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Canon Cinema EOS C700 Camera and DP-V1710 UHD 4K Reference Display Bundle

Abel Code: CONFIG-CN-C700-4KREF-2
Please configure the product for availability.
Kit Includes: Canon EOS C700 Camera + DP-V1710 UHD 4K Reference Display.
Key Highlights
  • C700 Camera + UHD 4K Reference Display
  • 4K up to 60fps & 2K/HD up to 240fps
  • Modular camera body accepts accessories
Abel Code: CONFIG-CN-C700-4KREF-2

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Choose EOS C700 EF or PL Mount
Reference Display Included (0/1) selected **
DP-V1710 UHD 4K Reference Display
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Choose EOS C700 EF or PL Mount
Reference Display Included (0/1) selected **
DP-V1710 UHD 4K Reference Display

Starting At: $40,000.00

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This Canon kit includes:

  • Canon EOS C700 Camera
  • DP-V1710 UHD 4K Reference Display



The EOS C700 features an updated modular design for your "A" camera position. Includes Super 35mm sensor, 4K 60P/50P, 240fps, and RAW/XF-AVC/Pro-Res.

Featuring a new modular design, the Canon EOS C700 Cinema Camera meets the demands of today’s productions – from feature films to documentaries to episodic dramas. The EOS C700 EF camera features a Super 35mm 4.5K sensor with wide dynamic range. It should be ideal for productions requiring 4K UHD TV or 4K DCI cinema deliverables. In addition to supporting the earlier XF-AVC recording format, the cameras also support Apple ProRes.

DIGIC is Canon's acronym for Digital Imaging Integrated Circuit. The EOS C700 uses three DIGIC DV 5 processors to power the advanced features of this camera. DIGIC works in conjunction with other subsystems of the camera, such as the lens and sensor to support the various features and the image processing engine.

Designed to Match Customer Requirements

Canon recognized its customers demand flexibility and the ability to respond to the changing needs of productions. The EOS C700 allows users to convert between EF mount and PL mounts, and also between a standard CMOS image sensor and a global shutter CMOS image sensor at Canon service facilities. The EF lens mount provides compatibility with Canon’s diverse lineup of over 70 interchangeable EF lenses as well as enabling use of Canon’s Dual Pixel CMOS AF technology.

The EOS C700 has a significantly upgraded power management system to help facilitate connecting with various third party accessories. The camera comes standard with a V-mount plate to accept common professional battery systems. External power supplies of +10 - 34 VDC plug into the camera via an industry-standard 4-pin XLR Style power connector. Camera accessories can be powered via a 24V DC 3-pin and a 12V DC 2-pin connector located on the front of the camera to help with cable management.

The EOS C700 offers a choice of two lens mounts, PL or Cinema Lock EF. The Canon Cinema Lock EF mount is the same ruggedized version first seen on the EOS C300 Mark II.

High Dynamic Range & Canon's Color Science

The EOS C700 is ideal for those wanting to shoot and deliver High Dynamic Range (HDR) content. The image on a global shutter sensor is captured simultaneously by every pixel on the sensor. Standard CMOS sensors capture the image by scanning the scene from top to bottom. Depending on the speed of the scan, the time delay between the scan of the first line and the last sometimes results in a Jello-type effect where straight lines appear curved or wobble as the camera or subject moves. By capturing the entire image at once these artifacts are removed. The EOS C700 GS PL features 14 stops of dynamic range and does not offer Dual Pixel CMOS AF.

Along with Canon’s proprietary Log Gammas (Canon Log3, Canon Log2 and Canon Log) and renowned color science, the C700 camera seamlessly integrate with Canon’s professional 4K displays (DP-V2420DP-V2410, or DP-V1770) for on-set color management and review that conforms to SMPTE ST 2084 standards of HDR display.

Internal Recording

Two modes of internal recording on CFast Media are included in the EOS C700: Canon XF-AVC and Apple ProRes. 

