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Kandao Obsidian S Production Kit

AbelCine Bundle
This kit includes the Kandao Obsidian S High Speed 6K VR Camera, MSE VRig S30 Kit, ZOOM F8 MultiTrack Field Recorder, Sennheiser Ambeo VR Microphone, and a Rycote shock mount, windshield, and windjammer.
Key Highlights
  • Kandao Obsidian R Production Kit
  • Includes MSE Rig S30 Kit
  • Includes Sennheiser VR Mic

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This kit includes the following items:

  • Kandao Obsidian S High Speed 6K VR Camera
  • Matthews Studio Equipment VRig S30 Kit
  • ZOOM F8 MultiTrack Field Recorder
  • Sennheiser Ambeo Virtual Reality (VR) Microphone
  • Rycote InVision INV 7HG MKIII Microphone Shockmount
  • Rycote 25mm BBG Windshield
  • Rycote BBG Windjammer


Kandao Obsidian S High Speed 6K VR Camera

The Kandao Obsidian S High Speed 6K VR Camera is a professional 3D 360°, high-speed virtual reality camera system, providing exceptional flexibility with its High Frame Rate (HFR) capabilities. The Obsidian S is an ideal solution for capturing slow-motion footage in VR. Its six lenses more accurately replicate the human visual apparatus than ever before, with stereoscopic parallax. The result is a far more natural and comfortable VR experience.

Only a 3D 360° panorama video can provide a true sense of immersion, which is key to bringing a virtual reality world alive for an audience. Kandao Obsidian utilizes a deep learning-based stiching algorithm, automatically generating high quality stereoscopic panoramas with enhanced quality and speed and greatly increasing the productivity potential of your VR workflow. With Kandao Studio, creators can complete high-quality 3D panoramas with just one button, eliminating the need for complex steps that greatly speed up the post-production process.

The VR Creator can provide audiences with live broadcasting experiences in 3D 4K x 4K at 30 fps on any laptop connected to the Obsidian camera via Kandao's single powered ethernet cable. Say goodbye to the bulky and expensive HDMI capture cards and cables needed to view playback. Even the power cord is taken out of the equation, thanks to PoE (Power over Ethernet) functionality. Everything from image setting control to file transfers for previewing and live streaming is supported over this unified data connection.

The Obsidian S includes a powerful, versatile overall software solution, ranging from post-processing, editing, stitching, and video encoding to live streaming. This total solution approach supports industry-standard format and can be easily connected to your existing workflow, simplifying the learning curve for new 3D 360° video producers and liberating VR Creators from the tediousness of post-production, with an increased focus on creativity. The Kandao App enables viewers to watch ultra high-resolution 360° VR videos and stills either online or offline with little discomfort. A patented display method provides users with a wider FOV (Field of View) with no distortion. 

Users benefit from remote control of the camera via a laptop, iPad, or smartphone. The VR Creator can adjust specific settings (aperture, ISO, white balance, and exposure) for optimal results, and be fully confident in every production scenario with real time preview. The Obsidian S also features 3D 360° video/photo/time-lapse recording and support, video recording in flat/standard/log mode, and DNG format for photos.

The Obsidian S features a minimalistic design for maximum convenience. Its palm-sized, lightweight form factor weighs just 2.65 lb (1.2 kg), with a metal body for enhanced durability. Take it anywhere and set up easily, whether mounted on drones, vehicles, or in handheld configurations.


  • Record 4K x 4K 3D VR videos at 120 fps
  • Record 6K x 6K 3D VR videos at 50 fps*
  • Capture 3D VR photos at 6K resolution
  • (6) high-quality fisheye lenses with f/2.2 aperture
  • HDR (High Dynamic Range) in spherical image capture
  • Integrated IMU sensors for stabilization software
  • Spatial and temporal de-noise, de-fringe, and exposure compensation tools to improve image quality
  • Warm-swap batteries
  • Supports 360° ambisonic audio recording
  • Flexible bitrate options (60 Mbps & 100 Mbps)

*NOTE: Can be conformed to 60 fps in Kandao Studio for better VR HMD (Head Mounted Display) playback.


ZOOM F8 MultiTrack Field Recorder

Advances in video have made filmmaking accessible to creators everywhere. But the accessibility of professional audio devices has not kept pace. Field recorders, with essential features such as time code, may not be as available.

