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ATOMOS Sumo 19" and Shogun Inferno 7" 4K Monitor/Recorder Production Kit

Atomos
Abel Code: ATM-SUMO-INFERNO-PROD-KIT
Estimated to Ship Contact Sales For ETA
Description
This Twin Kit provides you with an ATOMOS Sumo 4K HDR 19" Monitor/Recorders + a Shogun Inferno 7" 4K Monitor/Recorder at a discount.
Key Highlights
  • Kit: 19" Sumo + 7" Shogun Inferno
  • HDR on set, in studio, or live switching
  • Inferno record to SSD/HDD media
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$3,790.00
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Overview

Overview

ATOMOS Production Kit includes:

  • 1x ATOMOS Sumo 4Kp60 HDR 19" Monitor/Recorder
  • 1x ATOMOS Shogun Inferno 7" 4K Monitor/Recorder

Be sure to Download the Firmware V9.0 update for your Sumo 19 and Download the Firmware V9.01 update for your Shogun Inferno. Both firmware upgrades support ProRes RAW capture and playback on select cameras, including the Panasonic EVA1, among other improvements.

ATOMOS Sumo HDR 19" Monitor/Recorder

The ATOMOS Sumo HDR 19" Monitor/Recorder provides HDR on set, in studio, or for live switching. The Sumo comes complete with mission critical scopes such as waveform, focus peaking, false color, and vectorscope on the calibrated screen. You can also record up to 4Kp60 and 2Kp240 to generate instant dailies and proxies direct to affordable SSD media. The Sumo offers 10 stops of dynamic range, 10-bit processing and X-Rite calibration it will display HDR and accept Log, PQ or HLG signals from your grading software. It also includes a converter and support for Genlock, plus LTC timecode.

Choose to view both Log and standard gamma images with or without LUTs applied. You can toggle between different looks with ease. Plus, you can upload your own LUTs as .cube files.

Sumo's 19" 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which maps the Log/PQ/HLG from popular cameras, game consoles, or TVs to resolve 10+ stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life either on the monitor itself, or when ouput to a larger HDR/Rec709 display for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or even color grading in the the studio.

This high bright 1200nit monitor and sturdy built-in armor with aluminum alloy chassis features a variety of mounting options and continuous power, plus the ability to record, grants this field monitor a go-anywhere, do-it-all necessity. 

Uses for the ATOMOS Sumo 19" Monitor/Recorder:

DIT Cart - Obtain HDR on set in real time with on the fly Log to HDR and PQ/HLG playback.

Focus Puller - Instant access for your AC to pull focus with real time footage with focus peaking, 2:1 / 1:1 zoom, and the ability to tag footage as XML files on a large monitor with high brightness.

Client or Director Monitor - Full playback controls and XML tagging means your director can review footage and create an instant client lightweight ProResLT copy with baked-in LUTs and audio onto affordable SSD media. 

Studio Monitor - 19" HDR monitor suitable for color grading software. 

Use Sumo in Your Workflow

  • On Set - For the first time your production monitors on set can be HDR capable and have recording capability. This dual use monitor can not only provide a high-quality preview of your footage on set, but it can also record dailies, proxies or 4Kp60 masters. With playback controls available, you can tuck this monitor/recorder in the green room for your clients.
  • In the Studio - Use the ATOMOS Sumo as a 19" HDR grading monitor in your studio. Simply connect the Sumo with your grading software to transfer Log, PQ, or HLG signals from your Mac/PC. Delivers color-accurate HDR in 10-bit with 10 stops of dynamic range.

Built for Production

The ATOMOS Sumo features an aluminum alloy chassis with built-in armor for rugged construction. Configure this 19" monitor/recorder exactly where and how you need with its variety of mounting configurations. The armor houses (10) mounting points on the top, bottom, side, plus a rear panel VESA mount and an included stand. 

It includes XLR connections for power and balanced audio, plus a 3.5mm stereo headphone jack and built-in speakers. Use optional mounting plates to connect dual V-Lock or Anton Bauer batteries to work in tandem with the ATOMOS patent pending continuous power system. The system allows hot swap of batteries so you are never without power while on location or set.

The high-end Sumo monitor includes optional calibration to compensate for the natural color and brightness drift that monitors exhibit over time. Sumo's calibration input lets you use X-Rite's i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.

