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RED EPIC Mysterium-X 5K Digital Cinema Camera - PL Mount

RED
Abel Code: redepic
Description
This digital cinema camera from RED features 5K recording up to 120fps, HDRx support with up to 18 stops of dynamic range, a lightweight 5 lb camera BRAIN, and precision PL Mount.
Key Highlights
  • 5K (14 Megapixel) Sensor
  • 13.5+ stops of dynamic range
  • Up to 18 stops w/ HDRx
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Overview

Overview

The RED EPIC Mysterium-X 5K Digital Cinema Camera - PL Mount features a 5K sensor capable of capturing up to 120 frames per second at full resolution. In challenging lighting conditions, EPIC makes it easy to adapt with its ability to reach up to 18 stops of dynamic range with HDRx. The 5 lb (2.3 kg) camera BRAIN enables shooting in compact spaces, or on handheld gimbals and aerial drones.

EPIC has made large format distribution accessible and easy. 5K images make it possible for you to streamline your footage for IMAX applications, giving you the most resolution for stills and motion workflows. RED accessories and modular architecture allow your camera to adapt easily to fit every production.

REDCINE-X PRO software provides you with a wealth of integrated tools to import, finish, and export your images within minutes. Offload your media using a RED STATION and process your footage with familiar grading modules and filters. Whether you’re working with stills or motion workflow, REDCINE-X PRO hosts an array of advanced features to support your workflow from end to end.

EPIC features interchangeable lens mounts to ensure you get the look you want every time, with mounts for Nikon, Leica, Canon, and PL glass.

NOTE: This camera system is typically configured with a PL lens mount. Please contact your AbelCine Rental Agent for details and availability of other mount types.

HDRx technology yields up to 18 stops of dynamic range, dilating your exposure in even the most challenging lighting conditions. EPIC offers up to 4 more stops of latitude than its 35mm and DSLR counterparts.

EPIC is an ideal 5K solution for lightweight 3D image acquisition, for theatrical and IMAX applications. Its small form factor and broad compatibility are important for efficient 3D production. 3ality Technica was inspired to create their compact ATOM 3D rig exclusively for the EPIC.

EPIC will capture a 5K image at up to 120 frames per second, and is capable of reaching a maximum frame rate of up to 300 fps at 2K. For robust efficiency, you can capture video and photos simultaneously, using an HDRx track to draw sharper stills.

REDMAG SSD media provides a solid, dependable media solution with storage capacities of 64GB, 128GB, and 256GB. Capable of reaching speeds up to 180 MB/s, REDMAG media is twice as fast as traditional CF cards, making it easier to offload the 160,000+ RAW frames you can capture on one SSD.

 

IMPORTANT NOTE: Actual contents of rental kits are variable, based on client requirements and availability. Please contact your AbelCine Rental Agent for details, or to request a specific configuration.

 

Specifications:

SENSOR14 Megapixel MYSTERIUM-X®
PIXEL ARRAY5120 (h) x 2700 (v)
MAX IMAGE AREA5120 (h) x 2700 (v)
DYNAMIC RANGE13.5+ stops, up to 18 stops with HDRx®
S/N RATIO66 dB
LENS COVERAGE27.7 mm (h) x 14.6 mm (v) = 31.4 mm (d)
MAX DEPTH OF FIELDEquivalent to S35mm (Motion)/APS-H (Still) lenses
PROJECT TIMEBASE23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97 fps, all resolutions
REDCORDING FRAME RATES1–120 fps @ 5K
1–150 fps @ 4K
1–200 fps @ 3K
1–300 fps @ 2K
REDCODE® COMPRESSIONCompression choices of 18:1 to 3:1
REDCODE RAW
ACQUISITION FORMATS
5K (Full Format, 2:1, 2.4:1, 16:9, 1.22:1 and Anamorphic 2x 1.22:1)
4K (Full Format, 2.4:1, 16:9 "UHD")
3K (Full Format, 2.4:1, 16:9)
2K (Full Format, 2.4:1, 16:9 "HD")
1K (2.4:1, 720p "HD")
DELIVERY FORMATS4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
PROGRAM OUTPUT3G-SDI (HD-SDI) Clean Feed
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OUTPUT3G-SDI (HD-SDI) and HDMI with Frame Guides and Look Around or Clean Feed
1080p 4:2:2, 720p 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITORING OPTIONSRED Touch 5.0" LCD
RED PRO 7" LCD
RED Touch 7.0" LCD
RED Touch 9.0" LCD
BOMB EVF (LCOS) High Definition Viewfinder
BOMB EVF (OLED) High Definition Viewfinder
DIGITAL MEDIA (SSD)REDMAG® 1.8", RED MINI-MAG®
AUDIO2 channel, uncompressed, 24-bit 48 kHz
Optional 4 channel, and AES/EBU digital audio
REMOTE CONTROLRED COMMAND PROTOCOL (R.C.P.) Wireless, Ethernet, RS232, GPI Trigger
CONSTRUCTIONAluminum Alloy
WEIGHT5 lbs (BRAIN only)
OPERATING TEMPERATURE0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE–20°C to 50°C (–4°F to 122°F)