XF-AVC records up to 59.94p in 4K onto CFast media. 

The camera also records Apple ProRes to CFast media. This is the first time a Canon Cinema EOS camera records ProRes internally which can help reduce the time and cost of transcoding video files for productions using ProRes as an intermediate and delivery format. 

Simultaneous dual CFast recording is available to create an immediate backup.

CFast & CD Recording

Two CFast 2.0 card slots exist on the camera along with one SD card slot. The EOS C700 can record XF-AVC and ProRes (along with metadata) simultaneously to either or both CFast cards. Simultaneous recording is helpful where one card might go to the post house and the other could be stored safely in the production company's archive.

Relay recording is also possible for situations where changing cards and losing precious seconds is not an option (sporting events, speeches, nature documentaries).

At the same time, an 8-bit 4:2:0 Proxy XF-AVC file can be recorded to the SD card for immediate editing. The SD card can also capture JPEG still frames (2048x1080 or 1920x1080), metadata, menus and other information.

Be sure to check out the chart in our photos which shows Codec, Recording Media, Resolution, Format, Bits, and Frame Rates for your convenience. If you are interested in product White Papers you can also check out the Maximum Bit Rates recommended by Apple in their ProRes White Paper.

Refined Ergonomics & Design

The EOS C700 features a new design when compared to previous Cinema EOS products. The EOS C700 is a full size cinema camera allowing for both traditional studio style and handheld configurations. 

The camera body includes built in cheese plates with numerous 3/8-16 and 1/4-20 threaded holes on the top and bottom to easily attach accessories. The top handle attaches in a variety of positions for assisting in achieving optimum balance.

Both sides of the camera can have redundant main displays with menus and controls. A built in control panel on the camera operator side allows quick access to the camera controls. Canon's optional new Remote Operation Unit OU-700 attaches to the camera's right side and mimics all the functions of the built-in Main Display. It conveniently flips up for access to the CFast and SD card slots. This allows for camera operation from both sides of the camera making camera adjustment easy for both operator and assistant.

The intuitive six button layout of the menu system allows quick access to frequently used camera functions such as ISO, shutter, slow and fast motion, etc. and may feel very familiar and comfortable to seasoned camera operators. Each quick access function delivers the ability to access deeper menu options. Complete camera control and customization is always accessible while the menu remains clean and easily usable.

Canon offers an optional 0.7-inch OLED Electronic Viewfinder (EVF-V70) to fit the EOS C700. Canon's first professional grade viewfinder features Full HD 1920x1080 viewing, surround view, view assist and false color. The EVF also has the ability to display an HDR simulated picture with a "stretched" dynamic range for increased shadow detail and highlight retention.

The EOS C700 can also be used with an optional accessory Shoulder Support Unit (SU-15) with industry-standard rosettes on each side and 15mm rods in front. The unit has a comfortable shoulder pad which consists of two sections that adjust to fit the width of a camera operator's shoulder. Attaching the shoulder pad to the camera allows for easy handheld operation yet still provides a quick release bottom to connect to a tripod.

Workflow & RAW Recording

To complement these powerful new acquisition tools, Canon has turned to its trusted partner Codex to provide a fully-integrated (no cables) recording and workflow option. The combination of the EOS C700 camera with the optional Codex CDX-36150 recorder allows for high-speed 4.5K RAW recording at up to 100FPS, 4K RAW at up to 120FPS, 4K ProRes at up to 60FPS, 2K ProRes at up to 240FPS and XF-AVC at up to 60FPS.

The Codex CDX-36150 RAW Recorder is attached to the EOS C700 by removing the battery plate at the rear of the EOS C700 and replacing it with the recorder. This modularity of the EOS C700 allows the recorder to be connected securely without wires. It behaves like an integrated part rather than an external accessory. The rear of the Codex recorder has a battery plate with onboard Gold Mount battery connector. External power (10-32 VDC) can also be supplied to the 2-pin connector on the recorder body.

