Overview
The ALEXA 35 Live - Multicam System revolutionizes live productions with its cinematic ARRI look, exceptional HDR capabilities, and enhanced creative control. This comprehensive system integrates the 4K ALEXA 35 Live camera with the Live Production System LPS-1, including the Fiber Camera Adapter and Fiber Base Station, along with the Skaarhoj RCP and a range of specialized Multicam accessories.
Featuring outstanding color rendition, detail, depth, and HDR support, the ALEXA 35 Live camera captures the cinematic ARRI look with its Super 35-sized 4K sensor, offering shallow depth of field and an impressive 17 stops of dynamic range. Its extensive creative options include the ARRI Look Library with 87 cinematic looks and specially developed Multicam presets for various live production scenarios.
The Live Production System LPS-1, comprising the Fiber Camera Adapter and Fiber Base Station, facilitates seamless connectivity over long distances with hybrid (2km) or tactical fiber (10km) cables. The Fiber Camera Adapter enhances the camera's form factor and connectivity with industry-standard interfaces, while the Fiber Base Station supports multiple output formats and future-proof connectivity with SMPTE 2110 IP capabilities.
With minimal cabling and intuitive controls, setup, configuration, and diagnostics are streamlined for efficient operation. The system offers remote control capabilities through various user interfaces, including the ARRI Webremote and Multicam web interface, along with full control and configuration of the Skaarhoj RCP via the Skaarhoj Reactor web interface.
Tailored for live productions, the ALEXA 35 Live - Multicam System is available in different sets to suit diverse customer needs, with bespoke Multicam accessories designed to enhance multi-camera shooting experiences. Whether in studios, concerts, or sports events, this system offers unmatched versatility and performance for live productions.
Technical Data:
| Model |
ALEXA 35 Live |
| Sensor Type |
Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array |
| Sensor Maximum Number of Photosites and Size |
4096 x 2304 24.88 x 14.00 mm / 0.980 x 0.551" Ø 28.55 mm / 1.124" |
|
Sensor Frame Rates
| |
|
Weight | 6.4 lbs (camera body with three antennas and PL Mount (Hirose)) |
|
Photosite Pitch
|
6.075 μm
|
|
Sensor Active Image Area (photosites)
|
4K 16:9: 4096 x 2304 4K 2:1: 4096 x 2048 3.8K 16:9: 3840 x 2160 2K 16:9 S16: 2048 x 1152 |
| Sensor Active Image Area (dimensions) |
4K 2:1: 24.9 x 12.4 mm / 0.980 x 0.490"
3.8K 16:9: 23.3 x 13.1 mm / 0,918 x 0.516"
2K 16:9 S16: 12.4 x 7.0 mm / 0.490 x 0.276" |
|
Recording File Container Size (pixel)
|
4K 16:9: 4K (4096 x 2304), UHD (3840 x 2160), 2K (2048 x 1152), HD (1920 x 1080) 4K 2:1: 4K (4096 x 2048) 3.8K 16:9: UHD (3840 x 2160) 2K 16:9 S16: 2K (2048 x 1152) |
| Recording File Image Content (pixel) |
Identical to Recording File Container Size |
|
Dynamic Range
|
17 stops
|
|
Exposure Index
| Adjustable from EI 160 - 6400 in 1/3 stops |
| Shutter | Electronic shutter, 5.0°- 356° or 1s - 1/8000s |
|
Recording Formats
| MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 HQ |
|
Recording Media
| Codex Compact Drive 1TB (CA08-1024) Codex Compact Drive 2TB (CB16-2048) |
|
Recording Frame Rates
| Apple ProRes 4K 16:9 - 4K: 60 fps Apple ProRes 4K 16:9 - UHD: 60 fps Apple ProRes 4K 16:9 - 2K: 60 fps Apple ProRes 4K 16:9 - HD: 60 fps Apple ProRes 4K 2:1 - 4K: 60 fps Apple ProRes 3.8K 16:9 - UHD: 60 fps Apple ProRes 2K 16:9 S16 - 2K: 60 fps |
|
Recording Modes
|
Standard real-time recording
|
|
Viewfinder Type
|
Multi Viewfinder MVF-2 with 4" flip-out touchscreen monitor
|
|
Viewfinder Technology
