True Match® firmware is now available for Kino Flo LED lighting. This free firmware update includes camera LUTs that optimize the LED output to the color science of some of the most popular digital cinema cameras.

Several optional licenses are available for the Sony VENICE that enable additional functionality, such as full frame and anamorphic recording, and high frame rates. Installing a license is a multi-step process, as demonstrated by our tech, Juliet McNally.

We asked the team at Paxeros Creative, winners of the ARRI Inspiration Challenge last year, to share their stories of getting started in the industry, winning the challenge, and how they've been putting their ALEXA Mini to use on some of their recent projects.

The Fujifilm GFX100 camera features a 102 Megapixel sensor, with an image circle that exceeds the dimensions of most full frame digital cinema cameras. In this blog, I take a look at its recording features for video capture.

ARRI recently announced their extremely bright, versatile new light: The Orbiter. The Orbiter is a tunable, customizable, ultra-bright point light source directional LED. The output of the Orbiter is comparable to corresponding HMI systems. Now that’s a sentence worth repeating: its brightness is comparable to that of an HMI!

In this video I give you an overview (along with practical applications), of the ARRI SkyLink System and the Stellar Lighting Control App using ARRI SkyPanels and an L-Series Fresnel. Stellar, an app for iOS and Android mobile devices, works with ARRI’s wireless SkyLink system to automatically configure wireless DMX.

The Sony VENICE offers several ways to import professional audio. Three different types of audio signals can be imported through the five-pin audio connector. Watch as I demo how to input these signals, as well as how to manage them using the internal audio menus.

Tom Cubby from Sony dropped by the office to give us a first look at Sony’s brand new full format camera: the PXW-FX9. Join Tom and I as we dive into the philosophy, specs, capabilities, and exciting new features of this compelling addition to the ever-expanding full format video/cinema camera landscape.

Ever since the introduction of the RED RANGER camera system, initially available only with a MONSTRO 8K VV sensor (and only to RED-approved rental houses worldwide), cries to make the camera available with a broader range of RED sensors have echoed far and wide across the camerasphere. Now, those cries have been answered.