icon account icon cash icon cart icon cart icon search main arrow arrow check icon camera icon light icon audio icon computer icon storage icon discount icon facebook icon twitter icon linkedin icon vimeo icon youtube icon instagram icon google plus icon share icon email icon print icon time icon phone icon email-m icon marker-m icon pdf icon remove icon comment icon out icon-status icon-star icon-switch pie-chart line-chart icon-user icon-user-1 icon-warning expand-arrow-1 expand-arrow-2 icon-upload icon-download icon-none icon-date-scheduled icon-date-available icon-is-hazardous

Canon C300 Mk II Touch Focus Kit + ATOMOS Shogun Inferno Monitor/Recorder & Accessory Kit Bundle

This bundle includes the C300 Mk II Touch Focus Kit and ATOMOS Shogun Inferno 7" 4K Monitor/Recorder with Accessory Kit.
Key Highlights
  • Includes C300 Mk II Touch Focus Kit
  • Includes Shogun Inferno Monitor/Recorder
  • Includes ATOMOS Accessory Kit

Item No Longer Available

Click the button below for an alternate item if there is one on the website.

If no alternate is listed or you want more options, please contact Sales to discuss replacements.



This bundle includes the following items:

  • Canon EOS C300 Mk II Touch Focus Kit
  • ATOMOS Shogun Inferno 7" 4K Monitor/Recorder
  • Atomos Shogun/Ninja Inferno/Flame Accessory Kit


The Canon EOS C300 Mk II Touch Focus Kit consists of a C300 Mk II digital cinema camera, LM-V1 4" Touchscreen LCD Monitor (identical to that shipping with the C200), and MA400 XLR Accessory, which is a separate XLR unit. Using these two accessories instead of the traditional "clamshell" Monitor/XLR unit (not included) enables a more flexible, streamlined configuration. If the user does not require XLR functionality, the C300 Mark II can be used with the LCD only for an incredibly compact camera build (ideal for use with Gimbal Stabilizers). The original top handle is still included and compatible with the new configuration options.

The Camera

The Canon EOS C300 Mark II Digital Cinema Camera with EF lens mount features a dynamic range of 15 stops, CFast recording technology, 4K/2K/Full HD internal and external recording with 4K RAW output, plus a new 10-bit Canon Log 2 Gamma. Canon also improved the Dual Pixel CMOS Autofocus along with an innovative focus assist engineering. This camera was remodeled with user input to enhance the user experience of studio motion picture applications, broadcast, indie productions, sports, and many more.

The Sensor

The redesigned camera boasts an 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor. It supports up to 4K DCI recording with a maximum resolution of 4096x2160 pixels. Data from the 4K sensor, working with its dual Canon DIGIC DV5 image processors, delivers Over-Sampling HD Processing for reduced-moiré 2K (DCI)/Full 1080-60p HD recording and Dual-Pixel CMOS Autofocus.

The dual DIGIC DV5 image processors also help to reduce visual noise and enable high-sensitivity shooting at a maximum speed of ISO 102,400 (+54dB) for sharp, clear image capture using only ambient lighting. The EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs to enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. For external recording and monitoring, twin 3G-SDI outputs capable of 4K RAW output are included on the rear of the camera body. You can choose among multiple recording modes, resolutions, and frame rates to meet your individual production needs.

Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch to maximize the amount of light which falls on each photo site. This enhances the sensitivity while also minimizing noise. It also supports ISO speeds of up to 102,400 for low-light imaging. This sensor reduces data-readout time to about half of what it was in the original EOS C300 Camera, which results in a significant reduction in rolling-shutter artifacts.


The Autofocus now includes an expanded focusing area and Face Detection when used in combination with Canon EF lenses. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies.

Canon expanded the DAF focusing area to approximately 80% (vertically) x 80% (horizontally). You can move the focus area using the convenient 4-direction key to provide you with a more manual control over Autofocus operation. This only functions when the Guide Area is within the Dual Pixel CMOS AF Range.

Face Detection AF on Canon EF lenses will recognize a face, focus on it, then follow that face when it moves.

One innovative feature of the enhanced AF allows you to confirm if you are focused in front of or behind the subject through visual observation. In this manner, quick and accurate manual focus can be achieved.