The ZOOM F8 MultiTrack Field Recorder offers serious filmmakers and sound designers a portable recorder with professional and necessary features. You can record high-quality audio with the F8 and its 8-input / 10-track recording, super low-noise preamps, and support for 24-bit, 192 kHz audio.

You can mount your F8 to your tripod or attach on-board your camera with the included mounting bracket adapter.

Download the latest firmware.

Features At-A-Glance:

  • 8-channel/10-track field audio recorder/mixer, plus a stereo* mix track, allow you to simultaneously record stereo and surround sound.
  • (8) discrete inputs with locking Neutrik XLR/TRS combo connectors
  • Support SMPTE Timecode
  • Record up to (10) tracks simultaneously
  • Compact and lightweight aluminum chassis, weighing just 2 lb (without batteries)
  • High-quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and +4 dB line inputs
  • Support for up to 24-bit/192 kHz recording, as well as 96 kHz, 88.2 kHz, 48 kHz, and 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution
  • Accurate Time Code (0.2 ppm) I/O on standard BNC connectors; dropframe/non-drop formats with Jam Sync
  • (3) power supply options: 8x AA batteries, external DC battery pack with Hirose connector, or 12V AC adapter (AA’s and DC battery pack not included)
  • Automatic switching of power source from DC to batteries at user-defined voltage levels
  • Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel
  • Phantom power (+48V/+24V) on every preamp, with flexibility to turn them on/off individually
  • Advanced on-board limiters for input and output
  • High pass filter, phase invert, and Mid-Side decoder
  • Input delay of up to 30 msec per channel / output delay of up to 10 frames per output
  • Compatible with Zoom microphone capsules; optional extender cable enables remote positioning
  • Dual mini-XLR (TA3) balanced Main Outs plus 1/8" stereo mini-jack Sub Out
  • Dedicated headphone output (100 mW) with front panel volume control
  • 2.4" full-color backlit LCD with monochrome mode
  • Dedicated PFL display with viewable trim settings
  • Dual SD/SDHC/SDXC card slots, up to 512 GB each
  • Records in BWF-compliant WAV or MP3 file formats
  • Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.
  • On-board mixer with flexible routing of inputs and outputs (pre- and post-fader). Each channel has controls for pan, input/output delay, filtering, and limiting.
  • Built-in slate mic/slate tone with front panel switch
  • Built-in tripod mount; camera mount adapter also included
  • Plug into any optional ZOOM Mic Capsule
  • Use as an 8-in/4-out USB audio interface (@ 96 kHz)
  • Free Zoom F8 Control App for iOS allows wireless remote control, file renaming, and metadata entry

* NOTE: Stereo mix track not recorded when 192 kHz sampling rate is selected.

Mic Pre's

The F8 features an extremely low noise floor (−127 dBu EIN) and high gain (up to 75 dB), with +4 dB line inputs. ZOOM states the F8 is outfitted with their finest mic preamps to date.

High-Resolution Audio & Advanced Limiters

The F8 can record at 24-bit/192 kHz resolution and is equipped with onboard limiters designed to provide overload protection. Limiting can be applied to all (8) channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release. 

Timecode with Pinpoint Accuracy

The F8's time code is state-of-the-art. It utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy, enabling rock-solid syncing of audio and video.

The F8 supports all standard dropframe and non-drop formats, and can jam sync to time code being provided by external devices. An input and output are provided on standard BNC connectors, enabling easy integration into any rig.


File Formats, Sampling & Sample Rates - The F8 records in BWF-compatible WAV format at 16 or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording files in MP3 format, you can choose bit rates of 128, 192, or 320 kbps.

Dual SD Card Recording - Record on (2) SD/SDHC/SDXC cards, up to 512 GB each, simultaneously. This allows you to backup or split recordings (for example, save 8 tracks onto 1 card and a stereo mix onto another). ZOOM lists compatible SD cards for their F8.

Dual-Channel Recording - The F8's dual-channel recording mode allows you to create safety tracks on inputs 1-4, each with independent level, limiting, delay, phase inversion, and high-pass filtering 

Pre-Record - The pre-record function allows you to capture up to 6 seconds of audio before you hit the RECORD button.

File Protection - Files are saved periodically during recording. This provides an extra level of protection in the event of unexpected file interruption, for example, power loss or the removal of an SD card.

