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Sigma FF High Speed Prime (7 Lenses) T1.5-2 Set with PMC-002 and PMC-003 Cases - 14mm, 20mm, 24mm, 35mm, 50mm, 85mm, 135mm - Canon Mount

Sigma
Abel Code: SIG-WZX966
Mfr. Code: WZX966
Estimated to Ship – Contact Sales for Availability
Description
This set of (7) Sigma FF High Speed Primes includes (2) cases. Each lens features a Canon Mount. The set includes T1.5 to T2 full frame lenses in these focal lengths: 14mm, 20mm, 24mm, 35mm, 50mm, 85mm, 135mm.
Key Highlights
  • Set of (7) Prime Full Frame Lenses
  • T1.5 to T2 aperture range
  • Color matched for faster workflow
$24,799.00
Wishlist
Overview

Overview

The SIGMA FF High Speed Prime Line of lenses includes ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full frame yet are compact. They can offer superior resolution compared with other high­-end prime sets. With the seven prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.

This set includes these Canon EF Mount Sigma lenses:

  • 14mm T2 FF Prime
  • 20mm T1.5 FF Prime
  • 24mm T1.5 FF Prime
  • 35mm T1.5 FF Prime
  • 50mm T1.5 FF Prime
  • 85mm T1.5 FF Prime
  • 135mm T2 FF Prime

This set also includes (2) cases to hold your (7) Sigma FF Primes.

Lens key features include:

  • Wide Focal Length Coverage - The lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses.
  • Compatibility - The manufacturer states compatibility has been confirmed with each brand of cinema cameras.
  • Full-Frame Coverage - The FF High Speed Prime Line is compatible with a full-frame image circle.

Image Quality

There are three requirements for outstanding lenses, per SIGMA: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of solid design concepts and excellent manufacturing technology. They are not complete until they undergo an uncompromising lens performance evaluation. SIGMA developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable, high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, your high-performance shooting is assured. 

6K - 8K Resolution

The lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.

Minimization of Flare & Ghosting

Computer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.

Sharpness & Bokeh Effects

SIGMA has solved a wide range of issues to fulfill the high demands for image quality in still photography. The benefit of these efforts can now be enjoyed in cine lenses as well. Part of that benefit includes sharpness combined with outstanding bokeh effects.

Color Matching

With color balancing standardized across the line up, your color correction time is shortened. All of the lenses in this line are designed to comply with SIGMA's CCI standard.

Build Quality

Leveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of lightweight performance and compact design.

Dust & Splash-Proof

The lineup features the same dust- and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM|Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lens lineup allows the user to concentrate on shooting, while significantly reducing the burden of maintenance.

Rugged Body

The 100% metal body is crafted to stand up to tough professional use over the long term.

Luminous Markings

The specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. (Fully Luminous versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.)

Laser Engraved

Information on rings and elsewhere is laser-engraved for long term use. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed. 

Sizing Details

Filter

The filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.

NOTE: Certain lens models are not compatible with 82mm filters.

Front Diameter

The front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA's cine lenses are more lightweight and compact.

Ring Details

The positions of the gears in each ring are standardized, which eliminates the need to adjust the follow focus, motor unit, or accessories even when the lens changes.

  • 0.8 Gear Pitch - Each lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.
  • Silent Ring Stoppers - The stopper of each ring incorporates a damper made of a special resin, which results in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds to permit you to shoot with confidence in a quiet area.
  • 180° Focus Rotational Angle - At 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.
  • 160° Zoom Rotational Angle - At 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.
    Iris with Full Manual Control

Featuring manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.

Linear Iris Ring

The linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.

Selectable Focus Ring (with feet or meter graduations)

Based on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.

Lens Mount

Interchangeable Lens Mount

Seeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. Successfully implemented for their still photography camera lenses, this service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance SIGMA lenses.

This 7-lens set features a Canon EF Mount.

NOTE: The Mount Conversion Service is not available for PL mount lenses.

Electronic Contacts

The mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).

 

About SIGMA

At SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mold production to final lens assembly. Their artisans bring expertise and skill together in the pursuit of understanding optical performance. At the same time, their suite of leading-edge manufacturing technologies make possible ultra-efficient, precise volume production.

SIGMA offers a full lineup to satisfy professional film needs.

Specifications

Specifications

Key Highlights

  • Set of (7) Prime Full Frame Lenses
  • T1.5 to T2 aperture range
  • Color matched for faster workflow
  • Includes 2x storage/travel cases
  • Canon Mount

Lens Characteristics

Prime or Zoom:
Prime
Lens Mount:
EF
Blade Count:
9 - Rounded diaphragm
Luminescent Dial:
Yes
Filter Thread Size:
86mm - for 85mm
82mm - for the 24mm, 35mm, 50mm (no filter size stated for 20mm)
Fixed Focal Length:
35mm
14mm
20mm
24mm
50mm
85mm
135mm
Front Diameter:
95mm - Uniform across FF Prime Line
Max Dimensions (Diameter x Length):
95mm x 114.9mm - For the 135mm T2 FF
95mm x 119.5mm - For the 14mm T2 FF
95mm x 121mm - For the 24mm T1.5 FF
95mm x 121mm - For the 24mm T1.5 FF
95mm x 125.9mm - For the 85mm T1.5 FF
95mm x 128mm - For the 50mm T1.5 FF
95mm x 144mm - For the 35mm T1.5 FF
Aperture Range:
T1.5 to T2
Minimum Focus Distance:
10" (0.25m) - For the 24mm T1.5 FF
11" (0.276m) - For the 20mm T1.5 FF
11" (0.27m) - For the 14mm T2 FF
1 foot (0.30m) - For the 35mm T1.5 FF
1 foot 4" (0.40m) - For the 50mm T1.5 FF
2 feet 10" (0.85m) - For the 85mm T1.5 FF
2 feet 11" (0.875m) - For the 135mm T2 FF
Max Angle of View:
104.3degrees - for the 14mm FF prime. Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5, dimensions 36 mm × 24 mm / 1.42″ × 0.94″)
15.2degrees - for the 135mm FF prime. Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5, dimensions 36 mm × 24 mm / 1.42″ × 0.94″)
23.9degrees - for the 85mm FF prime. Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5,dimensions 36 mm × 24 mm / 1.42″ × 0.94″)
39.8degrees - for the 50mm FF prime. Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5,dimensions 36 mm × 24 mm / 1.42″ × 0.94″)
54.4degrees - for the 35mm FF prime. Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5,dimensions 36 mm × 24 mm / 1.42″ × 0.94″)
73.7degrees - for the 24mm FF prime. Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5,dimensions 36 mm × 24 mm / 1.42″ × 0.94″)
84degrees - for the 20mm FF prime. Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5,dimensions 36 mm × 24 mm / 1.42″ × 0.94″)
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