In a previous blog, Andy showed us how to create LUTs using Sony's RAW Viewer software and then import them into the Sony F5 & F55. You can use the same workflow in Sony RAW Viewer to create and import LUTs to the FS7 -- but what about when you want to use a LUT that was not created by Sony software?

One of the surprise announcements from this year's NAB show was the Canon XC10, a 4K-capable camera with the ability to capture both stills and video. What is especially striking about this camera is the picture quality, as well as its unbelievable size.

At NAB this year, we were able to get a peek at the new Video Devices PIX-E5. The folks at Video Devices like to say that it's "a monitor that happens to record," which is certainly an understatement.

At NAB 2015 I reported on Sennheiser's AVX system, which includes a lavalier mic, transmitter and receiver. What makes this system unique is the fact that it is able to set its own levels.

Just as we have done for other cameras in the past, we've put together several custom profiles for the C100 Mark II. Because Canon has updated the image processing in the C100 Mark II, the settings needed to match our original scene files on the C100 Mark II are a little different than the ones for the original C100.

TVLogic has released their latest firmware for the VFM-058W. This firmware adds some major updates for those using the monitor with any ALEXA camera.

TVLogic has introduced their latest firmware for the VFM-058W, which displays metadata from the Arri ALEXA camera series. Users must request the firmware from TVLogic; it cannot be downloaded directly from the website.

The design of the ARRI ALEXA Mini lends itself to all kinds of rigging scenarios. It may be used in an aerial rig, or underwater housing, where the camera is not easily accessible and a viewfinder is not attached. In these situations, another method of changing the camera settings is required. Every ALEXA Mini has Wi-Fi built into it, and by default it is turned on.