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Canon EOS C200 with Prime Lenses + Atomos Ninja Flame & Power Kit Bundle - EF Mount

AbelCine Bundle
Abel Code: AB-C200EF-PRIMES-NINJA-FLAME-BUNDLE
Some of the products in this kit should be backordered from the manufacturer. Contact sales for more details
Description
This bundle includes the Canon Cinema EOS C200 (EF Mount) Prime Lens Bundle and Atomos Ninja Flame 7" 4K HDR HDMI Monitor/Recorder with Power Kit.
Key Highlights
  • Canon C200B + (3) lenses in EF Mount
  • Includes std. camera accessories
  • Canon 24mm f/1.4 Wide Angle USM
Special Offer
Free Ninja Power Kit ($149 value) with Canon EOS C200 + Atomos Ninja Flame & Power Kit Bundle - EF Mount
Instant Rebate $300 Canon EOS C200 + Atomos Ninja Flame & Power Kit Bundle
Price: $11,443.00
Instant Savings: $449.00
After Savings: $10,994.00
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Overview

Overview

This bundle includes the following items:

  • Canon Cinema EOS C200 Prime Lens Bundle:
    • Canon EOS C200 Camera Body - EF Mount
    • Canon 24mm f/1.4 L-Series II USM Wide Angle Prime Lens - EF Mount
    • Canon 50mm f/1.2 L-Series USM Telephoto Prime Lens - EF Mount
    • Canon 85mm f/1.2 II USM L-Series Prime - EF Mount
    • Canon LM-V1 4" LCD Monitor
    • LA-V1 LCD Attachment Unit for EOS C200
    • HDU-2 Handle Unit for EOS C200/C200B
    • GR-V1 Camera Grip for EOS C200
    • CA-A10 Compact Power Adapter for EOS C300 Mark II, C200, and C200B Camcorders
    • Single Battery Charger for EOS C300 Mark II, C200, and C200B Batteries
    • Compact Power Adapter
    • Shoulder Strap
    • UN-5 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (20")
    • Eyecup
    • BP-A30 Battery Pack For EOS C300 Mark II, C200, and C200B
    • Mic Holder Unit
    • Tape Measure Hook
    • Thumb Rest
    • Body Cap
    • Limited 1-Year Warranty
  • Atomos Ninja Flame 7" 4K HDR HDMI Monitor/Recorder
  • Atomos Power Kit for Shogun/Ninja Inferno & Flame

 

Canon EOS C200 Camera Body

The Canon EOS C200 Cinema Camera (body only) can record internal 4K RAW to a CFast™ 2.0 card in Canon's new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. Its small form factor suits gimbals, aerial devices, or shooting in tight spaces.

The 8.85 Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features deliver outstanding image quality, performance and versatility.

If you are interested in accessories included with the Canon EOS C200 there is an option which includes a built-in OLED EVF, an on-board LCD monitor, handle, and ergonomic handgrip.

8.85 Megapixel Super 35mm CMOS Sensor

The EOS C200 Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD 1080/60p recording.

Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site. This enhances the EOS C200 camera’s sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time which results in reduced rolling-shutter artifacts.

Lens Compatibility

A major aspect of the creative filmmaking potential of the EOS C200 Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon’s 4K CN-E Cinema prime and zoom lenses, including the ENG-style Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200 camera provide:

  • Display of CN-E Cinema lens T-values
  • Compatibility with Dual-Pixel CMOS AF
  • Lens metadata acquisition
  • Chromatic aberration correction
  • Iris Values

You can switch the camera display to show iris values between the F-stop and T-value. This helps those shooting on movie sets who prefer to know how much light is passing through the opening of the lens and reaching the sensor. T-values are the traditional measure of light reaching the sensor in video production, while F-stop is the measure of light in still photography. The ability to see the F-stop helps those transitioning from still to video shooting.

Dual DiG!C DV 6 Image Processors

The EOS C200 Digital Cinema Camera features Canon’s newly developed dual DiG!C DV 6 image processors, which powerfully process high-resolution image data.

The two on-board DiG!C DV 6 image processors allow for the recoding of 1,800 horizontal TV lines in 4K. The DiG!C 6 is Canon’s sixth-generation Image processor that uses proprietary technology, allowing you to achieve high performance and creative freedom when acquiring images.

