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ATOMOS Ninja Inferno 7" HDR Monitor/Recorder with Travel Case

In Stock
Available In Store | NY
Unlock monitoring and recording from any HDMI device, including DSLRs, with the 7" Ninja Inferno to capture or monitor HDR or Rec709 up to 4:2:2 10-bit as Log high bitrate Apple ProRes or Avid DNxHR. HDMI 2.0 port on case for signals up to 4K 60p.
Key Highlights
  • Record and monitor HDR and Rec709
  • Output Apple ProRes and Avid DNxHR
  • Tools & quality of HDR grading monitor


ATOMOS Ninja Inferno 7" HDR Monitor/Recorder with a touchscreen display unlocks the professional capability of 4Kp60 10-bit cameras, bypassing the internal recording limitations and taking full advantage of the sensor by recording to the camera's maximum color accuracy, color resolution, and dynamic range. You can monitor or record HDR or Rec709 up to 4:2:2 10-bit as Log high bitrate Apple ProRes or Avid DNxHR.

In addition, this 7" monitor is a 1500nit bright, daylight-viewable monitor (1920x1200) at almost 4 times the brightness of conventional field monitors so you can shoot outdoors without washing out your image.

In the Field

Record to high resolution ready-to-edit ProRes or DNxHR and confidently monitor or review in Rec709 or HDR on the 7" calibrated 1500nit 10-bit HDR screen using integrated scopes.

In the Studio

Finish the shoot and forge ahead in the editing suite. Simply drop your files directly onto the timeline, use XML tagging from the field, and even take a PQ / HLG signal from your Mac or PC to use the Ninja Inferno as an HDR grading monitor.

Latest Connectivity in a Rugged Design

The rugged travel case that comes with your Ninja Inferno Monitor/Recorder features built-in armor and houses an arsenal of professional connectivity, including:

  • Full-size HDMI 2.0 for signals up to 4K 60p
  • HDMI output for playback or play-out to your viewfinder or monitor
  • Hotswappable dual battery system for continuous power backed up with DC mains connectivity
  • Auto HDMI start/stop recording trigger (for select Canon, Sony, Panasonic, and Nikon cameras)
  • Conversion of interlace video from your camera to progressive with built-in 3:2: and 2:2 pull down

Capture ProRes & Avid DNxHR

Record 4K 60p Pro-Res and DNxHR direct from the camera sensor as full individual frames. Includes 10-bit color information and precise, effecient 4:2:2 color encoding.

XLR for your DSLR

Monitor and record up to 8 channels of embedded HDMI 2.0 24-bit digital audio with the Ninja Inferno. You will not be restricted by the limited audio on most HDMI cameras; with the Inferno you upgrade to professional levels. Use an optional 48V stereo XLR breakout cable to connect and power external microphones for balanced analogue audio. 

Ninja Inferno features dedicated meters and menus to select channels for recording/monitoring and adjut for frame delay or gain.

Monitor with 1920x1200 Resolution

Featuring 10-bit color, 10+ stops of dynamic range, plus 1920x1200 resolution, the Ninja Inferno also includes an equivalent 12-bit in deep blacks. This is achieved through the AtomHDR engine, which is honed from Log algorithms of every camera maker to give the ultimate brightness and color representation. The custom ATOMOS-built backlight on this monitor includes high-quality, precision LEDs. That means you can use Inferno and its 1500nits for High Bright Rec709 or HDR at 10+ stops.

HDR Made Simple

Capture vibrant, natural images for maximum creativity with HDR at 4Kp60. Ninja Inferno delivers the simplest, most cost effective and technically superior HDR workflow. Become HDR today by setting your camera to Log, enabling the powerful AtomHDR engine to expose vibrant natural HDR veideo and then grade and edit with confidence on any Mac or PC while using the Ninja Inferno as your portable grading monitor.

High Bright for Rec709 Outdoor Shooting

The 7" 1500nit bright, daylight-viewable monitor (1920x1200) is almost 4 times the brightness of conventional field monitors lets you shoot outdoors without reflections washing out your image. This makes the Ninja Inferno ideal for use on gimbals, Steadicam, and as a director's monitor. It delivers crisp, 4K images without the build and viewing angle restrictions found when using a monitor with a sun hood.

