Earlier this year, Freefly Systems showed off a prototype of their MōVI Controller, a custom-built wireless remote that incorporates pan & tilt control, as well as lens control.

Back in January, Juliet wrote a fairly extensive post explaining the process of getting HFR recording working on your Sony F55 or F5. It's a great feature that many people are excited about, but a common question that pops up is, "Why can't I use LUTs when shooting in the HFR mode?" LUTs can definitely make your life easier when shooting in S-Log, so Alister Chapman has found an interesting workaround over on XDCam-User.

With today's latest technologies, "4K" has become more than a buzzword and interest in acquiring in 4K is growing. Recently, I wrote an article for ProductionHub's new 4KHUB discussing my experience with the Producers Guild of America and how they wanted to understand the deeper implications of a 4K workflow. To make things clearer, I touched on data space requirements, recording simultaneously in 4K and HD, LUTs, external recorders, and more.

The Phantom Flex4K camera has been out in the world since the beginning of this year and workflow support for the files created by the camera has been steadily increasing. Some significant transfer speed records are being achieved and breakthroughs in workflow support from 3rd party companies are now being implemented.

Recently, I've received a lot of calls about the Freefly Systems MōVI, all asking the same thing: how to reverse the tilt orientation on the remote hand set. The process isn't difficult, but you do have to know where to find the option when you dive into the menus. The same procedure can be performed from the Freefly Configurator software (which you can download from their website), but it might come in handy to know how to switch from the remote, without the need for your computer or tablet.

Jem Schofield, of theC47, has presented a number of popular classes in our NY Learning Point, and now he's bringing that expertise to Canon's newest tutorial series on the C100. In his latest video tutorial, Jem takes an in-depth look at a topic that we often get questions about, specifically how to properly use a waveform monitor. He also discusses gamma and custom Picture Profiles, so make sure to watch the full video above.

In the latest firmware version 4.0 for the F5/F55, Sony added the ability to load custom 3D LUTs. This enables you to see the look you want on set while recording in Raw or Log. Many have been asking about this feature for some time now, and Sony has now made it available.

Back at NAB 2014, Andy did a great booth tour with James Mathers from Digital Cinema Society where he highlighted a number of our new AbelCine-developed optical accessories. One of the products that generated a lot of interest at the show was our IB/E Universal Mount System for Canon Cinema Zooms, which is comprised of our new UMS Conversion Kit for Canon Cinema Zoom lenses (compact zoom and cinema zoom versions available) and the IB/E Universal Mount System (UMS).

We've recently received a number of calls asking about the functionality of the OptiTek Mark II on Sony cameras (F3/F5/F55). In today's Quick Tip, I will take you through the steps to get the adapter up and running.