Over Sampling HD Processing

The EOS C200 features Over Sampling HD Processing*, a high-image-quality signal processing system to satisfy a broad spectrum of video production needs by effectively utilizing the abundant powers of 4K image expression in 2K (2048 x 1080) / Full HD (1920 x 1080) recording. During the Over Sampling HD Processing, pixels interpolated and 4K RGB data is generated together to produce 2K/HD data generated using non-additive resizing.

* NOTE: Over Sampling HD Processing is not available with Cinema RAW Light recording or 120p/100p.

Extended Sensitivity

The EOS C200 supports an ISO range of between 160 and 25,600. The range expands to between 100 to 102,400 when Extended Sensitivity is set on the camera. This range of ISO settings provide you with more creative freedom. Low ISO values allow you to use large iris settings and shallow depth of field, even in scenes of bright light. The higher ISO values provide you with more flexibility in dimly lit situations.

Dual Pixel CMOS AF Technology

The EOS C200 Digital Cinema Camera features Canon’s Dual Pixel CMOS AF (DAF) Technology. DAF is a breakthrough AF technology that uses the CMOS sensor.

Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. This is a major advantage during single operator shooting.

During AF, the two photodiodes of each pixel can independently bring in light. During imaging, the image signals are output using the two photodiodes that function as a single pixel.

Continuous Autofocus & Face Detection

The EOS C200 has one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Face Detection AF is another autofocus mode that can track a person's face in the frame and maintain focus on them. To further fine tune autofocus performance, the EOS C200 offers the ability to set the AF tracking speed and response. The EOS C200 offers AF and face detection with all Canon EF lenses, except manual focus lenses.

Dual Pixel CMOS AF with Touch Focus

Achieve faster focus with the included Touch Screen LCD Monitor (LM-V1), a new accessory with touchscreen support. Tapping the area of the frame quickly brings the image into focus. This ability to choose the subject for focusing with the tap of the screen helps to make focusing intuitive.

Dual Pixel Focus Guide

The camera's Dual Pixel Focus Guide takes advantage of Dual Pixel CMOS AF data to display focus assist information on the screen. The innovative user interface applies Dual Pixel CMOS AF technology to provide the user focus feedback. This lowers the barrier for focusing, especially when shooting in 4K, which requires strict focus accuracy.

The Dual Pixel Focus Guide presents the user with a rectangle in which to focus the subject. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus.

The camera also features a focus pre-set feature. Separate predetermined focus points can be selected. Then, when the SET button is pushed, the lens will move focus from one mark to the other. This is especially useful when focusing in scenes with multiple subjects.

AF Tuning

A newly developed menu function has been added for Auto-Focus tuning, allowing easy access to camera and lens settings. The AF Speed Tuning function allows users to set the lens drive speed to any of 10 steps. AF subject tracking characteristics can also be varied and set to any of 7 steps. These options allow you to select the appropriate responsiveness when changes have occurred with your subject.

Internal 4K RAW Recording with New Cinema RAW Light

The EOS C200 Digital Cinema Camera features Canon's newly developed Cinema RAW Light, a 4K RAW recording file format offering a smaller file size compared to Canon’s standard RAW** files, while maintaining the same high resolution, high color reproducibility, and wide dynamic range data to provide greater freedom in grading and compositing.

** NOTE: Standard RAW is found on the EOS C500/EOS C300 Mark II/EOS C700 Camera RAW

You can record DCI 4K 60p/50p with Cinema RAW Light to general-purpose media such as the CFast 2.0 card and a MP4 SD Card on the camera. Cinema RAW Light files are about 1/3 to 1/5 the size of Canon’s standard RAW files. The smaller file size and reduced bit rate speed up data transfer and allow internal recording to CFast™ cards.

The reduced file size also helps users extend storage capacity and transfer files on a network more easily. The high bit depth of Cinema RAW Light (10bit/12bit***) maximizes retention of color and dynamic range information, which is especially critical in HDR production.

*** NOTE: 12bit for 4K/30p and under, 10bit for 4K/60p and 50p. Each bit is efficiency optimized in consideration of visual properties.

Cinema RAW Light files can be transcoded to other commonly used file formats, such as DPX or ProRes for later editing and online delivery using Canon's CRD software.

Simultaneous Recording

DCI 4K video (4096x2160) in Cinema RAW Light can be recorded to a CFast™ 2.0 card while recording a 2K sub-recording video (2048x1080) in H.264 Long GOP UCbCr 4.2.0 to an SD card. The smaller file size of the 2K sub-recording file allows for easier editing.

