A lens is a lens is a lens, and it doesn't know what size sensor or film gate is placed behind it. A lens projects light and the magnification size of that projection is determined by its focal length.

Zeiss's eagerly anticipated CP.2 lenses, with interchangeable lens mounts, are here! These revolutionary lenses offer Zeiss's superior optical quality in an EF mount that makes them the ideal choice for HDSLR shooters, and the new lenses are more affordable than ever.

Numerous cameras available today feature a "35mm-sized sensor." How is this defined? They all vary slightly in size, and some are shaped differently so that, when used for HD shooting, the usable size is dramatically reduced. Our clients frequently ask how to compare these different cameras and how sensor size affects field of view and lens coverage. On this topic, words and numbers can be difficult to interpret, so AbelCine decided to produce a graphical chart to better compare areas of coverage.

Manfrotto has introduced its latest fluid head - the 504HD. This 75MM ball fluid head features the FDS variable friction system, while pana and tilt resistance is quick and intuitive.

ARRI Digital has created a series of online resources for the ALEXA camera. These tools are designed for operators to get the most out of the camera. ARRI will be creating more of these tools in the future, and we will continue to bring them to you here.

Recently ProductionHUB.com talked with Moe Shore, Director of New Technologies & Strategic Relations for AbelCine, about Phantom Flex, the newest addition to the lineup of high-speed HD cameras from Vision Research.

Today's cinematographer is constantly switching between a variety of cameras and lenses. For a long time, the professional standard in film and sensor sizes were 16mm, 35mm and 2/3". Recently the choice of digital cameras has increased, and this has created a lot of confusion concerning sensor size, focal length and field of view.

Recently, I was able to get my hands on the new Sony PMW-F3. This compact camera features a 35mm sized sensor and all the formats and functions of the EX1R and EX3.

Since its release in September, the Phantom Flex, from Vision Research, has been used on commercial and feature film shoots around the world, capturing stunning images in both 2D and 3D. Already being asked for by name, the Flex is surpassing expectations as it redefines the high-speed camera landscape.