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RED WEAPON BRAIN with MONSTRO 8K VV Sensor & Standard OLPF - PL Mount

RED
Abel Code: MONSTRO
Mfr. Code: 710-0292-STD
Description
This RED WEAPON BRAIN features a MONSTRO 8K VV 35.4 Megapixel CMOS Sensor with 17+ stops of dynamic range, Standard OLPF, and DSMC Mg PL Mount 2.0.
Key Highlights
  • RED WEAPON BRAIN
  • MONSTRO 8K VV Sensor
  • 35.4 Megapixel
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Overview

Overview

The RED WEAPON BRAIN with MONSTRO 8K VV Sensor & Standard OLPF - PL Mount is capable of shooting motion and stills in 8K 2.4:1 at up to 75 frames per second (fps), or 8K FF 17:9 at 60 fps. The WEAPON 8K VV delivers cinematic image quality with a sensor size of 40.96mm x 21.60mm.

At full 8K resolution, the MONSTRO sensor captures 35.4 Megapixel motion and stills with low noise and now ships with IPP2, RED’s improved image processing pipeline. WEAPON 8K VV provides an advanced VFX solution with next-level creative flexibility. Blazing-fast 300 MB/s data rates allow you to take advantage of the best possible REDCODE® settings, and record proxy 4K Apple ProRes or 4K Avid DNxHR formats, simultaneously.

As a member of the DSMC2® camera lineup, WEAPON 8K VV benefits from the advanced modularity of the RED ecosystem. Featuring cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing number of DSMC2 modules and accessories. WEAPON also supports interchangeable OLPFs and lens mounts, empowering you to make the most of all of your VV compatible PL and Canon lenses.

IMPORTANT NOTE: The WEAPON BRAIN® itself does not have a DC IN power port. A port expander or power module is required to power the camera. To construct a working configuration for any BRAIN, RED recommends an expander, battery, lens mount, display, and media.

NOTE: RED ARMOR-W and standard RED ARMOR are available for this product (sold separately).

 

Recording & Frame Rate Specifications:

  • REDCINE-X Pro Delivery Formats:
    • 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
    • 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
    • 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
    • 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
  • Max Data Rates:
    • Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
    • Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
  • Max Frame Rates1:
    • 60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
    • 60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
    • 75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
    • 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
    • 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
    • 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
    • 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
  • Playback Frame Rates (Project Time Base):
    • 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
  • REDCODE Settings (Range from 2:1 up to 22:11):
    • 5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
    • 12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
    • 2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
    • 3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
  • REDCODE RAW Acquisition Formats2:
    • 8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
    • 7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    • 6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
    • 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    • 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
    • 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    • 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • Apple ProRes:
    • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
    • ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
    • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
  • Avid Codecs3:
    • DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
    • DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps 
    • DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
    • DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
    • DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps 

1 REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.

2 For more information on available acquisition formats, see the DSMC Operation Guides.

3 Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.

What's in the Box

  • 1 x RED WEAPON WOVEN CF MONSTRO 8K VV BRAIN (Standard OLPF)
Specifications

Specifications

Key Highlights

  • RED WEAPON BRAIN
  • MONSTRO 8K VV Sensor
  • 35.4 Megapixel
  • 17+ stops of dynamic range
  • 8192 × 4320 effective pixels
  • PL Mount
  • Includes Standard OLPF

Color

LUT Details:
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Tetrahedral interpolation, 16-bit processing
User programmable shaper 1D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module

Monitors

Monitor Resolution:
1280x720 - RGB or 4:2:2
1920x1080 (Full HD) - RGB or 4:2:2

Recording

Recording Resolution:
8K FF - 8192x4320
4K HD - 3840x2160
8K HD - 7680x4320
Recording Format:
Avid DNxHR HQ, SQ and LB - at 4K (4096 × 2160) 8-bit up to 29.97 fps
Avid DNxHR HQX - at 4K (4096 × 2160) 12-bit up to 29.97 fps
Avid DNxHR 444 - at 2K (2048 × 1080) 12-bit up to 120 fps
Avid DNxHD 444 and HQX - (1920 × 1080) 10-bit up to 120 fps
Apple ProRes 4444 Regular and XQ - at 2K (2048 × 1080) up to 120 fps
Apple ProRes 422 - HQ, Regular & LT at 2K (2048 × 1080) up to 120 fps; 4K (4096 × 2160) up to 29.97 fps
REDCODE RAW
Avid DNxHD HQ, SQ, and LB - (1920 × 1080) 8-bit up to 120 fps
Playback Frame Rate Notes:
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
Recording Frame Rate:
120 fps at 4K (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
60 fps at 7K (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
60 fps at 8K (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
75 fps at 6K (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
96 fps at 5K (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

Sensor Specifics

Sensor Type:
CMOS
Sensor Dynamic Range:
17+ stops
Sensor Dimensions:
40.96mm x 21.60mm (Diagonal: 46.31mm)

Camera

Camera Features:
Remote Control - Integrated RED COMMAND PROTOCOL (R.C.P.) WiFi antenna

Support for Every Production

Facilities in NY & LA designed for maximum comfort and efficiency

We are accustomed to working with productions and budgets of all sizes. Need a complete camera system specifically tailored to your needs or a few accessories to complete your kit? We’ve got you covered. All our gear is meticulously maintained by our on-site technicians, and we treat all jobs with the highest degree of care and attention to detail.

Expendables

Expendables

We stock expendables in our three showrooms so you have the convenience of one-stop shopping.

Training

Training

Keep your skills sharp with our practical education: hands-on workshops, community events, and blog.

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