The C300 Mark II is compatible with the full range of 100 Canon EF and EF-S photographic lenses, including specialty tilt-shift and fisheye models, plus Canon CN-E Cinema prime and zoom lenses, including the ENG-style Canon CINE-SERVO zooms. New Dual-Pixel CMOS AF capabilities of the EOS C300 Mark II are enabled by the AF motors in Canon EF lenses. The improved EF lens communication capabilities of the EOS C300 Mark II camera allow for the display of CN-E Cinema lens T-values, lens metadata acquisition, and chromatic aberration correction on the camera’s LCD Monitor/EVF/Output display.


The Canon EOS C300 Mark II Digital Cinema Camera facilitates operation and creative freedoms, such as full manual control, an Ultra-High Resolution 1.77 Megapixel color OLED EVF with adjustable 60° tilting angle, a built in internal mono reference microphone, a removable hand grip, and an improved camera handle extension with additional attachment points. The modular design of the EOS C300 Mark II camera accommodates many third-party accessories.

A new log gamma designated as Canon Log Gamma 2 was designed explicitly for the camera's 10-bit recording capabilities. The files produced using Log format are ideal for color correction and grading in post-production. Canon did this to produce a high level of creative freedom while minimizing degradation of image quality. When using Canon Log 2, the Cinema EOS C300 Mark II can provide a dynamic range up to 1600%.

Be sure to check out the images where a chart on Slow and Fast Motion recording has been provided for your reference.


The Canon EOS C300 Mark II employs CFast (CompactFast) 2.0 cards for in-camera 4K video recording. The camera features two CFast card slots. Each slot is protected by a convenient hinged cover. The camera also includes an SD card slot for HD and Proxy recording. The camera can simultaneously record 4K on two CFast (2.0) cards along with 2K proxy images on its SD card for off-line editing. Canon provided a chart to show the memory cards verified for the EOS C300 Mark II.


This camera builds on the efficient ergonomic design of the original, while adding new advantages. Redesigned to maximize shooting comfort and the usability improvements asked for by users, the EOS C300 Mark II Digital Cinema Camera's modular design allows different components to be added or removed as needed to meet both the demands of a particular shooting environment and the comfort of the camera operator. In addition to the core body, the EOS C300 Mark II Digital Cinema Camera comes with a removable hand grip, and improved low-angle camera handle extension with additional attachment points.


Connectivity & Control

The C300 MK II arrives equipped with (2) 3G-SDI, a gunlock input, a timecode input/output, and an HDMI output. It also includes a remote terminal, a standard headphone jack, and both an audio and a video terminal to connect exclusively to a monitor.

The camera supports the Canon RC-V100 remote controller (sold separately) to enable adjustments to camera controls and image quality from a distance. It supports a variety of third-party LANC accessories.

You do not need a remote to achieve remove control though. Use a standard web browser on a WiFi capable device (your smart phone, laptop, tablet, etc.) to take dynamic control of your camera functionality. Canon added focus control functions. You can adjust the focus area by touch. The EOS C300 Mark II camera offers full manual control of functions such as iris, shutter speed, gain, zoom, focus, and audio. The user also has access to Custom Picture Settings, Custom Functions, and Custom Display Options.


The Canon LM-V1 LCD Monitor is a fully adjustable and detachable 4" display for the Canon C200 & C300 Mk II digital cinema cameras. This 1.23 million dot, touch capacitive monitor features Canon's exclusive AF technologies for easy monitoring and one-finger "tap-focusing" during shooting.


The Canon MA-400 Microphone Adapter allows you to mount a microphone on your Canon EOS C300 MK II Camera or Canon XC15 4K Professional Camcorder. The Mic Adapter fits on your camera accessory shoe so you can hold an optional on-board microphone. The Mic Adapter is powered by the camera or camcorder's power supply and does not require additional power or batteries to operate.

The Microphone Adapter provides the ability to use the INPUT Terminals to record audio from your compatible microphone (19-20 mm diameter) or analog line in sources with an XLR connector.

Attach the MA-400 to your camera or camcorder by sliding the attachment base into your camera or camcorder's accessory shoe, then tightening the lock screw to secure in place. Connect the AUDIO terminal to the camcorder or camera AUDIO terminal with the appropriate cable. A cable clamp can be helpful to keep this cable from snagging as you move the camera during recording.

