Canon has just unveiled the latest member of the Cinema EOS line, the C200, and we were fortunate to receive a sneak peak. Like the name suggests, it sits between the popular C100 and C300 Mark II but brings many notable firsts to the family.

We’re proud to show off our Cameo VESA mount, part of the Cameo line of digital camera accessories manufactured by AbelCine. This flexible and well-thought-out system was designed by AbelCine’s own Jesse Rosen, Director of Technical Development, and his team.

You may remember our previous blog post about the release of the Titan HD Extract option for Convergent Design's Apollo and Odyssey monitor/recorders. Titan allows multiple HD-resolution windows to be captured as distinctly framed shots from a single camera shooting in UHD 4K (3840x2160).

The Select 30 LED System is both a variable color temperature and multi-color light fixture that is housed in the familiar Kino Flo form factor. The wireless LED-150X DMX controller is the command center for the system and is modular in design.

It can be tough to pinpoint exactly where virtual reality fits within the current landscape of content creation. Is it the next big thing? Is it a flash-in-the-pan? Or is it, perhaps, somewhere in between?

This year is shaping up to be a definitive one for virtual reality cameras. There have been some major strides recently, with plenty of new options opening up for the VR world, such as live VR streaming, underwater capability, and 6K to 8K resolutions.

Everyone has an idea for their great passion project, but it takes a certain level of commitment to turn that idea into reality. For director and DP Alexander Hankoff, his short film Yellow was something he knew he wanted to make and it was his (along with his team's) creativity that made it possible.

The C300 Mark II's dual-pixel technology provides reliable and predictable autofocus. We now have the ability to dedicate autofocus to skin tones only, subjects coming in and out of frame, or multiple subjects in the same frame.

Fujifilm today launched two exciting new cinema zoom lenses: the FUJINON MK18-55mm T2.9 and MK50-135mm T2.9. The two lenses are the first of the new MK series and look to be a great fit for emerging shooters and DPs who need coverage of the most useful focal length ranges for Sony E-mount Super35-sized sensor cameras (similar to the APS-C sensor size in the DSLR world).