On-Board Mixer

The F8's onboard mixer enables flexible signal routing from all inputs to all outputs, either pre- or post-fader, with user-adjustable level, pan, and input/output delay. In addition to advanced onboard limiters (which can be applied to all channels and tracks simultaneously), the F8 also provides high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding.

Weight & Build

The F8 is not only versatile and feature rich, it is the smallest field recorder with eight XLR combo preamps ever made. Weighing just 2.1 pounds (without batteries), its aluminum chassis is both rugged and durable.


Sound professionals sometimes work in dusty, hard-to-see environments. Level meters with adjustable brightness and its 2.4" full-color backlit LCD (which can be set to monochrome mode), make the F8 easy-to-use in any environment — from low-light to direct sunlight. 

(3) Power Sources

A 4-pin Hirose connector allows the use of external 9-16 volt DC battery packs.

Internal power is provided by 8x AA batteries. The F8 can switch power sources from a DC battery pack to the AA batteries at a user-defined voltage level for uninterrupted recording.

You can also use the supplied 12 volt AC adapter, when not on the go.

Comprehensive Headphone Monitoring

In the field, it's important to be able to quickly check levels as you're recording. With the F8, it's simple. A single display lets you monitor single or multiple tracks, as well as any of the Main or Sub outputs, via a dedicated 1/4" headphone jack with a front panel volume control.

Signals can be freely routed to the left and/or right headphone channels, pre- or post-fader, and the headphone output can be switched to mono. You can set headphone alert tones for low battery, recording start/stop, or recording errors.

The F8 comes equipped with a built-in 100 mW headphone amplifier, allowing you to monitor in the noisiest of environments.

Wireless Bluetooth Control & the ZOOM F8 Control App

The F8 is the first field recorder to come with wireless Bluetooth control. The ZOOM F8 Control App for iOS provides extensive wireless remote control of the F8 from your iPhone, iPad, or iPod Touch (5th Gen) using Bluetooth LE protocol. Functions include Record, Play, Stop, Fast-Forward, and Rewind, plus mixer pan and fader level. You can also monitor input levels, current time code, and battery status. With ZOOM F8 Control, you can rename files, enter metadata, and set date/time information directly from your iOS device.

Download the ZOOM F8 Control App via Apple's iTunes Store

I/O Connectors


The F8 provides 8 discrete inputs with locking Neutrik XLR/TRS combo connectors. Each preamp has a dedicated gain control knob, a 6-segment LED level meter, and Record Ready and PFL switch. A 10-pin connector on the rear panel enables the use of Zoom mic capsules, with an optional extension cable that allows for remote positioning. There's also a built-in slate mic and a variable frequency slate tone generator to confirm levels.


In addition to its 1/4" headphone jack with dedicated volume control, the F8 provides (2) outputs:

  • 2x Main Outs (on balanced TA3 mini-XLR jacks) for connection to external mixers and processing devices
  • 2x Sub Outs (on a single unbalanced ⅛" stereo mini-jack) for connection to a camera


Timecode I/O is provided on BNC connectors.


A USB port enables firmware updates, file transfer, and allows the F8 to be used as an 8-in/4-out USB audio interface operating at sample rates up to 96 kHz.


The F8's menu is easy to navigate and has a simple file structure. Cataloging is straightforward, with extensive metadata (both BEXT and iXML), which can be entered directly on the F8 or with the Zoom F8 Control App.


Sennheiser Ambeo Virtual Reality (VR) Microphone

The Sennheiser Ambeo Virtual Reality (VR) Microphone adds sound to your virtual reality video / spherical 360° content. This easy-to-use ambisonic microphone features four matched KE 14 capsules in a tetrahedral arrangement. Ambisonics is a multi-channel technique which means you can capture the audio surrounding a single point, in this case wherever you place the Ambeo VR microphone.

Playback representation of ambisonics is rendered binaurally so you can virtually rotate the orientation of the perspective both horizontally and vertically. All the post playback tools support this technique. In addition Sennheiser, via theVR Creators Program, involved industry professionals while developing the Ambeo VR Microphone.

Sennheiser also developed A-B encoder software which functions as a plug-in. The Ambeo VR Microphone delivers A-format which is a raw 4-channel output which you can convert into a new set of 4-channel known as the Ambisonics B-format. B-format is a W, X, Y, Z representation of the sound field around the microphone where W equals the sum of all 4 capsules. X, Y, and Z represent the bi-directional microphone patters as front/back, left/right, and up/down, respectively. In this fashion, you can audition Ambisonics B in playback.

