Canon EOS C100 MK II Camera with Dual Pixel CMOS AF & Triple Lens Package

The Canon EOS C100 Mark II Camera improves upon its predecessor with added functionality. It is optimized for single shooters and compatible with the CN-E cinema lenses (Canon EF, EF-S, and EF-Mount). Canon added the DIGIC DV 4 Image Processor. The dual codec capability of the C100 MKII provides simultaneous AVCHD and MO4 recording, plus 59.95P capture and slow or fast motion recording. It also includes a Dual Pixel CMOS AF and Face Autofocus and built-in Canon Log LUTs. They even redesigned the 3.5-inch OLED panel which rotates 270 degrees. The EVF tilts and features a larger size eyecup. 

This kit includes 3 Canon autofocus-enabled lenses along with the Canon EOS C100 MK II camera body: Canon EF 16-35mm f/2.8L II USM Ultra Wide-Angle lens, Canon F 24-70mm f/2.8L II USM Lens, and the Canon EF 70-200mm 2.8L IS II USM Lens.

Canon EF 16-35mm f/2.8L II USM Ultra Wide-Angle Zoom Lens:

This L-Series ultra wide-angle lens from Canon is designed for professional photographers and high-end amateur photographers. It features 3 high-precision aspherical lens elements with different types (ground, replica, and GMo) for improved image quality compared its predecessor. With a focal length of 16-35mm and a maximum aperture of f/2.8, this lens includes internal focusing, a ring-type USM (Ultra Sonic Monitor), and a new autofocus algorithms for fast and quiet AF. The lens is constructed with 16 elements in 12 groups. It’s closest focusing distance is 0.92 feet (0.28m). It fits an 82mm filter size. In addition, this lens is water-resistant.

Canon F 24-70mm f/2.8L II USM Lens:

This Canon 24-70mm lens features a maximum aperture of f/2.8. Redesigned from its predecessor, this lens combines superb optics with the durable construction needed by a professional. It is constructed of 18 elements in 13 groups. It can capture 1.25 feet (0.38m) at its closest focusing distance. The 24-70mm lens utilizes 1 Super UD lens elements and 2 UD lens elements to minimize chromatic aberration in the periphery. This is especially important at the widest angle. It also reduces color blurring around the edge of a subject.

Flourine coating on the front and rear lens surface will help reduce soiling, smears, and fingerprints while the body supplies an improved dust and water resistant function. It delivers an 84° - 34° diagonal angle of view and, like the 16-35mm lens, fits an 82mm filter size.

One of the handiest features is a zoom lock lever so you can lock the lens into a particular zoom position for safe transportation.

Should you prefer to maintain full control in every shot, utilize the full time manual focusing which allows photographers to tweak or alter the focus of their shot at any time, even when AF is engaged.

Canon EF 70-200mm 2.8L IS II USM Lens:

Canon lists the original 70-200mm 2.8L iS USM Lens as a legend in the industry. This lens improves upon that cultivated professional lens to maintain the same characteristics you have come to expect while increasing the speed, the performance, and the optical quality. Like the other three lenses in this package, this 70-200mm lens features a maximum aperture of 1.28. Its lens is constructed out of 23 elements in 19 groups. One fluorite and five UD elements are included for increased quality and also reduced chromatic aberration.

With a minimum focus distance of 3.9 feet (1.2m), this lens can assist you in smaller spaces. You will also appreciate the next-generation Optical Image Stabilizer built into the lens which provides up to 4 stops of correction at all focal lengths. It fits a 77mm filter size and is both dust and water-resistant.

Canon EOS C100 MK II Camera Body:

The C100 Mark II is ideal for run-and-gun shooters or webcasting. Since it does not record 4K you will change out your memory cards and batteries less often. The compact size will help you pack the C100 and a lens in a backpack, carry-on baggage, or specially padded camera bag for fast setup at multiple locations.

The Super 35mm Canon CMOS image sensor matches the sensor in other Canon EOS family cameras. The 8.3 megapixel sensor deploys two photodiodes to ensure high speed removal of accumulated charge to elevate the effective dynamic range. The four 1920x1080 HD video components (Red, Green, Green-Blue, and Blue) pre-process the image before sending it for advanced processing to the DIGIC DV 4 processor. The resulting components are sent to the AVCHD and MP4 codecs. The camera yields a maximum ISO speed of 102,400 and a wide dynamic range with up to 12 stops. 

