The Canon C200 is a compact camcorder that utilizes the same basic sensor as their flagship Super35 digital cinema camera, the C700. One of the C200's most striking features is the ability to record 4K RAW files in Canon's new Cinema RAW Light format to an internal CFast card. Cinema RAW Light is a lightly compressed RAW video format that maximizes recording time while giving up very little file quality in comparison to "full fat" RAW.

Red Digital Cinema recently celebrated the 10-year anniversary of delivering the first RED ONE camera bodies into the eager hands of early adopters. As exciting as those early years were for the RED community, a number of judgements about the reality of working with files from these cameras have managed to stick with the company’s products even though times, hardware, and industry support for the RED ecosystem have changed a lot since those heady days – and for the better. Let’s take a look at some common misconceptions about working with RED cameras and footage that have persisted and do some “myth-busting.”

The Sony FS7 II is now shipping, and many of you have asked about our custom scene files. While it has the same sensor as it’s predecessor, the FS7 II has a different scene file structure; scene files from an original FS7 cannot be directly uploaded into a FS7 II. Thus, we recreated our popular scene files for the FS7 II and compiled them in this blog post.

The Panasonic VariCam 35 has been called the "workflow camera," as it offers multiple internal recording formats that can really speed up your workflow. The camera can capture a 4K or HD V-Log master, while at the same time recording both HD and proxy for instant dailies. The VariCam LT has the same function, but with just a 4K or HD master and a proxy recording.

The ALEXA Mini from ARRI is a versatile and flexible camera body with a compact form factor and outstanding image quality.

Just over three years ago, I wrote up an article on how to import Canon C300 footage into various NLEs. The C300 Mark II has been out for some time now, but it's just recently that all the major software applications have supported it.

The Sony FS5 has become quite popular, and we've had a lot of requests for our custom scene files lately, so we've created looks for this camera to match our previous looks.

The Canon XC10 is a remarkable addition to the Canon line. It delivers 4K video in an ultra-lightweight and unobtrusive package, making it an ideal camera for documentary filmmakers and photo journalists.

After using Zacuto's Gratical EVF on a few shoots recently, I wanted to take a more in-depth look at the exposure tools and LUT functions that can be extremely valuable on set. I already knew I liked the versatility of the viewfinder and the user-friendly interface, but I wanted to see how these advanced tools could benefit my image and my set.