Internal 4K UHD and Full HD Recording in MP4

The EOS C200 Digital Cinema Camera offers 4K UHD and Full HD recording in MP4 format, up to 60fps. The compact size of the MP4 codec allows the EOS C200 to capture images directly to low cost SD cards.

Double Slot Recording

Mirror recording of 4K UHD/Full HD MP4 image files to the camera's two SD slots is possible, saving time and effort of having to make copies of the data after recording.

Full HD 120p/100p Slow Motion Recording Support

The EOS C200 Digital Cinema Camera supports high-speed recording in Full HD at 120p/100p fps to enable additional creative freedom for slow motion replays and other special effects. It’s capable of a maximum 120fps, realizing even greater emotion in visual expression.

Professional Workflow

The EOS C200 Digital Cinema Camera offers a variety of professional workflows. The camera’s new Cinema RAW Light format provides professional shooters with the widest dynamic range and highest color fidelity for post production work. Using Canon's CRD software and Canon RAW Light codec with up to 15 stops of dynamic range is achievable.

MP4 recording is also possible on the camera for situations such as newsgathering, where capturing the image and speed through post are priority.

The EOS C200 supports both ACES 1.0 and HDR imaging through support for emerging HDR standards. Canon is working closely with 3rd party developers to help ensure maximum compatibility for these new formats with NLE and grading systems.

Canon Log 1 & Canon Log 3

The EOS C200 supports both Canon Log and Canon Log 3 Gamma. Canon Log is designed to reproduce, in post production, the entire tonal range of the CMOS image sensor. Log workflow provides the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading.

Canon Log 3 is ideal for professional end users seeking the most out of their camera system. Canon Log 3 provides the most versatility for post production, when recording in camera.

When using Canon RAW Light and Canon's RAW development software it is possible to additionally use Canon Log 2, which allows for a total of 15 stops of dynamic range out of the camera. Using this method requires additional post production time over other options yet provides the highest quality and flexibility for post.

Wide DR Gamma

The EOS C200 provides the Canon Wide Dynamic Range Gamma function that allows users to get many of the benefits of Canon Log Gamma while maintaining an 18% gray point similar to Rec. 709. By using this setting, users can maintain the full dynamic range of the sensor without the need for extensive post processing. Use of Wide DR Gamma can greatly reduce post production time, while maintaining very high image quality.

Canon Cinema RAW Development 2.0

Canon has developed a mature workflow for the EOS C200, Cinema RAW Development 2.0, which supports the new Cinema RAW Light format and is provided as a free download. In addition to new development process support, it also brings features from the previous release including support HDR monitoring, Canon Log Gammas, ACES 1.0 and more.

Canon RAW Plugin for Avid Media Access

Canon RAW Plugin 2.0 for Avid® Media Access is provided as a free download, which allows users to directly import Canon Cinema RAW data into an Avid Media Composer® system. This helps streamline the workflow, while enabling stress-free real-time playback and reducing file ingest wait time.

HDR Viewing

The EOS C200 Digital Cinema Camera supports HDR recording in the ITU-R BT.2100 standard (PQ). HDR on-set monitoring is possible using HDR compatible reference displays, including all of Canon’s 4K UHD Reference Displays. The Electronic Viewfinder can be used with a new View Assist feature, providing a reference view that’s close to the PQ standard. Using this View Assist feature, the displayed dynamic range can be selected for 400% or 1600%, and linear display as well. This allows operators to shoot HDR footage while getting a preview of the finished product.

ACES 1.0 Support (except for 0.7)

The EOS C200 Digital Cinema Camera supports the Academy Color Encoding System (ACES 1.0). Using Canon supplied IDTs, images captured on the EOS C200 can be imported directly into the ACES compatible systems. In addition, video output from the camera can be monitored by selecting the ACESproxy.

ACESproxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using proxy output can be saved and later brought into the editing or grading suite to help insure changes and color choices made on set are accurately reproduced in post.

ACES image display is supported in Canon’s full line of 4K UHD Reference Displays.

Connectivity Options

The EOS C200 Digital Cinema Camera offers a wide range of terminals that are useful in a variety of production shooting and display situations.

  • 2x XLR Input
  • Headphone Jack
  • Ethernet Port
  • DC IN
  • SDI up to HD (1920x1080)
  • USB
  • Remote Port
  • HDMI OUT up to UHD (3840x2160)
  • In-Camera ND Filter

The EOS C200 Digital Cinema Camera features in-camera ND filters to help save production time and help increase shooting versatility without the need to change filters. The internal ND filters are selected with the ND FILTER + and - buttons on the left side of the camera.

