Lensed by 2023 Fresh Perspectives grantee Junior Pereira, Not Afraid focuses on a young Native woman dealing with the tragic disappearance of her sister. Now that the film is available to stream on YouTube, Junior shared some insights on his experience shooting the film, as well as working with the ARRI ALEXA 35.

In our first Creative Forces interview of the new year, cinematographer Nate Hurtsellers and director Lance Oppenheim team up to discuss their experiences working together on Ren Faire, a three-part HBO original series that chronicles the succession battle at the Texas Renaissance Festival.

Get a closer look at the making of Police Dive, a short documentary directed and filmed by Teresa Carante, one of our 2024 Fresh Perspectives in Cinematography grantees. Police Dive focuses on Sergeant Mike Berry, one of the world's leading underwater investigators. Based at the Virginia State Police and with over 40 years of experience as a public safety diver, Sgt. Berry has pioneered innovative retrieval techniques and managed high-stakes diving investigations across the globe.

We continue our long-running Creative Forces series with East New York cinematographer Jendra Jarnagin.

For this blog, we go on location in Stockholm, Sweden with U.S. and Europe-based cinematographer Rose Bush to discuss the Canon C500 Mk II full frame digital cinema camera, Sumire Prime lenses, and her most recent project Love Child.

Emerson College, the prestigious institution known for its exceptional programs in communication, the arts, and the liberal arts, recently purchased five ARRI ALEXA 35 packages from AbelCine. In addition to scholarly media studies, the Department of Visual & Media Arts emphasizes practical learning on state-of-the-art technology.

For her upcoming feature, Grassland, cinematographer Veronica Bouza chose the new ARRI ALEXA 35. The production filmed both indoors and outdoors on location, putting the camera through its paces in various configurations, ranging from handheld to tripod to Steadicam.

I recently sat down with cinematographer John Matysiak to discuss his experience shooting the tense and beautiful western Old Henry. In this wide-ranging conversation, we talked about his creative inspirations, as well as his technical approach to the film, which was captured on the ARRI ALEXA Mini.

Recently, we asked Cinematographer Lucas Gath about his work on Rap Sh!t and how the Sony VENICE and the VENICE Extension Unit (informally, known as “Rialto”) helped him create two different looks for the show. The new HBO comedy series from executive producer Issa Rae follows two women trying to make it as a rap group in Miami.