The plugin which you can download for free is available for both MAC and Windows for VST, AU, and AAX format.


Rycote's InVision INV 7HG MKIII Microphone Shockmount

Rycote's InVision INV 7HG MKIII Microphone Shockmount is designed for discreet, low-profile on-camera use in broadcast studio environments where windshielding is not required. This mount features Rycote's latest Lyre suspension systems to offer broadcast professionals the cleanest possible sound, free from unwanted cable or stand-borne noise. Use your INV 7HG MKIII Shockmount with microphones mounted on desks, stands or boom poles, or suspended mics.

Use this mic shockmount on your C-Stand or boom pole. You can mount it with the provided 3/8" threaded base on the Shockmount or use the included 5/8" threaded adapter for audio stand or boom mount positions.

This will fit your Sennheiser MKH416 or MKH60 microphones and other, heavy mics.

  • Clamp Fits Mic Diameter: 19 to 34mm
  • Includes 3/8" threaded base and 5/8" adapter


Rycote 25mm BBG Windshield

The Rycote 25mm BBG Windshield is designed to offer the wind attenuation properties of a full-sized windshield in a much smaller package, easily slipping onto the body of your microphone. This allows the microphone to be hand-held or shock-mounted with a Lyre suspension. Ideal for short microphones, the BBG Windshield is suitable for low-profile boom applications as well as for use in hand-held operations and interviews. It is widely used for microphones with bulbous ends and ORTF microphone pairs, where the maximum head diameter is 80mm.

The windshield is constructed of the same material as the full size, modular windshields, but rather than clipping to a microphone suspension the Windshield is mounted directly on the microphone by a grommet gripping the microphone body. The microphone is pushed through the grommet, completely enclosing the microphone capsule. The Windshield consists of two halves, which can be separated to fit microphones with a ball-head or tapered body from within the windshield.

NOTE: For additional wind protection, a furry Windjammer cover is available (sold separately).


  • BeyerDynamic MCE 72
  • Sennheiser AMBEO® VR MIC
  • Sennheiser MKH 20
  • Sennheiser MKH 30
  • Sennheiser MKH 40
  • Sennheiser MKH 50


Rycote BBG Windjammer

The Rycote BBG Windjammer, first introduced by Rycote in 1987, is a high quality synthetic fur-cover, which provides the highest possible protection against extreme wind-noise. When using a Windjammer fitted over a Windshield, up to 50 dB of wind-noise attenuation can be achieved, producing excellent standard audio recordings.

The Windjammer is made from materials which are specially designed and manufactured for the purpose, and as a result has virtually no adverse effect on High-Frequency. To be totally effective it is important that the pile of the Windjammer remains in prime condition, so each is supplied with a fold flat hairbrush for ongoing maintenance.

This Windjammer is compatible with 100mm BBG Windshields.


  • Audio-Technica AT 8022 (BP 4025)
  • Audix SCX1C
  • Neumann KM 184
  • Oktava MC 012 / MK 012
  • RODE NT5
  • RODE NT55
  • Schoeps CMC Series
  • Sennheiser MKH 20
  • Sennheiser MKH 40
  • Sennheiser MKH 50

What's in the Box

  • Kandao Obsidian S High Speed 6K VR Camera
  • Shoulder Strap
  • Sync Control Cable for Zoom H2n Handy Recorder (Spatial Sound)
  • Ethernet Cable (for PoE & Camera)
  • PoE Power Supply
  • PoE Power Cord
  • Lens Cleaning Cloth
  • 3 x User Guide/Manual
  • Carrying Case
  • Proprietary A-B format Encoder, available in VST and AAX plugins (Mac OS X and Windows)
  • Foam Wind Shield
  • Rycote Suspension Mount
  • Balanced split cable 4x XLRs 3-pins
  • AMBEO VR Mic
  • Extension cable, 1.5m, DIN12F to DIN12M
  • Rycote 25mm BBG Windshield
  • Rycote BBG Windjammer
  • 3/8" to 5/8" Microphone Stand Adapter
  • Rycote InVision INV 7HG MKIII Microphone Shockmount
  • Travel Bag
  • Black Elastic Leg Skirt
  • Barbell Weight Retainer
  • Magic Finger
  • Baby Head Ball Adapter
  • VRig S30 Support stand with 30 lb capacity
  • Operation Manual
  • 2 x TA3 to XLR Cable
  • Cubase LE and WaveLab LE download Codes
  • ZOOM AD-19 12V AC Adapter
  • Camera Mount Adapter
  • ZOOM F8 MultiTrack Field Recorder