The camera uses an internal, motorized ND assembly consisting of two rotating disks with glass ND filters between the rear of the lens and the front of the sensor. This combination of ND filters allows 5 steps of neutral density. In normal mode 2, 4 and 6 stops are available. In extended mode, 8 and 10 stops are also available. Neutral density filters allow the operator more control of exposure in bright scenes, especially where shallow depth of field is desired.

RC-V100 Remote Control Support

Camera settings can be accessed and controlled from a distance using Canon’s RC-V100 Remote Controller. The RC-V100 plugs into the EOS C200 through the remote terminal on the rear panel. This optional accessory allows image quality adjustments and camera operations to be set from a distance.

Focusing, aperture and zooming operations can also be performed remotely using the Link-up feature with Canon CINE-SERVO lenses.

Updated Browser Remote Functions, Including Focus Support

Some applications require the camera to be located a distance away from the operator, such as on a crane or jib. The ability to perform remote operation of camera functions in these situations can be critical. Multiple camera operations can be performed on the EOS C200 from a connected device (such as a PC, tablet or smartphone) by accessing the Browser Remote with a general-purpose browser.

A wide range of auto focus functions can also be controlled using the Browser Remote, including the ability to move the focus area with just a touch when using a compatible tablet or smartphone.

Manual focus can also be controlled from the Browser Remote, helping to ensure accurate focus from remote locations where manual focusing is not possible.

A live feed from the camera can be displayed simultaneously from multiple connected devices accessing the Browser Remote. One device can be used to check focus, while the client or director can monitor the live action from another compatible device.

Optional Accessories

The optional GPS Receiver GP-E2 is compatible with the EOS C200 and can be connected to the camera using a USB cable, providing location and time information that is recorded during shooting. The GPS Data helps support editing work and adds more useful information for archiving purposes.

 

Canon 24mm f/1.4 L-Series II USM Wide Angle Prime Lens - EF Mount

The Canon 24mm f/1.4 L-Series II USM Wide Angle Prime Lens - EF Mount features impressive performance at all settings with two high-precision, large-diameter aspherical lenses for sharpness across the sensor, even in peripheral areas of full-frame sensors. Lens elements have a newly-designed anti-reflective SWC (Sub Wavelength Coating) that departs from conventional coatings by using an extremely fine structure that minimizes ghosting and flaring across the lens surface, regardless of the angle with which light enters or exits.

It also features two UD lens elements to minimize chromatic aberrations, incorporates rear-focusing, ultrasonic, quiet and high-speed AF with full-time manual override. A circular aperture provides beautiful out-of-focus detail and offers legendary dust- and water-resistant L-series construction using only lead-free glass.

Features & Specifications:

  • Focal Length: 24mm
  • Maximum Aperture: f/1.4
  • Lens Construction: 13 elements in 10 groups
  • Diagonal Angle of View: 84°
  • Focus Adjustment: Rear focusing system with USM
  • Closest Focusing Distance: 3" (77mm)
  • Filter Size: 77mm
  • Diameter x Length: 3.4" (86.9mm)
  • Weight: 1.43 lb (650g)

 

Canon 50mm f/1.2 L-Series USM Telephoto Prime Lens - EF Mount

The Canon 50mm f/1.2 L-Series USM Telephoto Prime Lens - EF Mount features an ultra-large aperture for a narrow depth of field and soft background blur admired by photographers everywhere. The 50mm f/1.2L USM is suitable for any shooting situation with lens coating and constructionoptimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras.

Features & Specifications:

  • Focal Length: 50mm
  • Maximum Aperture: f/1.2
  • Lens Construction: 8 elements in 6 groups
  • Diagonal Angle of View: 46° (with full-frame cameras)
  • Focus Adjustment: Auto-focus with full-time manual
  • Closest Focusing Distance: 1.48' (0.45m)
  • Filter Size: 72mm
  • Diameter x Length: 3.4" x 2.6" (85.4mm x 65.5mm)
  • Weight: 1.2 lb (545g)

 

Canon 85mm f/1.2 II USM L-Series Prime - EF Mount

The Canon 85mm f/1.2 II USM L-Series Prime - EF Mount lens uses a Ring-type USM, high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than its predecessor. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings. The floating optical system, which includes an aspherical lens element, suppresses aberrations and ensures excellent imaging performance.

