Our lens and accessory guide for the Panasonic AU-EVA1 Camera breaks down some of the essential gear that provides added functionality and support for this already impressive camera.

The Canon C500 has been built on the foundation of Canon's popular EOS C300 camera. Sharing the same impressive sensor as the C300, the C500 adds outputs for 10 or 12-bit HD and 2K (2048x1080) video, as well as 4K (both DCI and Quad-HD) RAW output. Available in PL and EOS (EF) mounts, the modular nature and size of the C500 means the camera can live in many configurations - from the fully decked out studio camera to a lightweight run-&-gun setup. In this article, we present the many different lenses and accessories that can be used with the camera.

Back at NAB 2014, Andy did a great booth tour with James Mathers from Digital Cinema Society where he highlighted a number of our new AbelCine-developed optical accessories. One of the products that generated a lot of interest at the show was our IB/E Universal Mount System for Canon Cinema Zooms, which is comprised of our new UMS Conversion Kit for Canon Cinema Zoom lenses (compact zoom and cinema zoom versions available) and the IB/E Universal Mount System (UMS).

One of the great features of the Zeiss CP.2 Prime lenses is the ability to change lens mounts.

Now that the Sony a7S is out in the field and shooting, we thought it would be a good time to put together a lens and accessory guide for this powerful new addition to the line of Sony mirrorless cameras.

Expanding on the 17-120mm Cine-Servo lens introduced at NAB, Canon has just announced the new CN20x50 IAS, which features a whopping focal length range of 50mm-1000mm at T5.0 to T8.9.

Canon has announced their entry into the full format (aka full frame) mirrorless camera market with the EOS-R. The EOS-R represents a new chapter in Canon’s lineup of video-focused still and motion cameras. Sandwiched between the traditional, mirror box-based EF-mount EOS cameras (such as the 5D Mark IV, 7D Mark II and others) and Canon’s purpose-built motion cameras from the Cinema EOS line (C200, C300 Mark II and C700/FF), the EOS-R presents a compact, highly capable body for both stills and motion using a new full format 30.3MP sensor similar in specification to the 5D Mark IV. The camera body also features a 3.69M dot EVF and articulating LCD touchscreen.

In late September, ARRI introduced a new line of Signature Zoom lenses in focal lengths of 16-32mm, 24-75mm, 45-135mm, and 65-300mm. All feature full-frame coverage and fast, constant apertures of T2.8. The 65-300mm is also available with a dedicated 1.7x extender, for a 110.5-510mm range and maximum aperture of T4.95 when mounted.

Sony's new NEX-FS100 camera is a Compact HD camcorder that shares the same Super-35 sized sensor and image characteristics as the PMW-F3. Because of it's relative diminutiveness, the FS100 is suitable for many situations where larger cameras may not be. In this article, we present the many different lenses and accessories that can be used with the camera.