Canon has Look Up Tables (LUTs) on their website for their Cinema EOS line of cameras – the C100, C300 and C500. These LUTs are designed to convert from Canon Log to Rec709 or Cineon. Originally, they were published with only the C300 in mind, but they were later updated to work for the C100 and C500 as well.

With the introduction of the Flex4K from Vision Research, the Phantom high-speed camera lineup offers an interesting and comprehensive range of choices for super slow-motion. The Flex4K, the 2K Flex and the Miro LC320S represent three distinct segments of performance, capability and price.

The Phantom camera lineup continues to expand. It now includes the Phantom Flex4K, the 2K Phantom Flex, and the affordable, ultra-compact Miro M320S. This chart gives an overview of these cameras and compares specs side-by-side.

The Phantom Flex4K from Vision Research is a significant evolution of the Phantom high-speed camera line. In this article, we've answered some of the most commonly asked questions regarding Phantom and the groundbreaking, new Flex4K camera.

One of the advantages of the C100 sharing a sensor with the C300 and C500 is the interoperability between scene files. While the C300 and C500 can share profiles with a bit of simple computer know-how, if you want to use those same profiles on the C100, you'll have to manually copy the settings. I took our C300 scene files and copied the settings to the C100 - our vectorscope confirmed that the profiles are nearly identical, although the C100 tends to be slightly less saturated.

The Resolution Analysis Charts set accurate focus every time with any camera / lens combination at any focal length. Designed by AbelCine engineers to work in all environments and meet the stringent technical requirements of today's HD, 2K and 4K cameras and lenses.

The Sony F5 & F55 cameras are shipping in quantity now, and we've gotten a lot of requests for some custom scene files. I've put together five files in our usual flavors. They are designed both to change the cameras' look and make matching the two cameras easier.The cameras handle colors very differently due to their different Color Filter Arrays (to learn more, read Mitch's article on CFAs), so you'll see some obvious differences in the files. My focus on these files was to match skin tones and give a nice overall look.

The HDx35 Mark II and Hx2 Mark II have been designed for AbelCine by IB/E Optics to enable B4-mount lenses to work with large sensor cameras. On this page we have compiled a list of cameras that are compatible with each adapter.

Creating custom scene files for cameras is an on-going tradition at AbelCine, and there have been quite a few requests from users of the Sony PMW-200. I created some looks for the PMW-200 based on a few of the most popular ones that we created for other cameras in the past.