Your condenser microphone with its own power supply and a 3.5mm stereo mini jack/plug can be used in the Microphone Adapter. To attach your microphone to the MA-400 Microphone Adapter, begin by loosening the microphone lock screw on the top of the Adapter. Open the microphone holder to insert your microphone, then tighten the lock screw. The microphone cable feeds through the cable clamp under your microphone holder. Place the mic cable into either an INPUT Terminal or a MIC Terminal (Input 1 and Input 2) on this Mic Adapter.


The ATOMOS Shogun Inferno 7" 4K Monitor/Recorder is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing, and exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope), along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.

ATOMOS invented the all-in-one monitor recorder category and now redefines it with their Shogun Inferno.

Be sure to download the Firmware V9.01 update, which supports ProRes RAW capture and playback on select cameras. This update enables the user to capture RAW footage at up to 12-bit RGB on SSD media. ProRes RAW files can be ingested directly into Final Cut Pro 10.4.1.

AtomHDR image processing lets you shoot with the high brightness range of your camera's Log profile while maintaining vibrant true-to-life colors.  Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

The touchscreen display is a full 7" HD calibrated monitor with 1500nit brightness. Snap on a sun hood to block out strong light. It features a magnetic adhesion design which ATOMOS calls snap-fast for easy UI screen access.

Inferno features ATOMOS' patented continuous power system (a hot swappable dual battery system that automatically swaps to the second battery when power is low). To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.

The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.

Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximize your creativity.

The exterior of the ATOMOS Shogun Inferno is what they call a "Battle Ready Build" with built-in Armor and continuous power in a lightweight design. The NP style 4-cell batteries are capable of 1.5 hours of monitoring and recording in 4K. 

Firmware Updates:

Download Firmware V9.11 update, which includes:

  • Panasonic EVA1 5.7k RAW frame rates supported: 23.98/24/25/29.97/30
    • Recording is supported for ProRes RAW only
  • Automatic HDR configuration in playback
    • When playing a movie recorded with AtomHDR monitoring enabled, all HDR settings will be automatically restored to match the settings when recording was started
    • Select the "Auto HDR" button to enable this feature
    • Bug Fixes: Missing meta data from some lenses caused recording failures

Firmware V9.01 update includes:

  • ProRes RAW capture
    • Supported cameras:
      • Canon C300 Mark II
      • Canon C500
      • Sony FS700
      • Sony FS5
      • Sony FS7/FS7 II
      • Panasonic Varicam LT
      • Panasonic EVA1
  • ProRes RAW playback
  • Support for your Panasonic EVA1 to capture RAW
  • Enhanced focus peak options
  • Sony RAW loop out support
  • ARRI file naming support
  • HLG support for your Panasonic GH5 Mirrorless Camera
  • Added option to pause your video during slow motion playback

Fixes on this upgrade include:

  • 25% improvement in record <->playback transition time
  • Fixed occasional Record to Play Mode switching issues
  • Loop out during playback of 4kDCIp60 is now configured to 4kDCIp60 rather than 4kDCIp30
  • Fixed an issue some units experience where the screen appeared too dark when there was no video input

Firmware V8.3 update includes:

  • Quad-Link and Dual-Link cameras are now supports with ProRes / DNx
    • Cameras now supporting Quad-Link (Squared & 2SI):
      • AJA CION
      • Canon C700
      • Panasonic Varicam 35
      • RED DSCM1 with REDCast Module - EPIC, SCARLET DRAGON (Mysterium X is not supported)
      • Sony PMW-F55
      • Sony PMW-F5 + CBKZ-55FX 4K expand option
      • Sony F65RS + CA-4000 + SKC-4065 + BPU-4000 (for studio camera configuration)
      • Sony HDC-4800 (4K studio camera and CCU)
      • Sony HDC-4300 (4K studio camera and CCU)
      • Toshiba IK-4K
    • Cameras now supported with Dual-Link:
      • Canon C500 2Kp60
      • Panasonic Varicam LT - 10bit Dual Link RAW
  • Sony FS RAW to ProRes 4Kp100/120 burst speed recording mode added for the Sony FS5 & Sony FS700
  • Secure Erase option for selected media (below) to maximize SSD performance
    • Sandisk Extreme Pro
    • ATOMOS branded Gtech Media
    • ATOMOS branded Angelbird Media
  • All features in the 8.21 release


The Atomos Shogun/Ninja Inferno/Flame Accessory Kit includes the following items:

  • (2) NP-F750 5200mAh Batteries
  • Fast Charger
  • Coiled D-Tap to DC Jack Cable
  • AC Power Adapter
  • (4) Master Caddy II Drive Caddies
  • USB 3.0 Docking Station
  • HDR Sunhood
  • Dual 2.5mm (Male) to 2.5mm (Female) Control Cable
  • HPRC Hard Flight Case 

This kit includes various critical accessories to achieve full functionality of your compatible Atomos monitor/recorder.