Features & Specifications:

  • Focal Length: 85mm
  • Maximum Aperture: f/1.2
  • Lens Construction: 8 elements in 7 groups
  • Diagonal Angle of View: 28° 30'
  • Focus Adjustment: Auto-focus with full-time manual
  • Closest Focusing Distance: 3.2' (0.95m)
  • Filter Size: 72mm
  • Max. Diameter x Length: 3.6" x 3.3" (91.5mm x 84mm)
  • Weight: 2.26 lb (1,025g)

 

Canon LM-V1 4" LCD Monitor

The Canon LM-V1 LCD Monitor is a fully adjustable and detachable 4" display for the Canon C200 & C300 Mk II digital cinema cameras. This 1.23 million dot, touch capacitive monitor features Canon's exclusive AF technologies for easy monitoring and one-finger "tap-focusing" during shooting.

 

HDU-2 Handle Unit for EOS C200/C200B

This handle unit can be attached to the camera body without tools, and features a newly-formed handle screw that enables fast and easy attachment. The unit can also be used to mount a variety of optional peripherals.

 

GR-V1 Camera Grip for EOS C200

The Canon GR-V1 Camera Grip is designed for use with the Canon EOS C200. This grip attaches to the camera via an ARRI-style rosette, enabling the user to adjust its angle for optimal comfort. The grip features a user-assignable function button, record run/stop button, dial, and control joystick. A short LANC (2.5mm) cable connects the grip to the camera. A hand strap is also included.

 

Canon LA-V1 LCD Attachment Unit

The 3-hingle attachment for the optional LM-V1 LCD Monitor allows flexible rotation of the display during shooting. 

 

The Atomos Ninja Flame 7" 4K HDR HDMI Monitor / Recorder features AtomHDR, the solution for accurately displaying HDR Log footage with the brightness to see Log as the eye sees it. Camera Log (S-Log2, S-Log3, C-Log, V-Log etc) delivers maximum sensor detail in your recordings, but on monitors it looks washed out & makes judging exposure difficult. The typical compromise for filmmakers has been to use LUT's to get the approximate "look" but sacrifice detail or use calibration cards, waveform, and some rough figures to set exposure correctly. Instead, AtomHDR allows you to shoot what you see.

Bright 1500nit Display

Not all scenes call for HDR Log recording. In situations that don't require 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional standard dynamic range (SDR/Rec709) video at high brightness for outdoor production.

Simply pick the right mode (HDR or High Bright SDR) and start setting up your shot on the premium 7" display, boasting 10-bit processing, 1920 x 1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift, and an arsenal of precision video setup tools.

Log Output Over HDMI

The Ninja Flame is the ideal partner for DSLR and Mirrorless cameras, with Log output over HDMI. From gimbal operators to corporate or indie filmmakers, your recordings are instantly upgraded to the de facto ProRes and DNxHR standard, avoiding technical roadblocks in post and letting you see the detail of your camera's Log on set with natural colors on the calibrated 7" AtomHDR High Bright monitor.

Affordable Media

The combination of affordable, reliable, high capacity SSD media with recording direct from the sensor means that the conventional 30 minute barrier imposed by many cameras can be bypassed.

Record Professional 4K & HD

Recording 4K and high frame rate HD within the camera might seem enough, but unless you record with the right codec you are restricting flexibility in post, and even run the risk of having your footage rejected on technical grounds. Along with the high pixel density of 4K, the Ninja Flame records higher resolution 10-bit color information, more precise yet efficient 4:2:2 color encoding, and to visually lossless, edit-ready codecs like Apple ProRes or AVID DNxHR. With Ninja Flame you can record professionally, capture full individual frames just like film, and open up more creativity in post and grading.

Simple OS

Atomos' flexible OS is packed with an extensive suite of scopes, all just one touch away and easy to use. The Video OS includes tools for focus, framing & exposure (Focus Peaking, 2:1/1:1 Zoom, Zebra, False Color, Frame Guides, SMPTE Safe Area, Waveform, RGB Parade, Vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.

Super Fast Charging

Atomos' patented continuous power system, pioneered on their HD products, is back with the 4K range. The hot-swappable dual battery system automatically switches to the second battery when power is low, and the blazingly fast battery charger and dual 4-cell batteries (optional accessories sold separately) virtually ensure continuous power in the field.