 

What's in the Box

  • 1 x RED Epic 5K Digital Cinema Camera
Specifications

Specifications

Key Highlights

  • 5K (14 Megapixel) Sensor
  • 13.5+ stops of dynamic range
  • Up to 18 stops w/ HDRx
  • Up to 120fps @ 5K
  • Up to 300fps @ 2K
  • Weighs just 5 lb (camera BRAIN only)
  • PL Mount (interchangeable)

Compatibility - Monitor (not recorder)

RED:
DSMC2 RED Touch 4.7" LCD
RED Touch 9.0" LCD - compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
RED Touch 7.0" LCD
RED Touch 5.0" LCD
RED PRO 7" LCD

Compatibility - Viewfinder

RED:
RED BOMB EVF (LCOS)
RED BOMB EVF (OLED)

Connectors

Output Connector/Port:
Ethernet - RS232
Monitor - 3G-SDI (HD-SDI), and HDMI
Timecode - SMPTE

Recording

Recording Format:
REDCODE RAW - 5K (Full Format, 2:1, 2.4:1, 16:9, 1.22:1 and Anamorphic 2x 1.22:1) 4K (Full Format, 2.4:1, 16:9 "UHD") 3K (Full Format, 2.4:1, 16:9) 2K (Full Format, 2.4:1, 16:9 "HD") 1K (2.4:1, 720p "HD")
Playback Frame Rate Notes:
Project Timebase - 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97 fps, all resolutions

Sensor Specifics

Sensor Size:
Super 35mm - Equivalent to S35mm (Motion)/APS-H (Still) lenses
Sensor Type:
CMOS - 14 Megapixel MYSTERIUM-X®
Signal-to-Noise Ratio:
66 dB
Sensor Dimensions:
27.7 mm (h) x 14.6 mm (v) = 31.4 mm (d)
Sensor Resolution/Eff. Pixels:
5120 x 2700

Special Features

General Notes:
Audio - 2 channel, uncompressed, 24-bit 48 kHz Optional 4 channel, and AES/EBU digital audio
REDCINE-X PRO Delivery Formats - 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
REDCINE-X PRO Delivery Formats - 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
REDCINE-X PRO Delivery Formats - 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4

Temperature

Operating Temperature:
32°F to 104°F (0°C to 40°C)
Storage Temperature:
–4°F to 122°F (–20°C to 50°C)

Support for Every Production

Facilities in NY & LA designed for maximum comfort and efficiency

We are accustomed to working with productions and budgets of all sizes. Need a complete camera system specifically tailored to your needs or a few accessories to complete your kit? We’ve got you covered. All our gear is meticulously maintained by our on-site technicians, and we treat all jobs with the highest degree of care and attention to detail.

Expendables

Expendables

We stock expendables in our three showrooms so you have the convenience of one-stop shopping.

Training

Training

Keep your skills sharp with our practical education: hands-on workshops, community events, and blog.

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