Codex CDX-36150 is an integrated system when attached to the EOS C700. The Codex Recorder allows recording not only 4K RAW, but also ProRes at significantly higher frame rates than internal CFast Cards. When recording RAW files, they are saved as an .RMF frame sequence in an uncompressed format. Clip development can then be easily adjusted in post using Canon Raw Development (CRD) software.

The CDX-36150 uses one Codex Capture Drive 2.0 (1 TB or 2 TB capacity), a familiar and commonly available professional recording media.

Anamorphic Lens Support

Canon’s new EOS C700 is the first Cinema EOS cameras to support anamorphic shooting by utilizing a de-squeeze function for monitoring. You can now create images with a 2.39:1 aspect ratio typical of cinema productions. 

The EOS C700 supports anamorphic format lenses by electronically desqueezing the image in the viewfinder and on connected monitors for viewing. On the sensor users can take advantage of the camera's full 4K resolution by using 1.3x squeeze anamorphic lenses that cover the full 16x9 area of the EOS C700 sensor. Popular 2x squeeze anamorphic lenses that cover a native 1.2:1 aspect ratio on the sensor can be used as well using a cropped area of the sensor.

Canon Log 2 & Log 3

The EOS C700 supports Canon Log 2 and Canon Log 3 Gamma. In post production, Canon Log is designed to reproduce the entire tonal range of the CMOS image sensor. Log workflow provides you with higher dynamic range, more highlight and shadow retention, and more flexibility in grading.

Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and the full 15 stops of dynamic range of the sensor, it requires more post time. If you are seeking the benefits of log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.

SMPTE ST 2084 Support for HDR Productions

The EOS C700 features the option to output ST 2084 over the monitor port to assist in HDR production. ST 2084 permits compatible monitors to simulate the HDR look of the final piece and allows for easier lighting and other technical decisions on set during the acquisition process. 

The optional Canon Electronic Viewfinder (EVF-V70) features a ST 2084 simulation mode so the camera operator can see HDR visuals in a format close to what is supplied upon the monitor signal. This can facilitate creative decisions on set when HDR reference equipment and output devices are not available.


The EOS C700 supports Rec. 2020, which is the UHDTV display color space. Rec. 2020 support means productions seeking to go straight to the UHD format can start in that expanded color space without the need to do conversions.

ACES 1.0 of the Academy Color Encoding System is supported by the EOS C700. Using Canon supplied IDTs, images captured on the EOS C700 can be imported directly into the ACES compatible systems. Additionally, video output from the camera can be monitored by selecting the ACES Proxy.

Aces Proxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using the proxy output can be saved and later brought into the editing or grading suite to help insure changes and color choices made on set are accurately reproduced in post.

Canon 17, 24 and 30-inch Reference Displays support ACES image display. The EOS C700 has four 3G-SDI outputs at the rear of the camera. So, while the Codex CDX-36150 records 4K RAW, the EOS C700 can simultaneously send the 4K image to a Canon Reference Display. The Canon Monitor debayers the RAW image and converts it to an ACES color space. In addition to ACES, Canon's new DP-2420 Reference Display nicely supports HDR, Canon Log3, and Hybrid Log Gamma.


The EOS C700 Digital Cinema Camera features next generation Dual Pixel CMOS AF (DAF) Technology for EF Mount cameras. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies.

The EOS C700 has rapid one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Face detection AF is another autofocus mode that can track a person's face in the frame and maintain focus on them.

To further fine tune AF performance, the EOS C700 offers the ability to set the AF tracking speed and response.

DAF also makes possible the Dual Pixel Focus Guide. Dual Pixel Focus Guide presents the user with a rectangle in the center of the EVF or monitor. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus.

Now added to the EOS C700 you will find a focus pre-set feature. Separate predetermined focus points can be selected. When the SET button is pushed the lens will move focus from one mark to the other. 