Advanced DSLR Audio Monitoring

Record audio as well as video externally on the Ninja Flame. Monitor up to 8 channels of HDMI audio or 2 channels of analog line-in on the dedicated audio meters, all locked frame accurate with adjustment for frame delay, gain adjustment, and Mic level adjustment when using external microphones (3.5mm unbalanced input).

Advanced Recording Capability

In addition to 10-bit 4:2:2 ProRes/DNx capability, the Ninja Flame adds recording functionality not found with other external recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, and Nikon cameras. Convert interlaced video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown, and gain advanced functionality like Pre-roll (continuous cache recording) to never miss the action, and Time Lapse to maximize your creativity.

Field Production Ready

Atomos' built-in armor enhances protection & airflow. A wide variety of available accessories and the premium HPRC flight case (sold separately) ensure you are ready to hit the ground running.

 

The Atomos Power Kit for Shogun / Ninja Inferno & Flame includes (2) NP-F750 5200mAh batteries and a fast battery charger with power adapter for the Atomos Shogun, Ninja Inferno, or Ninja Flame Monitor/Recorder.

What's in the Box

  • Fast Battery Charger with Power Adapter
  • 2 x NP-F750 5200 mAh Batteries
  • Limited 1-Year Warranty
  • Body Cap
  • Thumb Rest
  • Tape Measure Hook
  • Mic Holder Unit
  • BP-A30 Battery Pack For EOS C300 Mark II, C200, and C200B
  • Eyecup
  • UN-5 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (20")
  • Shoulder Strap
  • Compact Power Adapter
  • Single Battery Charger for EOS C300 Mark II, C200, and C200B Batteries
  • CA-A10 Compact Power Adapter for EOS C300 Mark II, C200, and C200B Camcorders
  • GR-V1 Camera Grip for EOS C200
  • HDU-2 Handle Unit for EOS C200/C200B
  • LA-V1 LCD Attachment Unit for EOS C200
  • Canon LM-V1 4" LCD Monitor
  • Canon 85mm f/1.2 II USM L-Series Prime - EF Mount
  • Canon 50mm f/1.2 L-Series USM Telephoto Prime Lens - EF Mount
  • Canon 24mm f/1.4 L-Series II USM Wide Angle Prime Lens - EF Mount
  • Canon EOS C200 Camera Body
  • 12V, 3A AC Power Supply
  • Master Caddy II
  • Atomos Ninja Flame 7" 4K HDR HDMI Monitor / Recorder
Specifications

Specifications

Key Highlights

  • Canon C200B + (3) lenses in EF Mount
  • Includes std. camera accessories
  • Canon 24mm f/1.4 Wide Angle USM
  • Canon 50mm f/1.2 prime lens
  • Canon 85mm f/1.2 II USM prime lens
  • Includes Atomos Ninja Flame
  • Includes Atomos Power Kit
  • EF Mount
Atomos Power Kit for Shogun / Ninja Inferno & Flame

Batteries

Battery Mount Type:
Sony - L-Series
Output Voltage:
7.4 V DC
Battery Chemistry:
Li-Ion / Lithium-ion
Battery Features:
Rechargeable
mAh Rating:
5200 mAh

Battery Accessories

Charger Bay Count:
1 Battery
Accessory Type:
Battery Charger
Canon Cinema EOS C200 Prime Lens Bundle - EF Mount

Camera Lens System

Camera Lens Mount:
Canon EF
ND Filter:
Motorized drive - 5 density settings: Standard (2, 4, 6) and Expanded (2, 4, 6, 8*, 10* stops) * When the expansion is selected

Color

Gamma Modes:
Wide DR - Dynamic Range 800% (ISO 400 or above)
C-Log3 - Dynamic Range 1600% (ISO 800 or above)

Compatibility - Camera

Canon:
Canon EOS C200
Canon EOS C300 MK II

Connectors

Output Connector/Port:
1 x HDMI - up to UHD (3840x2160)
1 x SDI - up to HD (1920x1080)
1 x Headphone Jack
1 x Video
1 x Ethernet - (also for input)
1 x USB
Input Connector/Port:
2 x Other - INPUT terminals
1 x Ethernet - (also for output)
1 x Remote
1 x Microphone Jack

Handle / Grip

Grip Control Type:
Joystick
2 x Button
Fingertip - Dial
# Handles:
Single
Handle/Grip Features:
Electronic Control
Right Hand Ergonomic
Rosette
Grip Appearance:
Plastic