The AVCHD enables a 59.94p frame rate up to 28 Mbps (1920x1808 HD video) while the MP4 recording format delivers 35 Mbps. The professional AVCHD standard permits long recording of full HD in what Canon names a “smooth look” while the MP4 is desirable for webcast and social media publication. You can record either format or use the dual SD card slots in the Canon C100 MK II to record both formats simultaneously.

Record slow or fast motion effects when using the MP4 format. Your speeds can range from x0.4 to x2.5. View the handy graph in photos to compare recording frame rates in NTSC or PAL.

NOTE: Sound is not recorded. This feature functions in single-slot recording only.

Webcasters and YouTube content creators seeking small file sizes will appreciate the speed and convenience of C100 MK II’s MP4 conversion feature. Place an SD card in the Canon EOS C100 MK II camera’s main slot with an AVCHD or a MP4 recording. The C100 MK II can then convert that into a 3 Mbps (640x360) MP4 file on an SD card inserted into the secondary slot.

Auto Focus 

Dual Pixel Autofocus features not only a continuous AF setting, but also a lock setting. The lock permits you to change framing and retain focus. Of course, any AF type of functionality suits a single shooter following a moving subject or any fluid documentary-style setting.

NOTE: Dual Pixel CMOS AF will function in the center of the frame. Canon’s documentation also reminds you that it is also compatible with more than 100 Canon EF lenses.

The aptly named Face AF Mode will detect and then focus upon a human face. That way you can concentrate on composition and style.

OLED Display

Canon redesigned their OLED display. Its sturdy, hinged ability helps you stow the screen away when not in use such as with a viewfinder. The 3.5-inch 1.23 megapixel OLED display delivers the vivid colors and high contrast you’ve come to expect in an Organic Light-Emitting Diode display. When deployed, the flip-out screen opens 180-degrees to uncover both function keys and a joystick for the display menu. The easy-to-use interface enables fast changes in settings like aperture, shutter speed, ISO, ND, or white balance. The hinge allows for an additional setting where the OLED rests at 270-degrees against the side of the C100 MK II. This setting suits on-location live monitoring.

NOTE: Unless it has been fixed since this posting, you may need to use the EVF to view waveform instead of the display.

Color & Special Features 

Utilize the built-in Canon Log LUT to produce color grading inside the C100 MK II.

Wirelessly transfer your video files and still images to a selected FTP server. This is ideal for news broadcasters as well as for backing-up files. It uses the 5GHz band and can transfer up to 100 files at a time.

Canon designed the EOS C100 MK II to include three start/stop record buttons. You will locate them on the front of the camera, on the removable pistol grip, plus the detachable top handle. You cannot miss them as they are bright red.

The ergonomic redesign of the C100 Mark II delivers indentations around control buttons, a comfortable pistol grip, and a recessed power switch to prevent accidental loss of power.

Create, save, and recall custom picture settings, camera functions, and display options on the C100 Mark II. It also features a screw-locking HDMI out with SMPTE time code for attaching recorders or camera monitors.

The removable top handle integrates a built-in tally light, stereo microphone, dual XLR audio inputs for stereo recording, plus a mic mount. You may wish to secure other audio components or accessories to the detachable top handle. Phantom power supply connected to the XLR inputs will assist you with powering additional accessories.

The Canon C100 MK II pairs well with the Zacuto Z-finder and host of other third-party accessories.

Remote control of the camera is also enabled via a compatible smartphone, tablet, or laptop.

Canon C300 MK II Firmware Update

Canon has updated their firmware on the Canon C300 MK II Camera. Please be sure to read the step-by-step instructions Canon has conveniently included with their C300 MK II Firmware Update.

Firmware Version 1.1.0.1.00 incorporates the following enhancements:

1.  Support for LCD monitor LM-V1 1,2 (separately sold) has been added. 

2.  Peripheral illumination/chromatic aberration correction has been added for the following lenses: 

• EF-S 18-55mm f/4-5.6 IS STM 
• EF-S 35mm f/2.8 Macro IS STM
• EF 85mm f/1.4L IS USM 

NOTE 1: Your LA-V1 LCD Attachment Unit cannot be used to attach the LM-V1 to your EOS C300 MK II / EOS C300 Mark II PL cameras. 3rd party mounting options are required to use the monitor on this model camera. 

NOTE 2: When using the LM-V1 with the separately-sold WFT-E6 or WFT-E8 Wireless File Transmitter and GP-E1 GPS Receiver, please be sure to maintain space between the two accessories. 

IMPORTANT NOTE: Remember to read the Important Notes from Canon in their PDF when you download the firmware update. There are things you will want to know so you can perform the update correctly and maintain your working camera.