In this, the last episoide of my 4K for $10K series, I cover the Canon C300 MK II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this episode of my 4K for $10K series, I cover the Sony PXW-FS7M2, or as it's more commonly known, the FS7 II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this episode of my 4K for $10K series, I cover the Canon C200. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this episode of my 4K for $10K series, I cover the Sony PXW-FS5M2, or as it's more commonly known, the FS5 II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this episode of my 4K for $10K series, I cover the Blackmagic Design URSA Mini Pro 4.6K. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this the first episode of my 4K for $10K series, I cover the Panasonic AU-EVA1. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

As a Director of Photography and producer/director, there are lots digital cinema cameras to choose from. There are a number of options that meet the needs of many DPs, camera operators, media companies, and in-house production departments, are capable of UHD 4K HDR acquisition, and cost less than $10,000. In addition, many of these cameras have capabilities that go well beyond that spec. But, which camera do you choose for your next production?

Our popular comparison chart of Phantom high-speed cameras by Vision Research now includes the VEO4K-PL model. Like the 2.5K VEO 640S, the VEO4K-PL features onboard media storage using adffordable CFast 2.0 media. In addition to its 4K sensor, the VEO4K-PL also has a switchable global shutter mode with a higher base ISO compared to using the camera's rolling shutter mode. And, at less than half the size and weight of the illustrious Flex4K, we think this camera opens up new possibilities for high-speed cinematography.

You may remember our previous blog post about the release of the Titan HD Extract option for Convergent Design's Apollo and Odyssey monitor/recorders. Titan allows multiple HD-resolution windows to be captured as distinctly framed shots from a single camera shooting in UHD 4K (3840x2160).