Key Highlights

  • Kandao Obsidian R Production Kit
  • Includes MSE Rig S30 Kit
  • Includes Sennheiser VR Mic
  • Includes ZOOM F8 Field Recorder
  • Includes Rycote shockmount
  • Includes Rycote windshield & windjammer
Kandao Obsidian S High Speed 6K VR Camera


Input Connector/Port:
Ethernet - PoE Supported

Lens Characteristics

Max Aperture F-stop:
Lens Options:
6 x Fisheye


Input Voltage:


Recording Resolution:
6K x 6K - 3000 x 3000 (Photo / Single-Lens Resolution)
4K x 4K - 1500 x 1080 @ 120 fps, 1500 x 1500 @ 80 fps
Recording Format:
MOV - H.264 / H.265 Video Coding Format
Bit Rate:
60 Mbps & 100 Mbps

Recording / Media

Media Type:


ISO Range:
Sennheiser Ambeo Virtual Reality (VR) Microphone


Microphone Type:
4 x Cardioid
Condenser - Pre-polarized
Microphone Options:
Omnidirectional - VR Microphone
Frequency Response:
20 Hz to 20 kHz
31 mV/Pa (-30 dBV)
Equivalent Noise Level:
18 dB-A as per IEC 61672-1 / 27 dB CCIR as per CCIR 468-3
Max SPL:
130 dB(A) for 1 kHz


Phantom Power:
4 x Yes - phantom powering (P48) as per IEC 61938 (48 ± 4 V), 3.5 mA each


10.8 in
3 in
16 in
2.4 lb
Rycote 25mm BBG Windshield

Microphone Accessories

Fits Mic Diameter:
Audio Accessories:
Wind Shields/Hard Covers - 30dB maximum wind-noise attenuation
Rycote BBG Windjammer

Microphone Accessories

Audio Accessories:
Wind Shields/Soft Covers
Rycote InVision INV 7HG MKIII Microphone Shockmount

Microphone Accessories

Fits Mic Diameter:
19-34 mm
Mic Mount Type:
Shock Mount
Shotgun Mic Mount
Audio Accessories:


7 in
7 in
7 in
1 lb
Matthews Studio Equipment VRig S30 Kit


Tripod Max Height Range:
50.0-69.99" - 64.5" (164 cm)
Tripod Weight Range:
5-7.99lbs - 7.5 lb (3.4 kg)
Tripod Type:
Tripod Min. Height Range:
10"-29.99" - 26" (66 cm)
Tripod Options:
Legs Only
Tripod System/Kit
Tripod Max Payload:


6.8 in
6.3 in
36.5 in
15 lb
ZOOM F8 MultiTrack Field Recorder


Frequency Response:
(for inputs, such as microphones) - 10 Hz – 80 kHz +0.5 dB/−1 dB (192 kHz sampling rate)
Output Level:
Maximum: Headphone - 100 mW + 100 mW (32Ω load)
Maximum: MAIN OUT 1/2 - +10 dBV (Normal Output Type), −20 dBV (Mic Output Type), 1 kHz, 600Ω load
Maximum: SUB OUT 1/2 - +10 dBV (Normal Output Type), −20 dBV (Mic Output Type), 1 kHz, 10kΩ load
Reference MAIN OUT 1/2 - −10 dBV (Normal Output Type), −40 dBV (Mic Output Type), 1 kHz, 600Ω load
Reference: SUB OUT 1/2 - −10 dBV (Normal Output Type), −40 dBV (Mic Output Type), 1 kHz, 10kΩ load
Timecode - 3.3 Vpp
MIC XLR - 0.009% max (1kHz, 22Hz-22kHz BW, Input Gain min, -10dBu input)
TRS LINE - 0.010% max (1kHz, 22Hz-22kHz BW, Input Gain min +10dBu input)
Max Input Range:
MIC XLR - +14 dBu (at 0 dBFS, limiter ON)
TRS LINE - +34 dBu (at 0 dBFS, limiter ON)
Input Impedance: MIC XLR - 3.3 kΩ
Input Impedance: TRS LINE - 28 kΩ
Input: Timecode - 4.6 kΩ
Output: Headphone - 15 Ω or less
Output Impedance: MAIN OUT 1/2 - 150 Ω or less
Output Impedance: SUB OUT 1/2 - 100 Ω or less
Output: Timecode - 50 Ω or less


