The Canon CN-E 18-80mm T4.4 Servo Zoom is lightweight and versatile, making it a great choice when you're shooting in ENG mode. In this blog, I go through the steps you'll take in order to set back focus on this lens.

Today, Canon announced the new C700 FF, an update to their flagship C700, which sports a brand new 5.9K (38.1 x 20.1mm) sensor for cinematic, full format imagery. A new Canon CN-E 20mm T1.5 L F Cinema Prime covers the camera's full sensor and fits beautifully with other lenses in the family.

Canon optics have a large following in the HDSLR world and are known for producing wonderful skin tones and a beautiful gradation into the blacks. In recent years, the popularity of Canon lenses has extended into the cinema world with many filmmakers seeking special adapters and rigs to use these photo lens in a production environment.

RED's WEAPON 8K camera, announced at this year's NAB show, has many people excited. RED has always pushed the boundaries of digital cinema, and the WEAPON 8K is another great example of this. The most interesting, and perhaps confusing, aspect of this new camera is the size of its sensor.

The MōVI has had a huge impact on our industry. As a result, there is a lot of interest in how to build it to fit various production demands. In this video, I will take you through building a Canon C300 on an M10 and highlight some accessories and power solutions.

Sony's enormously flexible PXW-FS7 has been shipping for about eight months now and is very well received at many different levels of the market. With its two shooting modes -- Custom and CINE-EI -- this camera is well suited to a wide variety of productions and applications.

Canon's Cine-Servo 17-120, with its versatile zoom range and 31.7mm image circle, has proven to be popular with our clients. However, depending on what camera you are shooting with, there are extra items to take into consideration, such as adapters, power options, support, and more.

A few months ago, Canon introduced their new CN20x50 IAS lens, which features an impressive focal range of 50mm-1000mm at T5.0 to T8.9. A Super 35mm lens with this focal length and zoom ratio is very rare, but it certainly has many applications in sports and nature documentary situations. The lens is 4K-ready, with an image circle of 31.4mm, and is available in either a PL or EF mount. It also features a 1.5x multiplier for additional reach of 75mm-1500mm.

Canon has just announced the newest addition to its Cinema Lens lineup, the Cine-Servo CN7x17 KAS S, and we were lucky enough to spend some time it. While sharing the naming convention of a traditional ENG lens, this new 4K Super35 lens shares the same heritage as the popular Cinema Zooms with a versatile 17mm - 120mm (T2.95-3.9) range.