In this video, we share some footage captured in the new recording formats found in ARRI's latest ALEXA Mini LF Software Update Package 7.0.1. This SUP includes four new Super35 recording formats and two new Large Format recording formats, plus feature enhancements to the overall user experience.

Sony’s FX9 is a popular choice for freelance shooters, sporting a full-format (aka full-frame) imaging sensor in a body design evolved from their equally popular FS7 series of cameras. Emmy-award-winning New York-based DP Rick Siegel, whose credits include features, short films, documentaries and musical events shot in a style we’ve come to refer to as “cinematic multi-cam,” has owned the FX9 since shortly after it came out. He was kind enough to lend his talents to exploring the new features in firmware 2.0/2.1 for the FX9.

AbelCine's ARRI Applications series continues with a look at the mixed reality workflow of RDM. Discover how this studio utilizes the ARRI ALEXA Mini LF, Signature Primes, and SRH-360 stabilized remote head, all riding atop the Motion Impossible AGITO robotic dolly, on a cutting-edge virtual production stage.

AbelCine's new ARRI Applications series begins with insight from Director of Photography Lucas Cohen, exploring why he chose the ARRI ALEXA Mini LF and Signature Primes for this specific project: six shoots in three weeks, covering Major League Soccer.

The Canon EOS C70 marries the strengths of the Cinema EOS series with the EOS R series, which results in a compact but powerful S35 4K solution for all scenarios. In this video, I'll explore how the C70 is a perfect "bridge" camera for DSLR or mirrorless users making the transition to cinema.

In this video, I take a deep dive into the features and performance of the ARRI Orbiter LED Light. Key features include the fixture’s incredibly bright output, remarkable versatility (thanks to its changeable optics), 2,000K to 20,000K CCT range, fast processor (4x faster than the SkyPanel), expanded connectivity, integrated array of sensors, weatherproof housing, smooth dimming, and more.

While this article is focused on the advancements in ARRI lighting technology, one can draw parallels from ARRI’s camera and Professional Camera Accessories (PCA) line to understand the design philosophy and evolution of the greater lighting ecosystem. No other brand has such tight integration between camera, lens, and mechanical or electronic accessories. There are plenty of examples to draw from, but innovations like incorporated wireless focus motor receivers and wireless video transmission in the ALEXA SXT-W, the interconnectivity of the entire LBUS range of motors and focus tools, and wireless range extension for various families of products with the ERM-2400 all showcase ARRI’s unified design philosophy.

Canon’s latest full-format Cinema EOS camera, the C500 Mark II, is a study in versatility. Join filmmaker Rubidium Wu as he describes his experiences shooting with the C500 Mark II and gives his perspective on how it fits into the equipment roster of a growing production company.

Since the release of Sony's PXW-FX9 digital cinema camera, we've gotten a lot of questions from clients about how it compares to Sony's flagship cinema camera, the VENICE. Now that Sony has released major firmware updates for both cameras (2.01 for the FX9 and 6.0 for the VENICE), we thought now would be a good opportunity to compare their capabilities, particularly in terms of each camera’s sensor.