw holes - to direct connect this baseplate to your tripod quick-release plate
2 x HDMI - permits cross conversion with SDI ports on the Gratical HD EVF, 2 x SDI - permits cross conversion with HDMI ports on the Gratical HD EVF
Handle / Grip:
Recoil - attach via the included 3" Z-Rail
Shoulder Rigs:
Grip - Part of Helmet Kit, Rails Included - Yes, Baseplate, Top Plate - (a.k.a. Helmet)
Battery Powered - LP-E6 Style Battery included with charger and universal plug adapters, Histogram - (RGB, Luma) , Waveform/Vector, Zebra Mode, Color Bars, 4 x Customizable Buttons, LUTs - Import & editing, False Color Mode
Up to 3.0" - 0.61" diagonal screen

Canon 17-120mm CINE-SERVO T2.95 Zoom Lens - EF Mount

Lens Characteristics:
T2.95 - T3.9
2.8' (0.85m)

Canon EOS C300 Mk II Camera Body with Dual Pixel CMOS AF - EF Mount

Camera Lens System:
Canon EF
Integrated - Standard: 2, 4, 6 Stops and also Expanded: 2, 4, 6, 8, 10 Stops
Inputs & Outputs:
2 x 3G-SDI
Headphone Out (3.5mm) - 16 settings; volume is muted at lowest setting
Audio Input - 3.5mm microphone jack, Audio Output - Terminal
5.0" and Under - 4" (10.16 cm) diagonal 1,230,000 dots
LCD - Rotating Color
DC - 16.7 V DC (DC-IN), Battery Pack - 14.4V DC
Yes - +48V
-∞ to +18 dB
4K 17:9, UHD 4K 16:9, HD 16:9 (UHD Downscale), 2K 17:9 (4K Downscale)
MPEG-4 AVC / H.264
RAW - 4K
Yes - REC OUT terminal
1 KHz tone available; -12, -18, or -20 dB
35 or 24Mbps Long GOP (for proxy recording on SD cards), 410/310/225/ 210/160Mbps Intra-frame - COLOR SPACE: 4:2:2 (YCC) 10-bit & 4:4:4 (RGB) 12- or 10-bit* Only available with 2048 x 1080 or 1920 x 1080 at 29.97p, 23.98p, 25.00p, and 24.00p, 50Mbps Long GOP
Recording / Media:
CFast 2.0 - 2 x Slots
Sensor Specifics:
Super 35
15 Stops
24.6 x 13.8mm
1 x Cable - BNC
Rec run, free run, regeneration
Genlock Terminal - also serves as SYNC OUT terminal
Count-up - Drop frame(*) or non-drop frame (*) Only in the 59.94 Hz mode
Up to 3.0" - 0.46" (1.32 cm) diagonal, color
1 - SD Card, 2 - CFast Card
CFast Cards (2.0) - Movies: Long GOP recording only (*) Resolution : 2048x1080 / 1920x1080 Color Sampling: YCC420 8bit Photo: JPEG Resolution : 2048x1080 / 1920x1080 (*) Proxy recording using low bit rate
Yes - WFT terminal for compatible Wi-Fi accessory
2.5-5.0lbs - Approx. 3.9 lb (1770 g) without thumb rest and grip
Camera Body Only
LCD / Monitor, White Balance - Manual. 2 Custom (2000 to 15,000K) Daylight (5400K) Tungsten (3200K), Remote Control (WiFi) - Capable with a web browser on a WiFi enabled device like a smart phone, laptop, tablet, etc., Zebra - can be output via the SDI or HDMI jack (HD only), Viewfinder, GPS - GPS information recording, Peaking - 2 types, Magnify, Black and White - mode, Focus Assist - Edge Monitor Focus Assist, Scan Reverse, Custom Functions, Color Bars - Color bars compliant with SMPTE, EBU, or ARIB standards can be selected, Waveform, EVF, Adjustable Image Parameters, ND Filter Built-In, Headphone Jack - 3.5mm stereo mini-jack, Remote Control (Web-based), On-Camera Controls
2 x DUAL DIGIC 5 - DV 5
Remote - 2.5mm LANC-compatible terminal
Expanded - 100 to 102,400, Standard - 160 to 25,600
Off, Speed, Angle, Slow Shutter, Clear Scan
Includes - SLS: 1/3, 1/6, 1/12; CS: 23.97 - 250.70 Hz 50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 - 250.70 Hz 25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 - 250.70 Hz, Includes - SLS: 1/3, 1/6, 1/12; CS: 23.97 - 250.70 Hz 50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 - 250.70 Hz 25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 - 250.70 Hz
Face Detection AF - with Canon EF lenses, Includes Expanded Focus Area
Yes - Both Manual & AF available. AF System is Dual Pixel CMOS.


13.622 in
13.386 in
21.339 in
6.4 lb
Atomos Shogun/Ninja Inferno/Flame Accessory Kit

Compatibility - Rec/Monitor

ATOMOS Shogun Flame
ATOMOS Ninja Flame
ATOMOS Ninja Inferno
ATOMOS Shogun Inferno
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Included Products

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