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Header image for article Sony FX9 Scene Files from AbelCine

Sony FX9 Scene Files from AbelCine

In our tradition of providing scene files for the latest professional cinema cameras, we have created a collection of scene files for the Sony PXW-FX9. These files are based on the looks AbelCine has been creating for many years and are designed to fit a variety of common shooting scenarios.

Download all of AbelCine's Sony FX9 scene files and learn more about each look below.




AB-NORM is a very universal look that can be used for interiors and exteriors. It is a popular look, as it can fit multiple scenarios and lighting ratios, as well as provide nice skin tone reproduction and contrast.



AB_Highligiht, Sony FX9

The AB_HILIT scene file is intended for use in scenes with high contrast ranges, such as a bright day or other scenes where your environment has more highlights than shadows.




AB_HIGHSAT scene file has more saturation and contrast, allowing the colors to be more vibrant and stand out more than the previous looks described above. Notice the vibrant colors in the chart and background as well as skin tone.



JR45CINE, Sony FX9

JR45CINE has less contrast and saturation, and more neutral colors and skin tones. This is designed to give you pleasing colors and dynamic range. It leaves a little room for post color correction if desired since the colors are flatter, but color correction is not necessary.




The JR45 Video scene file is a broadcast style look with saturated colors, but not as saturated as Hi Sat.


Ian McCausland
Camera Technology Specialist, AbelCine LA

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Intro image for article Kitting the Sony FX9: Accessory Guide
Tutorials & Guides
Any time a new compact lightweight camera like Sony's PXW-FX9 comes out, camera assistants and operators have to spend a fair amount of time thinking about how to kit it out. To that end I recently spent some time myself evaluating and analyzing the different accessories on offer for the new camera. I also conferred with our rental department to get the perspective of a typical camera house environment and use that to compare against the more specialized needs of an owner-operator or low-budget filmmaker. Combining this insight with my own experience as a 1st AC and documentary camera operator helped me create this accessory guide, which, while not all-inclusive, should serve as a good starting point for any new FX9 owner.
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