Calibrate for Color Accuracy

ATOMOS partnered with calibration leader X-Rite to allow their i1DisplayPro to calibrate the Ninja Inferno. This is because all monitors drift in color over time and require calibration.

Trust what you see with the Ninja Inferno on the color front. You can tap the screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame Guides, SMPTE Safe Area, Waveform, RGB Parade, Vectorscope, Anamorphic Desqueeze, plus a flexible 3D LUT implementation to upload your own LUTs as .cube files.

Playback Review with Clients & Crew

Ninja Inferno offers on-board playback or you can output to a larger HDR or Rec709 monitor for playback. By combining a recorder and monitor, directors and clients can review shots away from the camera complete with playback control, XML tagging for favorite collation, play list feneration and even play out to a larger monitor or HDR TV in PQ or HLG.

Media Solutions

Choose the SSD to suit your workflow.

The Master Caddy system, the travel case that comes with your Ninja Inferno, is ATOMOS' secret weapon for recording media flexibility. High capacity and widely available 2.5" SSDs provide an affordable solution for long recording times, G-Technology have a custom ATOMOS caddy that integrates directly into their EV series of Raid and desktop solutions and the Angelbrid 4KRAW series integrates heat sinks and release grip into a custom ATOMOS caddy for high frame rate and CDNG recording.

Visit ATOMOS for a list of supported media

What's in the Box

  • 12V / 3A AC Power Supply
  • Master Caddy II Travel Case
  • ATOMOS Ninja Inferno


Key Highlights

  • Record and monitor HDR and Rec709
  • Output Apple ProRes and Avid DNxHR
  • Tools & quality of HDR grading monitor
  • Accepts 2.5" SSD or HDD
  • HMDI signals up to 4K 60p
  • 1500nits for daylight viewing
  • Compact for gimbals or Steadicam


Max Input Range:


mAh Rating:
5200mAh - up to 1.5 hours (monitor and record 4K 30p)
7800 mAh - up to 2.2 hours (monitor and record 4K 30p)


Color Gamut:
REC 709 - HDTV


Output Connector/Port:
LEMO 10-Pin - for analog audio. Also an Input
1 x HDMI - Type A, v2.0
Headphone Jack - 3.5 mm
Input Connector/Port:
1 x LEMO 10-pin - for analog audio. Also an Output
1 x LANC - 2.5 mm
1 x HDMI - Type A, v2.0


Max analog gain +52dB


Monitor Resolution:
Monitor Size:
7.01"-9.99" - Actual: 7.1"
Monitor Brightness:
1500Nits - (+/- 10% @ center)
Recorder & Monitor:
Monitor Options:
Monitor Calibration:
Yes - ATOMOS partnered with X-Rite for i1DisplayPro for calibration
Display Functions:
3D LUTs - (.cube format)
Frame Guides
RGB Parade
Audio Level
Anamorphic De-Squeeze
LUT Import


Input Voltage:
Power Input:
DC - 6.2 to 16.8V DC


Recorder Options:
Converter - 24/25/30psf to 24/25/30p (2:2 pulldown); 60i to 24p (3:2 pulldown)
Remote Start/Stop - via HDMI (Auto HDMI Triggers, supports protocols on select Canon, Sony, ATOMOS open standard); via LANC control as a Slave
Timelapse - Custom
Pre-Roll Record
Metadata - Yes, 10 meta data tags available
Phantom Power:
Yes - 48V Phantom Power for Microphone
Recorder Channel Count:
2-Channel - Audio balanced XLR analog In/Out
More than 3 Channels - 8 Channel 24-bit, camera dependent
Dynamic Range:
No - Genlock, Timecode
Yes - Playlist (will play ProRes and DNxHR/DNxHD recorded content. Playback in slow motion is approx. 100fps)


Recording Format:
Apple ProRes HQ
Apple ProRes 422 LT
Apple ProRes 422
Avid DNxHR SQ and LB
Recording Frame Rate:
1080i 50/60i
1080p - 24/25/30/50/60p / 100^/120^
2K N/A
4K DCI 24/25/30/50/60p
4K UHD 24/25/30/50/60p
720p 50/60p

Recording / Media

Media Type:
Media Interface:
USB 2.0
USB 3.0
SATA - 2.5"

Software / Apps / Plugins

XML Support:
FCPX XML Native, FXPX/Adobe limited supported with 3rd party conversion tools
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