icon account icon cash icon cart icon cart icon search main arrow arrow check icon camera icon light icon audio icon computer icon storage icon discount icon facebook icon twitter icon linkedin icon vimeo icon youtube icon instagram icon google plus icon share icon email icon print icon time icon phone icon email-m icon marker-m icon pdf icon remove icon comment icon out icon-status icon-star icon-switch pie-chart line-chart icon-user icon-user-1 icon-warning expand-arrow-1 expand-arrow-2 icon-upload icon-download icon-none icon-date-scheduled icon-date-available icon-is-hazardous

Client Profiles

View
View
Intro image for article Engineering High-Definition Streaming Solutions for a Multi-National Law Firm
Client Profiles
A law firm with offices in the US, Asia, and Europe reached out to AbelCine with specific streaming needs for their year-end meeting: high-quality video and rock-solid connectivity. The event, with over 350 participants, would take place virtually for the first time in 2020.
Intro image for article Creating a Streaming Kit for Complex Networks' Interactive Twitch Shows
Client Profiles
Complex Networks, the media company behind Hot Ones and Sneaker Shopping, reached out to AbelCine to engineer remote kits for their Twitch original programming contributors.
Intro image for article AbelCine's Remote Production Kits Deliver for 2020 Emmy Broadcast
Client Profiles
With award shows moving to virtual formats this year, the 2020 Creative Arts Emmy Awards is one of the highest profile events to make the transition. Over the summer, AbelCine created a range of remote production kits that enable high quality image capture in a safe, easy to set up, remote controllable package. As a result, the team at Done+Dusted, the producers of the Emmys telecast, tapped AbelCine to help build 25 remote kits for select nominees at the 2020 Emmy Awards. 
Intro image for article Sony VENICE Captures the Action on the Latest Season of Last Chance U
Client Profiles
We sat down with DP Terry Zumalt and 1st AC Devin Keebler on Netflix's Last Chance U, a series that follows players from junior college football teams as they compete to reach the next level.
Intro image for article Petr Cikhart Talks about Versatility with Sony VENICE
Client Profiles
We had the opportunity to talk to Emmy Award-winning Cinematographer, Petr Cikhart, about how he got started in the industry and his use of Sony cameras on various projects. 
Intro image for article DP Tommy Maddox-Upshaw Talks Inspiration, Empire, and Sony VENICE
Client Profiles
Recently I had the opportunity to sit down for a conversation with DP Tommy Maddox-Upshaw to discuss his career, his inspirations, and his most recent work with the Sony VENICE on Season 6 of FOX's Empire, and two seasons of FX's SnowFall.
Intro image for article Robert Hanna: A Lifetime of Documentaries
Client Profiles
Cinematographer Robert Hanna is an Emmy-award winning, veteran commerical, and documentary filmmaker, as well as a longtime customer and friend to AbelCine. Hanna's credits include Carrier, Circus, and A Portrait of Robert Frank. He has experienced several successive technological revolutions first-hand, going from 16mm to high-definition video to 4K digital cinema and beyond.
Intro image for article Sony VENICE Captures Dan Soder for HBO
Client Profiles
Dan Soder: Son of a Gary debuted on HBO in December 2019. Cinematographer Andrew Wehde (Jeff Garlin: Our Man in Chicago, Adam Sandler: 100% Fresh) captured the stand-up comedy special using five Sony VENICE cameras supplied by AbelCine. In this exclusive interview, Wehde describes his visual approach and workflow. 
Intro image for article High-Speed with "The Slow Mo Guys" & Phantom Cameras
Client Profiles
The Slow Mo Guys are creator/cinematographer Gavin Free and co-host Dan Gruchy. Free and Gruchy primarily use a Phantom Flex4K high-speed camera to capture various forms of natural and physical phenomenon in super slow motion at 1,000 frames per second. Popular episode subjects include jumping into a giant six-foot water balloon, diving into 1,000 mouse traps, underwater bullets (filmed at 27,450 fps with a Phantom v1610), and much more. In this exclusive interview, Free takes AbelCine behind the scenes of The Slow Mo Guys.