icon account icon cash icon cart icon cart icon search main arrow arrow check icon camera icon light icon audio icon computer icon storage icon discount icon facebook icon twitter icon linkedin icon vimeo icon youtube icon instagram icon google plus icon share icon email icon print icon time icon phone icon email-m icon marker-m icon pdf icon remove icon comment icon out icon-status icon-star icon-switch pie-chart line-chart icon-user icon-user-1 icon-warning expand-arrow-1 expand-arrow-2 icon-upload icon-download icon-none icon-date-scheduled icon-date-available icon-is-hazardous

Blog & Knowledge

View
View
Intro image for article AbelCine x RDM Interview: Virtual Production
Client Profiles
In this in-depth interview, AbelCine Director of Education Jeff Lee sits down – virtually – with director Greg Robbins and DP Chris Fanning of RDM to talk about their work in the world of virtual production.
Intro image for article AbelCine FOV Tool 2.0
Tools, Charts & Downloads
AbelCine's FOV Tool 2.0 is here! This update to our original, and very popular, FOV (field of view) Comparator allows you to compare camera and lens combinations, including a variety of sensor sizes, recording resolutions, and aspect ratios. Of course, the new tool features the latest cameras and even more lenses.
Intro image for article A Practical Exploration of Sony FX9 Firmware 2.0 with Rick Siegel
Tutorials & Guides
Sony’s FX9 is a popular choice for freelance shooters, sporting a full-format (aka full-frame) imaging sensor in a body design evolved from their equally popular FS7 series of cameras. Emmy-award-winning New York-based DP Rick Siegel, whose credits include features, short films, documentaries and musical events shot in a style we’ve come to refer to as “cinematic multi-cam,” has owned the FX9 since shortly after it came out. He was kind enough to lend his talents to exploring the new features in firmware 2.0/2.1 for the FX9.
Intro image for article The Benefits of Canon's New RF Lens Mount
Tech News
In October of 2018, Canon introduced the EOS-R, the first in a new line of full-frame mirrorless still and video cameras along with a new lens mount, dubbed ‘RF’. Unlike the familiar EF mount, which debuted in 1987 with the original EOS series of film cameras, Canon’s new mirrorless mount provides a greatly reduced flange focal distance — also known as flange depth or registration distance — along with a higher bandwidth data pathway between bodies and lenses.
Intro image for article ARRI ALEXA MINI LF SUP 7.0 Now Available
Tech News
ARRI has released SUP 7.0 for their popular ALEXA Mini LF camera system. The update includes some long-awaited features, with new dedicated Super35 recording modes that match those found on the original ALEXA Mini. In most cases, these new modes can achieve higher maximum frame rates than the original ALEXA Mini. There are new LF (Large Format) recording modes, an expanded list of framelines and anamorphic squeeze factors, and a number of other enhancements as well.
Intro image for article ARRI Applications: Mixed Reality Workflow with RDM
Tutorials & Guides
AbelCine's ARRI Applications series continues with a look at the mixed reality workflow of RDM. Discover how this studio utilizes the ARRI ALEXA Mini LF, Signature Primes, and SRH-360 stabilized remote head, all riding atop the Motion Impossible AGITO robotic dolly, on a cutting-edge virtual production stage.
Intro image for article Chapman University Looks to the Future with Virtual Production Technology
Client Profiles
Chapman University is a private research university located in Orange, California. It encompasses ten schools and colleges, including the Lawrence and Kristina Dodge College of Film and Media Arts, which has been recognized as one of the top ten film schools in the world. To better adapt to today's changing production needs, the team at Chapman developed a new curriculum around virtual production, including the installation of an LED wall on one of their sound stages.
Intro image for article The State of Full Format Production
Tech News
We all know the moment... when a film cuts to a close up and the depth of field is so narrow that we immediately lock onto the lead’s eyes. The character's emotions and place in their world are so clear to us, the audience, as we experience this moment with them. We are not bystanders; we are participants. The image is intimate, organic, and just like that, we get goosebumps.
Intro image for article ARRI Applications: ALEXA Mini LF & Signature Primes with Lucas Cohen
Tutorials & Guides
AbelCine's new ARRI Applications series begins with insight from Director of Photography Lucas Cohen, exploring why he chose the ARRI ALEXA Mini LF and Signature Primes for this specific project: six shoots in three weeks, covering Major League Soccer.