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Blog & Knowledge

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Intro image for article Creating and Importing LUTs for the Sony F5/F55
Tutorials & Guides
In the latest firmware version 4.0 for the F5/F55, Sony added the ability to load custom 3D LUTs. This enables you to see the look you want on set while recording in Raw or Log. Many have been asking about this feature for some time now, and Sony has now made it available.
Intro image for article DaVinci Resolve 11 Adds Powerful Editing & Media Management Tools
Tech News
Little by little, update by update, Blackmagic Design has been adding editing features to their popular DaVinci Resolve color grading software. With the newest version, Resolve 11, they've fully committed to providing a single platform from which users can color correct, edit, finish, and deliver.
Intro image for article Quick Tip: Using the OptiTek Mark II Adapter with Sony F5/F55
Tutorials & Guides
We've recently received a number of calls asking about the functionality of the OptiTek Mark II on Sony cameras (F3/F5/F55). In today's Quick Tip, I will take you through the steps to get the adapter up and running.
Intro image for article At the Bench: Hive Lighting BEE Plasma Flood
Tutorials & Guides
During this year's NAB show, Jon Miller of Hive Lighting stopped by our booth to tell me about the new BEE light, and he recently brought it by the LA office to give us a closer look.
Intro image for article Arri's New AMIRA Camera Simulator
Tech News
If you've ever browsed the Tools section of Arri's website, you've probably seen their ALEXA simulator, along with a number of other great resources. Well, here's some good news for those of you who are curious about the new AMIRA - Arri recently released the first version of their AMIRA simulator.
Intro image for article At the Bench: C500 & Odyssey7Q 4K Raw/HD Recording
Tutorials & Guides
Convergent Design's Odyssey7Q is a versatile recorder/monitor that's a perfect match for the Canon C500. The Odyssey7Q acts as a great onboard monitor and is capable of recording multiple formats from multiple cameras, but when paired with the C500, it allows for 4K Raw, 2K and HD external recording. What's especially useful with this combo is the ability to record 4K Raw externally, while at the same time recording HD internally with matched filenames.
Intro image for article Fujinon Introduces New Premier PL 25-300mm Cabrio Cine Zoom
Tech News
Today Fujinon introduced the newest member of their popular Cabrio family of lenses; the all-purpose Premier PL 25-300mm (ZK12x25).While not as lightweight as the other Cabrios, the versatile 12x zoom ratio and constant aperture of T3.5 from 25-273mm (gradual ramp to T3.85 from 274-300mm) will surely feel at home on any set and compliments the existing lenses.
Intro image for article Canon Announces New CN7x17 KAS S 17-120 Cine-Servo Zoom
Tech News
Canon has just announced the newest addition to its Cinema Lens lineup, the Cine-Servo CN7x17 KAS S, and we were lucky enough to spend some time it. While sharing the naming convention of a traditional ENG lens, this new 4K Super35 lens shares the same heritage as the popular Cinema Zooms with a versatile 17mm - 120mm (T2.95-3.9) range.
Intro image for article At the Bench: Freefly Systems MōVI M5
Tutorials & Guides
Freefly Systems has started shipping their MōVI M5 3-axis digital stabilized camera gimbal, which is the lightweight little brother to the M10 with a smaller design and a payload capacity of 5 lbs.