The recently-announced Fujifilm GFX ETERNA 55 features a unique, larger-than-full-frame sensor. I got the chance to shoot with the ETERNA in various locations and lighting conditions to better explore its creative possibilities.

Menlo Church, with campuses located around the Bay Area, also has a dedicated online audience for their weekly services. Recently, we completed an integration project in partnership with Diversified to build, configure, and integrate a new Sony multi-camera system into their Menlo Park, CA campus. The system featured Sony BURANOs in conjunction with FR7 PTZ cameras. Below, Harold Escalante, Broadcast Video Director at Menlo Church, gives more insight into why they chose these models.

The Canon C400 is the latest addition to the Cinema EOS family. What makes this camera so versatile is its ability to work in many different production environments.

Netflix's The Clubhouse: A Year with the Red Sox is a documentary series that gets up close and personal with the 2024 Red Sox, following the ups and downs of a roller-coaster season. As the first major project to shoot with the Sony BURANO, we sat down with Director of Photography Terry Zumalt and his long-time First AC Devin Keebler, to discuss in more detail.

In our first Creative Forces interview of the new year, cinematographer Nate Hurtsellers and director Lance Oppenheim team up to discuss their experiences working together on Ren Faire, a three-part HBO original series that chronicles the succession battle at the Texas Renaissance Festival.

When the Aspen Music Festival and School decided to upgrade their camera system to livestream their 75th anniversary season, they chose multiple Canon CR-N700 PTZ and C300 Mark III cameras. Director of Production Kyle Schick discusses why they landed on this solution, and some of the challenges they were able to overcome as a result.

Sony’s newest full-frame CineAlta camera, BURANO, came to market earlier this year to great fanfare and robust sales. The combination of an 8.6K sensor, similar to the one found in Sony’s flagship VENICE 2 CineAlta camera, combined with a smaller, lighter body and a compelling complement of codecs, has proven popular with a broad swathe of customers.

We continue our long-running Creative Forces series with East New York cinematographer Jendra Jarnagin.

Recently DPs Bill Winters and Rick Siegel had the opportunity to spend time with the Sony BURANO. After capturing some test footage, they shared their thoughts and images with us.