Inputs / Outputs

Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G-SDI outputs without the need for additional converters. Sumo can do this for you. HDMI 2.0 supports of up to 4Kp60 input/output along with the very latest ATOMOS open protocol which supports HDR automation, including import of camera settings. It also supports Genlock and LTC timecode.

Professional Recording

Capture the RAW output from Sony FS5/FS7/FS700, Canon C300 Mark II/C500, or the Panasonic Varicam LT over SDI up to 12-bit 4Kp60 as CDNG or 10-bit Apple ProRes/Avid DNxHR up to 4Kp60 / 2Kp240, depending on each camera's capabilities. The processing power of Sumo preserves pristine quality direct form the camera sensor with data rates of up to 3.2 Gbps.

Live Switch & Record

Live Switch and record up to (4) 1080/60p channels. Also provides 4x ISO record and playback. You can switch and mix a live recording and stream or record 4x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade, and hard cuts from the locked sources or you can tag and adjust final edits with advanced metadata tagging to preserve ISO feeds.

XLR Monitor & Record

Eliminate the need for a separate audio recorder by uisng the full XLR ports to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for an advanced audio feature set. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review with clients or production team members.

Daylight Visible LCD

This 1200nit 19" calibrated 1920x1080 LCD monitor is extremely bright, even when outside in full sun. An optional hood is available as an accessory. 

A simple tap on the screen, due to the simplicity of AtomOS, produces the ability to use special features such as focus peaking, 2:1 / 1:1 zoom, zebra, false color, frame guides, SMPTE Safe Area, waveform, RGB parade, vectorscope, anamorphic desqueeze, and a flexible 3D LUT implementation to upload your own LUTs as .cube files.

Continuous Power

The optional mounting plates (sold separately) connect dual V-Lock or Anton Bauer batteries which work in tandem with our patent pending continuous power system. Sumo automatically swaps to the second battery when power is low in the first. That way you can hot swap the low battery with a charged one to maintain power in the field.

Media Solutions to Suit Your Workflow

Sumo records using ATOMOS' patented Master Caddy system. High capacity and widely available 2.5" SSDs provide an affordable solution for long recording times. ATOMOS has tested and approved over 20 drives for Sumo which slot into the provided Master Caddy or use the custom ATOMOS caddy from G-Technology (sold separately) to integrate directly into their EV series of Raid and desktop solutions for workflow efficiency.

 

ATOMOS Shogun Inferno 7" 4K Monitor/Recorder

The ATOMOS Shogun Inferno 7" 4K Monitor/Recorder is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing, and exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope), along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.

ATOMOS invented the all-in-one monitor recorder category and now redefines it with their Shogun Inferno.

Download their latest Firmware V8.3 to take advantage of the latest features for the best possible experiences while using the monitor/recorder. This update includes:

  • Quad-Link and Dual-Link cameras are now supports with ProRes / DNx
    • Cameras now supporting Quad-Link (Squared & 2SI):
      • AJA CION
      • Canon C700
      • Panasonic Varicam 35
      • RED DSCM1 with REDCast Module - EPIC, SCARLET DRAGON (Mysterium X is not supported)
      • Sony PMW-F55
      • Sony PMW-F5 + CBKZ-55FX 4K expand option
      • Sony F65RS + CA-4000 + SKC-4065 + BPU-4000 (for studio camera configuration)
      • Sony HDC-4800 (4K studio camera and CCU)
      • Sony HDC-4300 (4K studio camera and CCU)
      • Toshiba IK-4K
    • Cameras now supported with Dual-Link:
      • Canon C500 2Kp60
      • Panasonic Varicam LT - 10bit Dual Link RAW
  • Sony FS RAW to ProRes 4Kp100/120 burst speed recording mode added for the Sony FS5 & Sony FS700
  • Secure Erase option for selected media (below) to maximize SSD performance
    • Sandisk Extreme Pro
    • ATOMOS branded Gtech Media
    • ATOMOS branded Angelbird Media
  • Plus, all the features in the 8.21 release

AtomHDR image processing lets you shoot with the high brightness range of your camera's Log profile while maintaining vibrant true-to-life colors.  Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

The touchscreen display is a full 7" HD calibrated monitor with 1500nit brightness. Snap on a sun hood to block out strong light. It features a magnetic adhesion design which ATOMOS calls snap-fast for easy UI screen access.

Inferno features ATOMOS' patented continuous power system (a hot swappable dual battery system that automatically swaps to the second battery when power is low). To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.

The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.

Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximize your creativity.

The exterior of the ATOMOS Shogun Inferno is what they call a "Battle Ready Build" with built-in Armor and continuous power in a lightweight design. The NP style 4-cell batteries are capable of 1.5 hours of monitoring and recording in 4K. 

What's in the Box

  • Limited 1-Year Warranty
  • Soft Travel Case
  • XLR Breakout Cable
  • Power Supply
  • Master Caddy II
  • ATOMOS Shogun Inferno 7" 4K Monitor/Recorder
  • Limited 1-Year Warranty
  • AC Power Supply
  • Master Caddy II
  • ATOMOS Sumo 19" HDR Monitor / Recorder
Specifications

Specifications

Key Highlights

  • Kit: 19" Sumo + 7" Shogun Inferno
  • HDR on set, in studio, or live switching
  • Inferno record to SSD/HDD media
  • High Bright touchscreen LCDs
  • Continuous power system to Hot Swap
ATOMOS Shogun Inferno 7" 4K Monitor/Recorder

Batteries

Hot Swap:
Yes - Continuous power * Patent pending - Primary-secondary battery system. Change batteries without losing power. Loop batteries continuously
Operating Time:
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)

Color

Supports 3D LUTs:
Yes - .cube format
Color Gamut:
S-Gamut - & S-Gamut3
REC 709 - HDTV
BT.2020 Gamut
ALEXA Wide Gamut
DCI-P3 - +
S-Gamut3.Cine
Canon Cinema Gamut
V-Gamut - Panasonic

Connectors

Output Connector/Port:
12G-SDI
HDMI
1/8" (3.5mm) Mini Stereo
XLR
Input Connector/Port:
2.5mm LANC
HDMI - (2.0)
3G-SDI - Quad link 4 x 3G SDI* or up to 12G single link SDI * Available in future firmware update
XLR (3-pin)
Genlock

Inputs & Outputs

Audio I/O:
Audio Input - SDI - 12ch 48kHz 24-bit
Audio Output - SDI - 12ch 48kHz 24-bit

Media Conversion

Sig Conversion Input/From:
HDMI - to SDI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
RAW - to Apple ProRes / DNxHR
SDI - to HDMI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
Sig Conversion Output/To:
SDI - From HDMI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
HDMI - From SDI: 720p 50/60; 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 * Available in future firmware updates
Avid DNxHR - From Video (with a .MOV wrapper) - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. ^From supported HDMI sources such as gaming consoles and graphics cards.
Apple ProRes HQ, 42k LT - From Video - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. ^From supported HDMI sources such as gaming consoles and graphics cards.
Avid DNxHR HQX, HQ, SQ, LB - From Video - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. ^From supported HDMI sources such as gaming consoles and graphics cards.
Loop Formats:
SDI to SDI - 720p 50/60 1080i 50/60; 1080pSF 24/25/30; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 *Available in future firmware updates
HDMI to HDMI - 720p 50/60, 1080i 50/60; 1080p 24/25/30/50/60/100/120/200*/240*; 2160p 24/25/30/50/60 *Available in future firmware updates

Microphones

Gain:
Max Audio Gain - +52dB

Monitors

Bit Depth:
10-bit - HDR - (8+2 FRC)
Monitor Resolution:
1920x1200
Monitor Brightness:
1500Nits - (+/- 10%)
Recorder & Monitor:
Yes

Power

Power Input:
1 x DC - 6.2 - 16.8V
Battery Pack - 6.2V to 16.8V

Recorders

Media Rec Options:
SSD Card - 2.5" SSD/HDD compatibility depends on recording format, resolution and frame rate.
Phantom Power:
Yes - 48V Phantom Power for Mic
Recorder Channel Count:
2-Channel - balanced XLR analog in/out
Dynamic Range:
> 90 dB

Recording

Recording Resolution:
4K
HD
Recording Format:
RAW - Sony FS5/FS7^^/FS700 CDNG: 4K DCI; 24/25/30p; 4K UHD; 2K 24/25/30/50/60/100/120p; 1080. Optional unit (XDCA-FS7) needed for Raw output.
Apple ProRes HQ
Apple ProRes 422 LT
Apple ProRes 422
Avid DNxHR HQ, SQ and LB
Avid DNxHD HQ
Avid DNxHR HQX

Software / Apps / Plugins

XML Support:
Include - FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
ATOMOS Sumo19 4Kp60 HDR 19" Monitor/Recorder

