At this year's NAB show, we were lucky enough to grab a few moments at the Canon booth to take a first look at the new C300 Mark II. Now that we've gotten to spend more time with it, I wanted to do an in-depth tour of the camera, both inside and out.

A wide variety of Camera Mounted HD recorders have become available recently. These recorders all aim to increase recording quality and ease workflow needs, but they differ greatly in their form, function and price point. To help navigate these different options, we created a Camera Mounted Recorder Comparison Chart that compares several of these devices.

The Ninja Assassin is the latest addition to the Atomos line of monitors/recorders. The Ninja Assassin is a 4K ProRes recorder with many of the same features as its big brother the Shogun, but with HDMI input and output only, no SDI.

The Sony PMW-FS7, with its easily convertible lens mount and multiple recording formats, is now being used in all levels of production. There are also a lot of accessories for the camera - but which ones make the most sense for you? In this blog, I show how I like to build the camera for handheld operation and on sticks.

At NAB 2015, I showed off the innovative Exhauss Exoskeleton support system at our booth. After spending more time with it, I decided to take a more in-depth look and answer some of the questions that I've been getting about the rig.

Here on our AbelCine blog we feature a variety of equipment for rigging our cameras. However, as our technical specialists come from diverse backgrounds, we all have our own preferences on what accessories improve and complement different cameras. In the video above, I show off some of the accessories that make up my favorite C100 Mark II rig.

The Sekonic SpectroMaster C-700 color temperature meter provides data to determine a light's color temperature and compare it to other lighting instruments.

I stopped by the ARRI booth at Cine Gear to speak with Mike Wagner, Senior Product Manager, about the new SkyPanel, a fully tunable LED soft light that compliments Arri's L7-C fresnels.

There are currently many new cameras hitting the market, often with new lens mount types. It comes as no surprise that everyone is trying to determine the best lenses for their new camera system, while others are trying to utilize lenses they already own with a new camera. We all know that lenses often outlive our cameras, so it only makes sense to get the most out of them.