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Client Profiles

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Intro image for article RiTE Media Captures a Full Format Adventure with the ALEXA LF & Leica Thalias
Client Profiles
DP Colin Quinn of RiTE Media recently completed filming Grobb, a sci-fi adventure shot on location in the Great Plains of Pawhuska, Oklahoma. To capture the action and sweeping landscapes, the production chose the ARRI ALEXA LF and Leica Thalia Primes. In this conversation, he discusses the project, how he arrived at this camera and lens package, and his impressions of how it performed in the field.
Intro image for article Anything for the Story: Talking Docs with DP Matt Porwoll
Client Profiles
You may be familiar with Matt Porwoll from last year's Behind the Lens blog series, but did you know he's also an Emmy Award-winning cinematographer who used to work in the AbelCine rental department? It's true! Luckily for us, Matt enjoys sharing what he's learned about the technical aspects of his craft. Recently, we had the chance sit down for an in-depth discussion on his current favorite gear.
Intro image for article Ironclad & AbelCine Behind the Scenes
Client Profiles
Ironclad is a team of storytellers and artists dedicated to bringing a creative vision to life. We've been working closely with them on a recent project of theirs, where they had some specific needs for their fast-paced shooting schedule.
Intro image for article Last Chance U: Ready for Anything On (and Off) the Field
Client Profiles
When elite athletes with difficult pasts want to turn their lives around for another shot at achieving their dreams, where do they go? Last Chance U. The Netflix series, which debuted in 2016, gives an intense look inside the world of junior college football, following the stories of players and coaches both in the classroom and on the field.
Intro image for article For DP Tom Bergmann, Travel Leads to Inspiration
Client Profiles
For cinematographer Tom Bergmann, inspiration can come from anywhere, but especially from his world travels. As a documentary filmmaker and DP, he embraces his experiences as a still photographer and combines them with his narrative storytelling ability.
Intro image for article Production Challenges Are No Match for Alexander Hankoff & YELLOW
Client Profiles
Everyone has an idea for their great passion project, but it takes a certain level of commitment to turn that idea into reality. For director and DP Alexander Hankoff, his short film Yellow was something he knew he wanted to make and it was his (along with his team's) creativity that made it possible.
Intro image for article Derek Frankowski and IDX Capture NHL Action
Client Profiles
Derek Frankowski is a director and cinematographer who has specialized in shooting sports and wildlife for commercial clients and documentaries for close to 20 years. For his latest project, Derek shot a commercial with the NHL's Vancouver Canucks. With the fast-paced nature of the NHL and action sports, Derek had to be prepared for any challenges that came his way. Derek was kind enough to discuss how he tackled some of these challenges and how he has been getting it done for all of these years.
Intro image for article Jeff Cable: Capturing the Rio Olympics with Lexar Media
Client Profiles
As any imagemaker knows, when you're in a high-pressure situation, with only one chance to "get the shot," you must rely on your gear and your recording media. No situation is quite as high-pressure as the Olympics, both for the athletes and the photographers capturing them. For photographer Jeff Cable, his Lexar cards are a crucial component of his photography workflow.
Intro image for article Jonathan Barenboim Stays Flexible with the Canon C300 Mark II
Client Profiles
Jonathan Barenboim is a director and cinematographer; sometimes, depending on the project, he's both simultaneously. On his latest project, for a series called The Table launching later this summer, he was tasked with bringing to life short documentaries highlighting the human side of the unemployment crisis in the US. Because of the documentary nature of these pieces, he had to be ready to travel quickly and shoot in varied locations, all with the same basic camera setup. Jonathan was kind enough to answer a few questions about how he pulled it all off.