What's in the Box

  • HPRC Hard Flight Case
  • Dual 2.5mm (Male) to 2.5mm (Female) Control Cable
  • HDR Sunhood
  • USB 3.0 Docking Station
  • 4 x Master Caddy II Drive Caddies
  • AC Power Adapter
  • Coiled D-Tap to DC Jack Cable
  • Fast Charger
  • 2 x NP-F750 5200mAh Batteries
  • Soft Travel Case
  • XLR Breakout Cable
  • Power Supply
  • Master Caddy II
  • ATOMOS Shogun Inferno 7" 4K Monitor/Recorder
  • Measuring Hook
  • WFT Attachment
  • Tripod Base TB-1
  • Thumb Rest
  • Viewfinder Cap
  • Allen Key
  • Hexagon Socket
  • Eye Cup
  • Compact Power Adapter CA-A10
  • Battery Charger CG-A10
  • Battery Pack BP-A30
  • Handle Bracket
  • Handle Unit
  • Camera Cover
  • Grip
  • EOS C300 MK II Body (EF Mount)
  • LM-V1 Touchscreen LCD
  • Shoulder Strap SS-1200
  • DC Cable (for CA-940)
  • 2 x AC Cable
  • 492LCD Micro Ball Head
  • Mount to Shoe Adapter
  • MA-400 XLR Accessory
  • Instruction Manual


Key Highlights

  • Includes C300 Mk II Touch Focus Kit
  • Includes Shogun Inferno Monitor/Recorder
  • Includes ATOMOS Accessory Kit
Atomos Shogun/Ninja Inferno/Flame Accessory Kit

Compatibility - Rec/Monitor

ATOMOS Shogun Flame
ATOMOS Ninja Flame
ATOMOS Ninja Inferno
ATOMOS Shogun Inferno
ATOMOS Shogun Inferno 7" 4K Monitor/Recorder


Hot Swap:
Yes - Continuous power * Patent pending - Primary-secondary battery system. Change batteries without losing power. Loop batteries continuously
Operating Time:
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)


Supports 3D LUTs:
Yes - .cube format
Color Gamut:
ALEXA Wide Gamut
DCI-P3 - +
Canon Cinema Gamut
V-Gamut - Panasonic
S-Gamut - & S-Gamut3
REC 709 - HDTV
BT.2020 Gamut


Output Connector/Port:
1/8" (3.5mm) Mini
Input Connector/Port:
2.5mm LANC
HDMI - (2.0)
3G-SDI - Quad link 4 x 3G SDI* or up to 12G single link SDI * Available in future firmware update
3-pin XLR

Inputs & Outputs

Audio I/O:
Audio Input - SDI - 12ch 48kHz 24-bit
Audio Output - SDI - 12ch 48kHz 24-bit

Media Conversion

Sig Conversion Input/From:
SDI - to HDMI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
HDMI - to SDI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
RAW - to Apple ProRes / DNxHR
Sig Conversion Output/To:
SDI - From HDMI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
HDMI - From SDI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
Avid DNxHR - From Video (with a .MOV wrapper) - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. ^From supported HDMI sources such as gaming consoles and graphics cards.
Apple ProRes HQ, 42k LT - From Video - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. ^From supported HDMI sources such as gaming consoles and graphics cards.
Avid DNxHR HQX, HQ, SQ, LB - From Video - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. ^From supported HDMI sources such as gaming consoles and graphics cards.
Loop Formats:
HDMI to HDMI - 720p 50/60, 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 *Available in future firmware updates
SDI to SDI - 720p 50/60 1080i 50/60; 1080pSF 24/25/30; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 *Available in future firmware updates