Operating Time:
Continuous recording of (2) channels @ 48kHz/16-bit, without headphones - 8.5 hours or more, Alkaline batteries
Continuous recording of (2) channels @ 48kHz/16-bit, without headphones - 8.5 hours or more, Alkaline batteries
Continuous recording of (2) channels @ 48kHz/16-bit, without headphones - 8.5 hours or more, Alkaline batteries
Continuous recording of (8) channels @ 192kHz/24-bit - with headphones, Phantom Power, Display Backlighting: 3 hours or more, Lithium batteries
Continuous recording of (8) channels @ 192kHz/24-bit - with headphones, Phantom Power, Display Backlighting: 3 hours or more, Lithium batteries
Continuous recording of (8) channels @ 192kHz/24-bit - with headphones, Phantom Power, Display Backlighting: 3 hours or more, Lithium batteries
Continuous recording of (8) channels @ 48kHz/24-bit, with headphones - 8.5 hours or more, Lithium batteries
Continuous recording of (8) channels @ 48kHz/24-bit, with headphones - 8.5 hours or more, Lithium batteries
Continuous recording of (8) channels @ 48kHz/24-bit, with headphones - 8.5 hours or more, Lithium batteries


Output Connector/Port:
TA3-male - MAIN OUT (1 GND, 2 HOT, 3 COLD), balanced
USB - Class: USB 2.0 High Speed, 44.1/48 kHz, 16-bit, 2-in/2-out. - During Stereo Mix Audio Interface Operation (No driver required)
Headphone Jack - 3.5mm stereo mini, unbalanced
Input Connector/Port:
8 x XLR/TRS Combo Jacks - (XLR: 1 GND, 2 Hot, 3 Cold) (TRS: TIP Hot, RING Cold, SLEEVE GND)
1 x Hirose - 4-pin, EXT DC IN

Inputs & Outputs

Headphone Out:
Headphone Out (1/4") - Stereo, unbalanced
Timecode In/Out:
BNC connector - Frame Rates: 23.976ND, 24ND, 25ND, 29.97ND, 29.97D, 30ND, 30D, Precision: ±0.2 ppm, Supported Input Levels: 0.2 – 5.0 Vpp


Input Gain: MIC XLR - +10 – +75 dB
Input Gain: TRS LINE - −10 – +55 dB
Microphone Notes:
MIC IN - ZOOM mic capsule (sold separately) input (use disables Inputs 1/2)
SLATE MIC - Built-in mic for voice memos can freely be assigned to tracks
Equivalent Noise Level:
(for inputs, such as microphones) - −127 dBu or less (A-weighted, +75 dB input gain, 150Ω input)


Monitor Size:
5.0" and Under - 2.4" Full-Color LCD Display


Power Input:
DC - via External DC Power Supply.HIROSE HR10A-7R-4S 4-pin connector (1 pin: −, 4 pin: +), 9–16 V
Battery Pack
AC - via AC Adapter: AD-19 DC12V 2A (center plus)


Media Rec Options:
SD Card - 16MB - 2GB
SDHC Card - 4GB - 32GB
SDXC Card - 64GB - 512 GB
Phantom Power:
Yes - MIX XLR: +24/+48V 10mA maximum for each channel
Dynamic Range:
D/A - 106 dB typical (−60dBFS input, A-weighted)
(for inputs) - 120 dB typ (−60 dBFS input, A-weighted)


Recording Format:
WAV - 44.1/47.952/48/48.048/88.2/96/192kHz, 16/24-bit, mono/stereo/2-10 ch poly, BWF and iXML
MP3 - 128/192/320 kbps, 44.1/48 kHz, ID3v1 tags
Max Record Time:
Using a 32GB card - 30:51:00 (48 kHz/24-bit stereo WAV), 7:42:00 (192 kHz/24-bit stereo WAV)
Simultaneous Recording:
8 x Yes - (with 192 kHz sampling rate) - When WAV format selected

Recording / Media

Media Type:
Slot Count:
Dual Slot


Timecode Modes:
Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec - (audio clock can be synchronized to timecode)
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