Slow & Fast Motion

The EOS C700 has the fastest frames rates available of any Canon Cinema EOS Camera to date. In addition to the 4K 60P, EOS C700 also features 2K recording up to 120 frame per second and a crop 2K mode featuring up to 240 frames per second.

IP Streaming

IP Streaming enables users to send their video online, in real time, as they shoot. It works with compatible IP decoders, IP streaming software and other devices for live streaming to video websites, news shows, video productions, post production facilities, editing rooms and broadcast stations.

The EOS C700 supports MPEG2-TS with UDP, RTP, RTSP+RTP protocols.

Wireless Remote Capabilities

The EOS C700 can connect to a wireless network using a Canon wireless file transmitter (WFT-E6A / WFT-E8A). Using the WFT Transmitter, users can operate the camera and view live images using a Wi-Fi® connected device with a compatible web browser.


When an optional Canon GP-E1 GPS receiver is connected to the EOS C700, GPS information can be added to the metadata. This is selected using the menu. GPS position (altitude, latitude, longitude) and time can be recorded where GPS service is available.




The Canon DP-V1710 UHD 4K Reference Display is a compact and rugged display. It supports UHD (3840 X 2160) and 4K signals for use in broadcast and cinema workflows where high mobility is needed. The DP-V1710 is equipped with a Remote (parallel mode) terminal, which means that it can be controlled remotely by a switcher or other device. This helps make this display indispensable for supporting 4K in existing outside broadcast vans.

The innovative Canon-designed white LED backlight with its IPS panel facilitates a wide-viewing angle, and the anti-glare coating helps improve on-set visibility. It also features a specially developed image-processing engine to help produce uniform brightness. The DP-V1710 utilizes the same high image quality technology found in Canon's other reference displays so you can rely on a consistent look throughout the entire workflow, using any combination from the Canon Reference Display line.

The DP-V1710 works with a variety of workflows, including a link up with ARRI ALEXA SXT camera systems for cinema productions, while its size and full feature set help make it a superb choice for broadcast productions both on set and in broadcast vans and studios.

Supporting broadcast/digital cinema EOTFs, as well as Canon's own proprietary Canon Log/2/3, and the latest HDR EOTFs, Hybrid Log-Gamma (ITU-R BT.2100) and SMPTE ST 2084, the DP-V1710 is also packed with an abundant selection of functions for supporting HDR production.

Featuring an aluminum frame design for rigidity and strength, the reference display weighs less than 18 pounds. Importantly, its EIA 19” rack mount compatibility (7U) means it can replace existing FHD displays and is considerably easier to install than other larger 4K displays. It can be powered by 100-240V AC or 12VDC for additional flexibility.


  • UHD(3840x2160) Display for on-set and Broadcast/OBVan applications
  • Accurate color reproduction includes DCI-P3 and ITU-R.BT2020 gamuts
  • Superb Black Levels
  • HDR Function supported (SMPTE ST 2084 & Hybrid Log Gamma)
  • Integration with ARRI Camera Systems- 6G-SDI and HDMI is supported to 4K 60P

Two Line Inputs 6G-SDI and 4K 60p Supported

The DP-V1710 UHD 4K Reference Display is equipped with four 6G-SDI terminals. As a result, 4K 60P video that up until now has required four SDI cables can now be received on two SDI cables, thus helping to simplify installation and production needs. Providing four terminals also allows 4K 60P video to be received and switched on two lines, which helps improve efficiency when confirming video.

6G-SDI (4K 2 Line Input)

4K 60p transmission uses (2) SDI cables.

  • Video Signal A    4K YcbCr422 @60P
  • Video Signal B    4K YcbCr422 @60P

3G-SDI (4K 1 Line Input)

4K 60p transmission uses (4) SDI cables.