Inputs & Outputs

Headphone Out:
Headphone Out (3.5mm)

Lens Characteristics

Prime or Zoom:
Prime
Lens Mount:
EF
Lens Options:
Wide-Angle
Telephoto
Blade Count:
8
Filter Thread Size:
72mm
77mm
Fixed Focal Length:
24mm
50mm
85mm
Max Dimensions (Diameter x Length):
3.29" x 3.42"
3.38" x 2.58"
3.6" x 3.3"
Elements & Groups:
13 elements in 10 groups
Magnification Ratio:
0.11x
0.15x
0.17x
Aperture Range:
f/1.4 to f/22
Minimum Focus Distance:
1.5'
3.12'
9.84" - 25cm
Max Angle of View:
28degrees
46degrees
84degrees

Monitors

Monitor Size:
5.0" and Under - 4" actual size
Monitor Features:
Touchscreen
Monitor Type:
LCD

Power

Power Input:
DC - 16.7 V DC
Battery Pack - 14.4 V DC

Recorders

Phantom Power:
Yes - +48V

Recording

Recording Format:
MP4 - Video: Codec: MPEG-4 AVC/H.264 Resolution: 3840 x 2160 / 1920 x 1080 Bit Rate: 150 Mbps (3840 x 2160), 35 Mbps (1920 x 1080) Color Sampling: YCC420 8 bit
Cinema RAW Light - (4096 x 2160) Bit Depth: 10-bit (59.94P/50.00P), 12-bit (29.97P/23.98P/25.00P/24.00P) Bit Rate: 1 Gbps
RAW Audio - Linear PCM: 16-bit / 48 kHz / 4 channels
Playback Frame Rate Notes:
Clip Display - 3x4 (clip) index screen (RAW/MP4/Photo)
Playback Operations - Normal playback, fast forward (at speeds of ×5, ×15, ×60), fast reverse (at speeds of ×5, ×15, ×60), frame forward, frame reverse, rec review
Recording Frame Rate:
(1) 59.94 Hz mode (59.94P/29.97P/23.98P)
(2) 50.00 Hz mode (50.00P/25.00P)
(3) 24.00 Hz mode (24.00P)

Sensor Specifics

Sensor Size:
Super 35 - (single-panel equivalent to Super 35mm)
Sensor Type:
CMOS - RGB primary color filter (Bayer array)

Camera

# Media Slots:
3
Media Cards:
1 x CFast Cards (2.0) - RAW movies in Cinema RAW Light
2 x SD - Recording of MP4 movies, photos (JPEG), custom pictures, menus and other data possible
WiFi Interface:
Yes
Camera Weight (Body):
2.5-5.0lbs
Camera Features:
Waveform
ND Filter Built-In - (2, 4, 6, 8, 10 stops)
Timecode - Drop frame* or non-drop frame Rec run, free run, regeneration *In 59.94P/29.97P mode only
White Balance - AWB, Kelvin (setting range: 2000K to 15000K/-20CC to +20CC), Daylight, Tungsten, Set A, Set B)
On-Camera Controls
Marker Displays
Remote Control (App)
GPS - (Supports GP-E2)
Zebra
Magnify - Enlarged Display
Peaking
17 x Assignable Buttons
Camera Body Less Than 5lbs:
Yes
Imaging Processor:
2 x DiG!C DV 6
Shutter Angle Settings:
Speed, Angle, Clear Scan, Slow, or Off mode selected
ISO Range:
1 step, 1/3 step settings - Standard [160-25600], Expanded [100-102400*] *When the sensitivity is expanded
Shutter/Camera Mode:
Other Recording Functions (MP4 Recording) - Relay recording, double slot recording
REC Mode (MP4 Recording) - Slow motion recording, pre-recording, frame recording, interval recording
Shutter Speed Range:
Either 1/3 or 1/4 steps selected as speed increment
Iris Dial:
(1) Manual setting in 1/2-step increments, 1/3-step increments or fine possible
(2) Push auto IRIS control* - *Lenses that support Auto Iris: EF Lenses: EF-S 10–18mm f/4.5–5.6 IS STM, EF-S 18-55mm f/3.5–5.6 IS STM, EF-S 18–135mm f/3.5–5.6 IS STM, EF-S 55–250mm f/4–5.6 IS STM, EF-S 18–135mm f/3.5–5.6 IS USM, EF 24–105mm f/3.5–5.6 IS STM
(3) Auto IRIS control* - *Lenses that support Auto Iris: EF Lenses: EF-S 10–18mm f/4.5–5.6 IS STM, EF-S 18-55mm f/3.5–5.6 IS STM, EF-S 18–135mm f/3.5–5.6 IS STM, EF-S 55–250mm f/4–5.6 IS STM, EF-S 18–135mm f/3.5–5.6 IS USM, EF 24–105mm f/3.5–5.6 IS STM
Cinema lenses that support Auto Iris (for Push Auto and Auto IRIS Control: - CN 7x17 KAS S/E1, CN 20x50 IAS H/E1, CN-E 18-80mm T4.4 L IS KAS S, CN-E 70–200mm T4.4 L IS KAS S
Exposure Mode:
(1) Manual exposure based on - shutter setting, iris setting, ISO/gain setting, and ND filter setting
(2) Push auto iris control - (light metering system selection/AE shift possible)
(3) auto iris control - (light metering system selection/AE shift possible)
Camera Focus Settings:
AF-Boosted MF
Continuous AF
Dual Pixel CMOS AF supported
Face Detection AF - (only lenses that support AF functions can be used in any of these modes)
Focus Guide
Manual Focus
One-Shot AF
Camera Autofocus:
Yes
Atomos Ninja Flame 7" 4K HDR HDMI Monitor / Recorder