Color

Supports 3D LUTs:
Yes - .cube format
Color Gamut:
REC 709 - HDTV

Inputs & Outputs

Headphone Out:
Headphone Out (3.5mm)
Video I/O:
1 x Video Output - SDI - 4K-SDI 12G/6G or HD-SDI 3G/1.5G
4 x Video Input - 3G-SDI QuadLink or up to 12G single link SDI
Audio I/O:
Audio Input - SDI - 12ch 48kHz 24-bit

Media Conversion

Video vs. Audio Conversion:
Video Converter
Sig Conversion Input/From:
RAW - to ProRes DNxHR or DNxHR with a .MOV wrapper
SDI - to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240*, 2160p 24/25/30/50/60 * available in future firmware updates as of April 2017 posting
HDMI - to SDI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240*, 2160p 24/25/30/50/60 * available in future firmware updates as of April 2017 posting
Sig Conversion Output/To:
SDI - From HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240*, 2160p 24/25/30/50/60 * available in future firmware updates as of April 2017 posting
HDMI - From SDI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240*, 2160p 24/25/30/50/60 * available in future firmware updates as of April 2017 posting
ProRes DNxHR - Sony FS5/FS7/FS700: ProRes (HQ, 422, LT) or DNxHR (HQX, HQ, SQ, LB): 4K DCI 24/25/30/50/60p; 4K UHD; 2K 24/25/30/50/60/100/120/200/240p; 1080
Loop Formats:
SDI to SDI - 720p 50/60, 1080i 50/60, 1080pSF 24/25/30, 1080p 24/25/30/50/60/100/120, 2160p 24/25/30/50/60
HDMI to HDMI - 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120, 2160p 24/25/30/50/60

Microphones

Gain:
Max Analog Gain - +52dB

Monitors

Monitor Resolution:
1920x1080 (Full HD)
Monitor Size:
15" and Above - 19" monitor
Monitor Features:
3D LUT
Hi-Bright - 1200 cd/m²
HDR
Touchscreen
Visible Outdoors (Daylight)
Monitor Brightness:
1200Nits
Monitor Type:
LCD
Recorder & Monitor:
Yes
Monitor Options:
Field
Reference
Recorder
Mount Points:
VESA Standard Screws
Display Functions:
Timecode - Support
Color Gamut
Anamorphic
Aspect Ratio - 16:9 native
Camera LUT
Camera Metadata
Zoom
Peaking
Zebra
Waveform
Vectorscope

Power

Power Input:
1 x DC - 6.2 - 16.8V
Battery Pack - 14.4V nominal

Recorders

Media Rec Options:
SSD Card - 2.5" SSD / HDD compatibility depends on recording format, resolution and frame rate.
Recorder Options:
Converter
LCD Display
Touchscreen
Timecode - Supports it.
Remote Start/Stop - SDI - SDI trigger camera selectable
Metadata - Tagging - Yes (10 tags available)
Monitor/Recorder
Phantom Power:
Yes - 48V Phantom Power for Mic
Recorder Channel Count:
2-Channel - balanced XLR analog in/out (direct XLR connection)
Power Source:
Battery - V-Lock / Anton Bauer via XLR terminal (optional mounting plates available)
1 x Wired Power - DC - 6.2 - 16.8V
Dynamic Range:
>90dB
Playback:
Yes

Recording

Recording Format:
RAW - Sony FS5/FS7^^/FS700 CDNG: 4K DCI 24/25/30p; 4K UHD; 2K 24/25/30/50/60/100/120p. ^^Optional unit (XDCA-FS7) needed for Raw output.
Apple ProRes HQ - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. From supported HDMI sources such as gaming consoles and graphics cards.
Apple ProRes 422 LT - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. From supported HDMI sources such as gaming consoles and graphics cards.
Apple ProRes 422 - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. From supported HDMI sources such as gaming consoles and graphics cards.
Avid DNxHD HQ, SQ, and LB - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. From supported HDMI sources such as gaming consoles and graphics cards.
Avid DNxHR HQX - 4K DCI 24/25/30/50/60p; 4K UHD 24/25/30/50/60p; 2K N/A; 1080p 24/25/30/50/60/100^/120^/200/240p; 1080i 50/60i; 720p 50/60p. From supported HDMI sources such as gaming consoles and graphics cards.

Software / Apps / Plugins

XML Support:
Includes - FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Included Products
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