| OLED viewfinder display LCD flip-out monitor |
|
Viewfinder Resolution (pixel)
| OLED: 1920 x 1080 |
|
Viewfinder Diopter
| Adjustable from -5 to +5 diopters |
|
Color Output
| 1. ARRI Color Management Display Render Transforms: - Rec 709 - Rec 2020 - Rec 2100 PQ - Rec 2100 HLG 2. LogC4 |
|
Look Control
| ARRI Look File ALF-4: - Import of custom 3D LUT - ASC CDL parameters (slope, offset, power, saturation) ARRI Look Library ARRI Textures Live Painting of Video Parameters |
|
White Balance
| Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps Color correction adjustable range from -16 to +16 CC 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values |
| Filters | Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8 Fixed optical low pass, UV, IR filter |
|
Image Outputs
| 2x VF custom CoaXPress connectors for MVF-2 viewfinder 2x 12G SDI (BNC): 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD |
|
Lens Squeeze Factors
|
1.00
|
|
Exposure and Focus Tools
| False Color Zoom Aperture and Color Peaking |
|
Audio Input
| 1x LEMO 6pin balanced stereo line in with 12V power output (line input max. level +24 dBu correlating to 0 dBFS) Two built-in microphones for scratch audio With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES) With LPS-1 Fiber Camera Adapter: additional 2x TA3 connectors (MIC/Line, +48 V, AES) |
|
Audio Output
| SDI (embedded) 3.5mm stereo headphone jack (on MVF-2) |
|
Audio Recording
| 4 channel linear PCM, 24 bit 48 kHz |
| Remote Control Options | MVF-2 viewfinder as wired remote control with 10m/33ft cable Camera Control Monitor CCM-1 Camera Companion App ARRI Electronic Control System (ECS) Web-based remote control via Ethernet & WiFi (beta version) Camera Access Protocol (CAP) via Ethernet & WiFi GPIO interface for integration with custom control interfaces Skaarhoj Remote Control Panel |
| Interfaces | 1x LBUS (LEMO 4-pin) for lens motors, daisy chainable 1x SERIAL (LEMO 4-pin) for distance measuring accessories 1x TC (LEMO 5-pin) for timecode In/Out 1x ETH (LEMO 10-pin) for remote control and service 1x SYNC IN (BNC) for Genlock synchronization 1x RET IN (BNC, switchable on SDI 2) 1x USB-C for user setups, look files etc. 1x Rear Interface (18-pin Pogo) for connection of modules and battery adapters |
| Wireless Interfaces | Built-in WiFi module (IEEE 802.11b/g) Built-in White Radio for ARRI ECS lens and camera remote control |
| Lens Mounts | ARRI LPL Mount (LBUS) ARRI PL-to-LPL Adapter ARRI PL Mount (LBUS) ARRI PL Mount (Hirose) ARRI EF Mount (LBUS) Leitz M Mount for ARRI |
|
Flange Focal Depth
| LPL mount: 44 mm PL mount: 52 mm |
|
Power Input
| 1x PWR (LEMO 8-pin) 1x BAT (camera rear interface / battery adapter) 20.5 - 33.6 V DC |
|
Power Consumption
|
~ 90 W (Camera body and MVF-2)
|
|
Power Outputs
| 1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse 1x 12 V (LEMO 2-pin) for 12 V accessory power out 1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable 1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out 1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap |
|
Measurements (HxWxL)
| 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0" (camera body with PL lens mount (Hirose)) |
|
Operating Temperature
| -20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics, IP 51 |
|
Storage Temperature
| -30° C to +70° C / -22° F to +158° F |
|
Sound Level
| < 20 dB(A) at 30fps, recording 4K 16:9 - UHD, Apple ProRes 4444 XQ, ≤ +30° ambient temperature |
|
Software Licenses
| ALEXA 35 Cine License (optional) ALEXA 35 Multicam License (included) |
Specifications
Key Highlights
- Easy Integration into Multicam Ecosystem
- 17 Stops of Latitude
- HDR Support
- Transmit 4K Video up to 10km