  • Video Signal (Quad-Link) 4K YcbCr422 @60P

Remote Operation

The Canon DP-V1710 is equipped with interfaces for remote operation (REMOTE & LAN):

  • REMOTE (Parallel Remote) - 1 RJ-45 Terminal, GPI 8-Pin
  • LAN (Serial Remote) - 1 RJ-45 Terminal, IEEE802.3 10BASE-TX/IEEE802.3u 100BASE-TX Compliant
  • DC 12V Max. 10A XLR Terminal
  • Rear VESA Standard 1--x1--mm compatible

Serial/Parallel Remote Terminals to Enable Remote Control of the Display
Serial/parallel remote terminals are provided for remote control. This enables the operating situation at the shooting location to be confirmed by the tally lamp, and the display to be remotely controlled from a linked third-party grading system. 

List of GPI Assignments
Power On/Off, tally lamp lighting (green/red/ amber). Channel/picture mode control.

12 V DC (XLR Terminal) Support
The DP-V1710 UHD 4K Reference Display can be powered by a 12 V DC source which allows the display to be used in the field when producing remote segments, dramas and documentaries, for example.


Supports New Standards & Various EOTFs

The DP-V1710 UHD 4K Reference Display supports broadcast/digital cinema EOTFs, as well as Canon's own proprietary Canon Log/2/3, and the latest HDR EOTFs, Hybrid Log-Gamma (ITU-R BT.2100) and SMPTE ST 2084. Providing various EOTFs in this way powerfully supports on-location confirmation of video.

Up to (8) 1D-LUTs created separately can also be imported.

List of Registered Preset EOTFs/LUTs

  • EOTF (SDR)
    • 1.0, 2.2, 2.35, 2.4, 2.6, ITU-R BT.1886 (CRT)
    • Canon Log, Canon Log 2, Canon Log 3, Off
  • EOTF (HDR)
    • Canon Log (HDR), Canon Log 2 (HDR), Canon Log 3 (HDR)
    • SMPTE ST 2084
    • Hybrid Log-Gamma Y, Hybrid Log-Gamma RGB
  • 1D-LUT (Import) 
    • Gamma LUT 1~8

Supports HDR Production

HDR / SDR Split Screen Display

The DP-V1710 UHD 4K Reference Display supports split-screen display of HDR and SDR signals. Since video can be displayed simultaneously on the left and right screens, differences in luminance ranges and gradation/brightness can be compared at a glance, thus allowing HDR shooting to be conducted with more confidence and efficiency.

Various other features can be combined to make HDR production easier to perform: Range Compression Display according to specific production applications, Clipped Display, Camera Information Display, and Waveform Monitor Display.

The DP-V1710 fits inside 19" racks making it an excellent choice for broadcast vans that are subject to space and weight restrictions.

HDR-Compatible Waveform Monitor Display

The waveform monitor can be selected to display HDR scales (e.g. SMPTE ST 2084 nit) or Canon Log (%) for maximum flexibility in HDR production.

HDR Range Variable Adjustment Function

Variable adjustment of the HDR range is possible to suit specific applications. For example, the dynamic range of the HDR standard signal or LOG signal can be displayed to fit within the luminance supported by the display main unit (range compression), or required actual luminance parts of the range can be displayed with the highlight range area excluded (range upper limit clipping). Desired values can also be registered in advance to function buttons or channel buttons. This lets you call up respective HDR standard videos for confirmation by one-touch operation.

HDR Meta Information Display

Metadata information (color gamut, gamma, maximum luminance, average luminance maximum value of content) from PCs for HDMI-compatible video editing and Blu-ray players, cameras and other devices can be displayed on screen.

This is useful for appropriate HDR productions since videos can be monitored while confirming the HDR information at the same time.

Superb Black Levels

The DP-V1710 UHD 4K Reference Display provides a black level superior to older CRT displays. What's more, by ensuring accurate gradation precision afforded by liquid crystal displays, a higher black reproduction can be achieved compared with that of CRT displays and OLEDs, on which black defects are likely to occur in the shadow areas, thus helping to improve video production quality.

Integrate with ARRI Camera Systems

The DP-V1710 UHD 4K Reference Display has important features for cinema style applications as well.

