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Intro image for article 4K for $10K: Sony FS7 II
Tutorials & Guides
In this episode of my 4K for $10K series, I cover the Sony PXW-FS7M2, or as it's more commonly known, the FS7 II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.
Intro image for article Nic's "Herzog" Accessory Kit for RED DSMC2 Cameras
Tutorials & Guides
DSMC2, the latest generation of RED’s camera BRAIN, is not only powerful, but the entire system is extremely versatile. These bodies can house three different sensors: MONSTRO 8K VV, HELIUM 8K, and GEMINI 5K S35. A wide range of modules and accessories expand the possibilities even further. We asked three of our Technical Specialists to describe their ideal RED DSMC2 package. Here’s a look at what’s in Nic’s RED kit.
Intro image for article 4K for $10K: Canon C200
Tutorials & Guides
In this episode of my 4K for $10K series, I cover the Canon C200. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.
Intro image for article 4K for $10K: Sony FS5 II
Tutorials & Guides
In this episode of my 4K for $10K series, I cover the Sony PXW-FS5M2, or as it's more commonly known, the FS5 II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.
Intro image for article At the Bench: The Versatility of the RED GEMINI Camera
Tutorials & Guides
RED's line of digital cinema cameras features several different sensors, each offering unique features and capabilities to the filmmaker. In this video, I discuss how the GEMINI can be the right choice for many different types of production.
Intro image for article 4K for $10K: Blackmagic Design URSA Mini Pro 4.6K
Tutorials & Guides
In this episode of my 4K for $10K series, I cover the Blackmagic Design URSA Mini Pro 4.6K. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.
Intro image for article 4K for $10K: Panasonic EVA1
Tutorials & Guides
In this the first episode of my 4K for $10K series, I cover the Panasonic AU-EVA1. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.
Intro image for article Introducing "4K for $10K" with Jem Schofield
Tutorials & Guides
As a Director of Photography and producer/director, there are lots digital cinema cameras to choose from. There are a number of options that meet the needs of many DPs, camera operators, media companies, and in-house production departments, are capable of UHD 4K HDR acquisition, and cost less than $10,000. In addition, many of these cameras have capabilities that go well beyond that spec. But, which camera do you choose for your next production?
Intro image for article At the Bench: Loading LUTs on a RED with IPP2 Workflow
Tutorials & Guides
RED's new IPP2 workflow, which is supported in-camera with the latest RED DSMC2 bodies brings a lot to R3D workflows. One of the most important features is the ability to load a custom 33-sided 3D LUT in .cube format into the camera for viewing. In this blog, I show you two scenarios for on set and off set LUT creation.