Batteries

mAh Rating:
5200mAh - up to 1.5 hours (monitor and record 4K 30p)
7800 mAh - up to 2.2 hours (monitor and record 4K 30p)

Color

Color Gamut:
REC 709 - HDTV

Connectors

Output Connector/Port:
1 x HDMI - Type A, 1.4b
1 x Headphone Jack - 3.5mm
Input Connector/Port:
1 x LANC - 2.5mm
1 x HDMI - Type A, 1.4b
1 x 3.5mm stereo mini jack - Mic/Line In (2-channel, 48 kHz, 24-bit)

Monitors

Supported Formats:
Log - Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
Bit Depth:
10-bit - 8+2 FRC
Monitor Resolution:
1920x1200 - 325 ppi, 16:9 aspect ratio (native)
Monitor Size:
7.01"-9.99" - Actual: 7.1"
Monitor Features:
HDR - AtomHDR engine
Monitor Brightness:
1500Nits - (+/- 10% @ center)
Monitor Type:
LCD - SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
Recorder & Monitor:
Yes
Monitor Options:
Field
On-Board
Handheld
Recorder
Monitor Calibration:
Yes - ATOMOS partnered with X-Rite for i1DisplayPro for calibration (sold separately)
Display Functions:
Vectorscope
3D LUTs - (.cube format)
Frame Guides
RGB Parade
Audio Level
Anamorphic De-Squeeze - 2x, 1.5x, 1.33x, Panasonic 8:3
LUT Import
Zebra
Waveform
Color Notes:
Supported Color Gamut - Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut

Power

Input Voltage:
6.2-16.8V - Battery
Power Input:
DC - 6.2-16.8V

Recorders

Recorder Options:
Metadata - Yes, 10 meta data tags available
Timelapse - Custom
Remote Start/Stop - via HDMI (Auto HDMI Triggers, supports protocols on select Canon, Sony, ATOMOS open standard); via LANC control as a Slave
Pre-Roll Record - HD 8s, 4K 2s
Playback:
Yes - Playlist (will play ProRes and DNxHR/DNxHD recorded content. Playback in slow motion is approx. 100fps)

Recording

Recording Format:
Apple ProRes HQ
Apple ProRes 422 LT
Apple ProRes 422
Avid DNxHR SQ and LB
Avid DNxHR HQX
DNxHR HQ
Recording Frame Rate:
1080i 50/60i
1080p - 24/25/30/50/60p / 100^/120^ (24/25/30psf)
4K UHD 24/25/30p
720p 50/60p

Recording / Media

Media Type:
SSD - 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate; visit atomos.com/drives for list of tested and approved drives
Media Interface:
SATA - 2.5" (Master Caddy)
USB 2.0 - Master Caddy dock
USB 3.0 - Master Caddy dock

Software / Apps / Plugins

XML Support:
FCPX XML native, FCP7 supported with conversion (Adobe compatible)

Camera

Camera Body Less Than 5lbs:
No - Genlock/LTC
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