Camera Link-Up

The Camera Link-Up feature of the reference display allows seamless linking to the ARRI ALEXA SXT camera system, providing for increased flexibility on-set for camera assistants and DITs.

Camera Information Displays

When an ARRI Camera system is connected to the DP-V1710, the camera's metadata can be obtained, and its contents can be displayed. This means that camera set up and confidence checks during shooting can all be done on the reference display itself rather than on the camera's viewfinder or display. This allows checks without disturbing the operator and increases on set flexibility. (This feature is available when the 3G/HD-SDI format has been selected by ARRI Camera system.)

Camera Image Quality Link-up

An image quality link-up function automatically switches the image quality of the display based on the camera's meta information. This function is established while the ARRI Camera system is connected to the DP-V1710. The fact that the image quality settings are linked automatically for the camera and for the display means that setting errors can be minimized.

Pre-Set Log

Presetting by Cinema EOS System's Canon Log/Canon Log2/Canon Log3 and the ARRI Log C video display are also supported. Log C is preset to the main unit menu. So, all you have to do to check image quality is connect to the camera without having to go through the trouble of adding on any special LUTs.

On-Set LUT and CDL Functions

The DP-V1710 UHD 4K Reference Display allows you to set multiple LUTs (8) for each picture mode, same as the DP-V2410 and DP-V2420. 

As a result, users can select up to eight LUTs in one picture mode for improved convenience. In addition, presets from CDL1 to CDL15 and a CDL details setting screen have been added. Users can also change the name settings for CDL1 to CDL15.

Faithful Color Reproduction Supporting 4K Cinema and UHD 4K Broadcast Standards

Broadcast and Cinema Standards of ITU-R BT.2020 and ACES2065-1 Supported.

The display has a Direct-type white LED backlight and IPS liquid crystal panel in order to achieve the high-image-quality performance that is optimally suited for the shooting locations. In addition to satisfying a multiple number of the latest broadcast standards such as ITU-R BT.709, EBU and SMPTE-C as well as the latest DCI-P3 digital cinema standard, it also meets the next-generation standards of ITU-R BT.2020 and ACESproxy, the transmission standards of ACES whose color management standard is advocated by AMPAS.

High Accuracy Uniformity

The DP-V1710 UHD 4K Reference Display achieves the same level of high-accuracy uniformity as the DP-V3010, DP-V2410 and DP-V2420 reference displays. By incorporating a proprietary image processor developed for use in displays to enable fine-tuned adjustments, any color and luminance unevenness on the screen can be prevented and high-accuracy uniformity can be achieved.

Smooth and Accurate Gradation Characteristics for each RGB Color

The high-accuracy display processor enables accurate gradation displays.

Image Enhancement Function

The DP-V1710 UHD 4K Reference Display has an array of image functions that give users the ability to control and modify the display's features and customize the overall look. 

High Resolution

The DP-V1710 features a panel with a 3840 x 2160 resolution and a 16:9 aspect ratio. It can display signals compliant with the digital cinema and high-definition TV broadcast standards on a dot-by-dot basis in exhaustive detail. It makes its three expanded display modes available for 2K or full-HD video productions as well. In this way, it can be used as a FHD/2K/4K display in a wide range of applications, and it contributes to improving the efficiency of 4K/full-HD video production workflows.

Shape Trace

The DP-V1710 is equipped with three types of screen scaling functions, including the Canon Shape Tracing technology™ an original shape-tracing technology that helps to minimize artifacts on images scaled on the DP-V1710. Using the Canon Shape Tracing technology, the DP-V1710 detects the angles of hard edges and selects an appropriate interpolation to help provide smooth diagonal lines and optimal image rendering, further extending the display's application during location/studio shoots and within color-grading, DI, CGI, VFX and other post-production workflows.

Shooting Assistance Tools

2-Sample Interleave

2-Sample Interleave is supported. This technology transmits up to four sub-imagers (2K/HD) that are obtained by dividing a 4K signal into 2-pixel units and re-assembling these together to make a 4K display. This also differs from Square Division in that, since images that are slightly out of position are sent, the angle of view can be confirmed even on 2K/HD monitors by displaying one of four inputs.

