Canon is introducing two new lenses to their lineup of Cine Primes, which currently includes the 24mm T1.5, 50mm T1.3 and 85mm T1.3. This prime set has now been expanded on both the wide angle and telephoto ends with a 14mm T3.1 and a 135mm T2.2.

The Canon EOS 5D Mark II undoubtedly kicked off the large-sensor-in-a-small-body movement, so it's no surprise that Canon would carry this momentum forward with the EOS-1D C. While the Mark II started as a still camera that conveniently shot video, it's apparent that the 1D C was built with filmmakers in mind. As the first HDSLR with 4K and LOG recording capabilities, the 1D C introduces new possibilities for productions of any size.

Canon recently announced their new 1.0.8.1.00 firmware for the C300.

Canon has released their very easy to use Cinema RAW Development software for Mac OS Lion and Mountain Lion, which allows you to ingest, play, and export Canon RAW files.

Since the Canon EOS C300 and C500 share the same sensor and offer identical internal recording options (MXF), many folks have asked us if our C300 custom picture settings are compatible with the C500. After investigating, we've discovered that with a little bit of work, the picture profiles are interchangeable between cameras.

Canon has paired its recently released lightweight cine zoom, the CN-E 30-105 T2.8, with the closely matching CN-E 15.5-47 T2.8 Cinema Zoom. Like its sister, the 15.5-47 weighs just 4.85 lbs. Both lenses also share a 300-degree rotation on the focus scale for many precise marks, 11-blade irises, 114mm front diameters for fitting to common matteboxes, and 105mm front filter threads for use when a mattebox is not an option.

The new Canon C500 is just hitting the streets, offering both internal 50 Mbps 422 recording, as well even higher quality outputs. The camera can output HD & 2K in 4:2:2 up to 120p, or 4:4:4 up to 60p, and uncompressed 4K Raw data up to 60p and 120p at half vertical resolution.

The latest issue of HD Video Pro magazine features an article I wrote about the future of 4K video solutions. We have all heard of 4K RAW solutions, but there are those of us who want the 4K resolution, without some of the unique challenges of RAW. In this article I describe how the Canon C500 can be used with an external recorder like the AJA Ki Pro Quad to record and output 4K video.

Announced at NAB 2012, Canon is starting to ship their lightweight cinema zooms, with the first being the CN-E 30-105 T2.8. Featuring an 11-blade iris, a close focus of just 24 inches, and a low weight of 4.85 pounds, the lens is available in both PL or Canon EF mounts.