Max Audio Gain - +52dB


Bit Depth:
10-bit - HDR - (8+2 FRC)
Monitor Resolution:
Monitor Brightness:
1500Nits - (+/- 10%)
Recorder & Monitor:


Power Input:
1 x DC - 6.2 - 16.8V
Battery Pack - 6.2V to 16.8V


Media Rec Options:
SSD - 2.5" SSD/HDD compatibility depends on recording format, resolution and frame rate.
Phantom Power:
Yes - 48V Phantom Power for Mic
Recorder Channel Count:
2-Channel - balanced XLR analog in/out
Dynamic Range:
> 90 dB


Recording Resolution:
HD - 1920x1080
4K 17:9
Recording Format:
RAW - Sony FS5/FS7^^/FS700 CDNG: 4K DCI; 24/25/30p; 4K UHD; 2K 24/25/30/50/60/100/120p; 1080. Optional unit (XDCA-FS7) needed for Raw output.
Apple ProRes HQ
Apple ProRes 422 LT
Apple ProRes 422
Avid DNxHR HQ, SQ and LB

Software / Apps / Plugins

XML Support:
Include - FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools


14 in
6.9 in
15.9 in
12.55 lb
Canon EOS C300 Mk II Touch Focus Kit - EF Mount

Camera Lens System

Camera Lens Mount:
Canon EF
ND Filter:
Integrated - Standard: 2, 4, 6 Stops and also Expanded: 2, 4, 6, 8, 10 Stops

Microphone Accessories

Fits Mic Diameter:
19-20 mm
Mic Mount Type:


Monitor Size:
5.0" and Under - 4" actual size
Monitor Features:
Monitor Type:


Recording Resolution:
4K 17:9
UHD 4K 16:9
HD 16:9 (UHD Downscale)
2K 17:9 (4K Downscale)
MPEG-4 AVC / H.264
Recording Format:
RAW - 4K
Bit Rate:
35 or 24Mbps Long GOP (for proxy recording on SD cards)
410/310/225/ 210/160Mbps Intra-frame - COLOR SPACE: 4:2:2 (YCC) 10-bit & 4:4:4 (RGB) 12- or 10-bit* Only available with 2048 x 1080 or 1920 x 1080 at 29.97p, 23.98p, 25.00p, and 24.00p
50Mbps Long GOP

Sensor Specifics

Sensor Dynamic Range:
15 Stops
Sensor Dimensions:
24.6 x 13.8mm


Timecode Modes:
Rec run, free run, regeneration
To Drop or Not:
Count-up - Drop frame(*) or non-drop frame (*) Only in the 59.94 Hz mode


# Media Slots:
2 - CFast Card
Media Cards:
CFast Cards (2.0) - Movies: Long GOP recording only (*) Resolution : 2048x1080 / 1920x1080 Color Sampling: YCC420 8bit Photo: JPEG Resolution : 2048x1080 / 1920x1080 (*) Proxy recording using low bit rate
Camera Features:
On-Camera Controls
LCD / Monitor - 4" Touchscreen
Remote Control (WiFi) - Capable with a web browser on a WiFi enabled device like a smart phone, laptop, tablet, etc.
Custom Functions
ND Filter Built-In
Adjustable Image Parameters
Headphone Jack - 3.5mm stereo mini-jack
Remote Control (Web-based)
Imaging Processor:
2 x DUAL DIGIC 5 - DV 5
ISO Range:
Expanded - 100 to 102,400
Standard - 160 to 25,600
Shutter/Camera Mode:
Off, Speed, Angle, Slow Shutter, Clear Scan
Shutter Speed Range:
Includes - SLS: 1/3, 1/6, 1/12; CS: 23.97 - 250.70 Hz 50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 - 250.70 Hz 25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 - 250.70 Hz
Includes - SLS: 1/3, 1/6, 1/12; CS: 23.97 - 250.70 Hz 50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 - 250.70 Hz 25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 - 250.70 Hz
Autofocus Notes:
Face Detection AF - with Canon EF lenses
Includes Expanded Focus Area
Exposure Mode:
Camera Autofocus:
Yes - Both Manual & AF available. AF System is Dual Pixel CMOS.
Included Products

Included Products

Finance Services

Finance Services

Customized financing from pros who understand this industry and your unique needs.



Get access to our tech services, support and training, on your terms, when you need it most.

AbelCine - Contact Sales

Have a question about Sales?

Contact us