2/4 Split Screen Display Compatibility

In the 2 split-screen display mode, the picture mode can be set independently on displays A and B. And, in the 2 split-screen display/4 split screen display mode, display of the division lines can be switched on and off. The camera information can be displayed at only one location (i.e. one input).

Maintaining Consistency in Color Image Quality

In order to maintain consistent high image quality the DP-V1710 UHD 4K Reference Display utilizes built-in auto-correct functions that consistently monitor color, brightness, and other parameters that keep the display at a high level of uniformity at all times. These functions include:

Automatic Luminance Correction System
The DP-V1710 comes with Canon's proprietary control system that is used to correct the fluctuations in luminance and help ensure accurate, stable performance over time.

Calibration Without a PC
The DP-V1710 achieves the same high level of stability as the DP-V3010/DP-V2410.

In cases where color shifting or other problems have occurred due to the deterioration experienced over the years, accurate corrections can be made using the external sensor (CA-210/CA-310 from Konica Minolta) without having to use a PC. 

Precise Color Adjustment Prior to Shipment

In order to achieve high color uniformity, each DP-V1710 undergoes a high-precision calibration process before shipping from the factory. External calibration allows users to maintain factory settings as well as make adjustments for specific display applications.

Easy-to-Use Tailored OSD Menus 

While carrying over the proven operability of the DP-V2410 UHD 4K Reference Display, Canon has reduced the size of the OSD menu displays to the size that is optimally suited for the operation range. The information is easy to read yet does not really obstruct the display of the images on the screen.

Assignable Function Buttons
Specific functions can be registered to the function buttons in accordance with the intended applications. These functions can then be accessed immediately at the touch of a button.

Easy-to-Use Control Area
The control area with its function buttons factors in different scenarios for shooting at many different locations, and it is extremely easy to use. The buttons and jog dial are laid out in the same positions as they are on the DP-V2410 display. The labels and buttons on the front panel control area are illuminated to enable operation even in dark places. 

If operations are to be performed at a location away from the main unit, users can connect the color grading system using the LAN connector or connect a color grading controller using the USB connector.

Various Interfaces

6G/3G/HD-SDI and HDMI are equipped as standard, and interfaces required for video production locations are supported.



  • 4 (1 system) BNC (75Ω) receptacle terminal


  • 1 (1 system) Type A Terminal



  • 4 (pass-through 1 system)


  • 1 stereo mini-jack, Supported impedance: 32Ω to 64Ω

USB (Control)

  • 1 USB A receptacle terminal

LAN (Serial Remote)

  • 1 RJ-45 terminal
  • IEEE802.3 10BASE-TX /IEEE802.3u 100BASE-T compliant

REMOTE (Parallel Remote)

  • 1 RJ-45 terminal, GPI 8 pin


  • 100-240 Volt AC
  • 12V DC
  • 50/60hz 

Multi-Formats Supported


  • 6G-SDI:SMPTE 2081 compliant
  • 3G-SDI:SMPTE 2048-2/274M/296/372/425-5/425-3/425-1/428-19/428-9 compliant
  • HD-SDI:SMPTE 2048-2/274M/292-1/296/428-19/428-9 compliant


  • SD, HD, UHD/4K 30p
  • UHD/4K 50p, 60p
  • YCbCr4:2:0 12/10/8bit, YCbCr 4:2:2 12-bit, YCbCr 4:4:4 8-bit, RGB 4:4:4 8-bit




Key Highlights

  • C700 Camera + UHD 4K Reference Display
  • 4K up to 60fps & 2K/HD up to 240fps
  • Modular camera body accepts accessories
  • Display supports HDR production
  • Record Apple ProRes to CFast Media
  • Dual Pixel CMOS AF
  • Display ideal for mobile production vans
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